Voces Suaves - Jörg-Andreas Bötticher Come to My Garden - German Early Baroque Lovesongs

Come to My Garden - German Early Baroque Lovesongs

Voces Suaves - Jörg-Andreas Bötticher

Verschenen op 25 mei 2018 bij deutsche harmonia mundi

Hoofdartiest: Voces Suaves

Genre: Klassiek > Wereldlijke vocale muziek

Onderscheidingen: 5 de Diapason ( november 2018)

Inbegrepen: 1 Booklet

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The main composers presented here are Johann Hermann Schein and Melchior Franck, the essential representatives of early German baroque. Schein and Franck were almost exact contemporaries of each other, and developed their respective careers not fifty leagues apart – Coburg for Franck, Leipzig for Schein, who was, remember, a predecessor of Bach's in the role of Cantor of Saint Thomas – but it seems they never met. It must be said that during the 30 Years' War, journeys were not undertaken lightly, and people were much more concerned with not getting gutted, infected with the plague, or killed by starvation than they were with taking day-trips from town to town. It's also startling that so many works have survived to the present day, including in particular the Hohelied Salomos from 1608 – the "Song of Solomon" by Franck, and Schein's collection of Musica boscareggia dating from 1621/28 and the Diletti pastorali of 1628, including several love motets, presented here by Jörg-Andreas Bötticher's instrumental and vocal ensemble Voces suaves. By way of historical reference point, we also here two pieces by Palestrina – after all, the German baroque was greatly influenced by the Italian madrigal – performed in their instrumental version as ornamented by two famous cornettists of the time, Luigi Zenobi and Antonio Bassiano, who have left us many examples of the art of musical variation and ornamentation as they practised it. © SM/Qobuz

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Album : 1 album - 21 tracks Totale duur : 01:09:48

    Toccata per Organo (Improvisation) (Jörg-Andreas Bötticher)
  1. 1 Toccata per Organo (Improvisation)

    Jörg-Andreas Bötticher, Composer, Organ Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  2. Das Hohelied Salomos (Melchior Franck)
  3. 2 Steh auf, meine Freundin (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  4. 3 Siehe meine Freundin (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  5. 4 Wie schön und lieblich (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  6. 5 Mein Freund komme in seinen Garten (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  7. Tota pulchra es (Palestrina)
  8. 6 Tota pulchra es (Instrumental, from "Motetti, Madrigali")

    Plamena Nikitassova, Violin - Jörg-Andreas Bötticher, Organ - Matthias Müller, Viola da Gamba - Ori Harmelin, Lute - Giovanni Pierluigi da Palestrina, Composer - Giovanni Bassano, Composer/Arranger Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  9. Musica boscareccia (Johann Hermann Schein)
  10. 7 O Filli, schön und subtil

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  11. 8 Amor heut triumphieret

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  12. 9 O brennende Äugelein

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  13. 10 O seidene Härelein

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  14. 11 O Sternenäugelein

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  15. Passameza (Valentin Haussmann)
  16. 12 Passameza (Instrumental)

    Plamena Nikitassova, Violin - Jörg-Andreas Bötticher, Harpsichord - Matthias Müller, Viola da Gamba - William Dongois, Cornet - Ori Harmelin, Lute - Valentin Haussmann, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  17. Diletti pastorali (Johann Hermann Schein)
  18. 13 In Filli schönen Äugelein

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  19. 14 Cupido blind, das Venuskind

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  20. 15 O Amarilli zart

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Johann Hermann Schein, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  21. Pulchra es amica mea (Palestrina)
  22. 16 Pulchra es amica mea (Instrumental)

    Jörg-Andreas Bötticher, Organ - William Dongois, Cornet - Ori Harmelin, Lute - Giovanni Pierluigi da Palestrina, Composer - Luigi Zenobi, Composer/Arranger Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  23. Das Hohelied Salomos (Melchior Franck)
  24. 17 Wo ist denn dein Freund hingegangen (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  25. 18 Ich sucht des Nachts in meinem Bett (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  26. 19 Fahet uns die Füchse (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  27. Canzona per Cembalo (Improvisation) (Jörg-Andreas Bötticher)
  28. 20 Canzona per Cembalo (Improvisation)

    Jörg-Andreas Bötticher, Composer, Organ, MainArtist Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  29. Das Hohelied Salomos (Melchior Franck)
  30. 21 Setze mich wie ein Siegel auf dein Herz (from "Geistliche Gesäng")

    Voces Suaves - Jörg-Andreas Bötticher, Conductor - Melchior Franck, Composer Auteursrecht : (P) 2018 Sony Music Entertainment Switzerland GmbH

  • Beschrijving van het album
  • The main composers presented here are Johann Hermann Schein and Melchior Franck, the essential representatives of early German baroque. Schein and Franck were almost exact contemporaries of each other, and developed their respective careers not fifty leagues apart – Coburg for Franck, Leipzig for Schein, who was, remember, a predecessor of Bach's in the role of Cantor of Saint Thomas – but it seems they never met. It must be said that during the 30 Years' War, journeys were not undertaken lightly, and people were much more concerned with not getting gutted, infected with the plague, or killed by starvation than they were with taking day-trips from town to town. It's also startling that so many works have survived to the present day, including in particular the Hohelied Salomos from 1608 – the "Song of Solomon" by Franck, and Schein's collection of Musica boscareggia dating from 1621/28 and the Diletti pastorali of 1628, including several love motets, presented here by Jörg-Andreas Bötticher's instrumental and vocal ensemble Voces suaves. By way of historical reference point, we also here two pieces by Palestrina – after all, the German baroque was greatly influenced by the Italian madrigal – performed in their instrumental version as ornamented by two famous cornettists of the time, Luigi Zenobi and Antonio Bassiano, who have left us many examples of the art of musical variation and ornamentation as they practised it. © SM/Qobuz

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