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Can|Flow Motion  (Remastered)

Flow Motion (Remastered)

Can

  • Released on 01-10-1976 by Mute
  • Main artist: Can
  • Genre: Rock
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The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a newfound smoothness to the group's interplay, which Holger Czukay attributes to an interest in reggae music, yet the Caribbean influence is quite subtle; only on "Cascade Waltz" and, particularly, "Laugh Till You Cry Live Till You Die" is there a noticeable reggae lilt. The two highlight tracks are "Smoke," a wild, Moroccan-styled entry in their ever-growing Ethnological Forgery Series, and the limber title track, a ten-and-a-half minute instrumental groove that recalls the best moments of earlier albums like Soon Over Babaluma. By no means one of Can's very best albums, Flow Motion deserves better than its poor reputation in some circles.
© Stewart Mason /TiVo

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Flow Motion (Remastered)

Can

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1
I Want More
00:03:34

Schmidt, Composer - Can, Artist, MainArtist - Czukay, Composer - BUCKS MUSIC GROUP LTD, MusicPublisher - Liebezeit, Composer - Gilmour, Karoli, Composer - Messer Music Ltd, MusicPublisher

2006 2012 Spoon Records 1977 Spoon Records / Bucks Music Group

2
Cascade Waltz
00:05:38

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Peter Gilmour, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

3
Laugh Till You Cry, Live Till You Die
00:06:38

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Peter Gilmour, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

4
…And More
00:02:48

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

5
Babylonian Pearl
00:03:32

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Peter Gilmour, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

6
Smoke (E.F.S. No. 59)
00:05:20

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

7
Flow Motion
00:10:30

Jaki Liebezeit, Composer, Lyricist - Irmin Schmidt, Composer, Lyricist - Can, Artist, MainArtist - Holger Czukay, Composer, Lyricist - Michael Karoli, Composer, Lyricist - Spoon Music/Gema, Messer Music/UK, MusicPublisher

2006 2012 Spoon Records 2013 2013 Spoon Records

Album Description

The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a newfound smoothness to the group's interplay, which Holger Czukay attributes to an interest in reggae music, yet the Caribbean influence is quite subtle; only on "Cascade Waltz" and, particularly, "Laugh Till You Cry Live Till You Die" is there a noticeable reggae lilt. The two highlight tracks are "Smoke," a wild, Moroccan-styled entry in their ever-growing Ethnological Forgery Series, and the limber title track, a ten-and-a-half minute instrumental groove that recalls the best moments of earlier albums like Soon Over Babaluma. By no means one of Can's very best albums, Flow Motion deserves better than its poor reputation in some circles.
© Stewart Mason /TiVo

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