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Kelly Markgraf|Bates: The (R)evolution of Steve Jobs

Bates: The (R)evolution of Steve Jobs

Thaddeus Ennen, Edward Parks, Michael Christie, Santa Fe Opera Orchestra

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It's inescapable: love him or hate him, Steve Jobs was a real character. By turns a visionary, an inventor, a despot, a manipulator, he took his computer business to the top of the industry. Long a public figure, he is now a character in an opera, brought to life brilliantly by Mark Campbell and composer Mason Bates, two great explorers of the most offbeat corners of American lyric art. Their opera, The (R)evolution of Steve Jobs , first performed in 2017 in Santa Fe, presents the IT magnate and his inner circle around the time of the foundation and development of their business, his friends and his enemies, all in an extravagant musical language, in which Bates introduces a leitmotif for every new character and situation, with instrumental colours, dedicated themes, and also interjections of electronic sounds, from – you've guessed it – computers and mobile phones made by the firm itself. There's also some jazz thrown in (the symphonic jazz of Bernstein or Gershwin), and some very progressive rock, with atonalism and chromatism, as well as Adams-style minimalism. Bates stays firmly within the realm of classical lyricism, because his modernity has nothing to do with avant-gardist destruction: rather, it's a new creation based on existing elements being used in a thoroughly original and personal way. This recording was made at the world première in Santa Fe in summer 2017. © SM/Qobuz

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Bates: The (R)evolution of Steve Jobs

Kelly Markgraf

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The (R)evolution of Steve Jobs (Mason Bates)

1
Prologue: Thought it was high-time (Paul)
Kelly Markgraf
00:03:16

Mason Bates, Composer - Kelly Markgraf, Artist, MainArtist - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra

(C) 2018 PENTATONE (P) 2018 PENTATONE

2
Overture
Santa Fe Opera Orchestra
00:01:19

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

3
Scene 1: Thanks for coming (Steve, Ensemble)
Edward Parks
00:07:41

Mason Bates, Composer - Michael Christie, Conductor - Andrew Maughan, Artist - Santa Fe Opera Orchestra, Orchestra - Adelaide Boedecker, Artist - Edward Parks, Artist, MainArtist - Adam Bonanni, Artist - Kristen Choi, Artist - Thaddeus Ennen, Artist - Corrie Stallings, Artist - Tyler Zimmerman, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

4
Scene 2: Hey, stranger (Laurene, Steve)
Edward Parks
00:03:09

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

5
Meditative Interlude
Santa Fe Opera Orchestra
00:01:33

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

6
Scene 3: What are you doing here? (Steve, Kōbun)
Edward Parks
00:02:31

Mason Bates, Composer - Michael Christie, Conductor - Wei Wu, Artist - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

7
Scene 4: A circle (Ensemble, Teacher, Steve)
Edward Parks
00:01:05

Mason Bates, Composer - Michael Christie, Conductor - Andrew Maughan, Artist - Santa Fe Opera Orchestra, Orchestra - Adelaide Boedecker, Artist - Edward Parks, Artist, MainArtist - Adam Bonanni, Artist - Kristen Choi, Artist - Thaddeus Ennen, Artist - Corrie Stallings, Artist - Tyler Zimmerman, Artist - Mariya Kaganskaya, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

8
Scene 5: It's like totally simple (Woz, Steve)
Edward Parks
00:04:04

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist - Garrett Sorenson, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

9
Scene 6: I still don't feel anything (Steve, Chrisann)
Edward Parks
00:05:45

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist - Jessica E. Jones, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

10
Scene 7: That can also be a ticking clock (Kōbun, Steve)
Edward Parks
00:06:23

Mason Bates, Composer - Michael Christie, Conductor - Wei Wu, Artist - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

11
Scene 8: Welcome to "View from the Top 1989." (Steve, Laurene)
Edward Parks
00:02:14

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

12
Scene 9: One more thing (Woz, Steve)
Edward Parks
00:04:42

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist - Garrett Sorenson, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

13
Scene 9: Music. Bach. Instruments. (Steve)
Edward Parks
00:03:44

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

DISC 2

1
Scene 10: Just move in? (Laurene, Steve)
Edward Parks
00:02:54

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

2
Scene 11: One button, turn it on (Steve, Chrisann, Woz)
Edward Parks
00:03:52

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist - Garrett Sorenson, Artist - Jessica E. Jones, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

3
Interlude: The Rise and Fall of Steve Jobs
Santa Fe Opera Orchestra
00:03:03

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

4
Scene 12: They need to make a change (Ensemble, Steve, Chrisann, Woz)
Edward Parks
00:05:54

Mason Bates, Composer - Michael Christie, Conductor - Andrew Maughan, Artist - Santa Fe Opera Orchestra, Orchestra - Adelaide Boedecker, Artist - Edward Parks, Artist, MainArtist - Adam Bonanni, Artist - Kristen Choi, Artist - Thaddeus Ennen, Artist - Corrie Stallings, Artist - Tyler Zimmerman, Artist - Garrett Sorenson, Artist - Jessica E. Jones, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

5
Scene 12: You've become one of the people we hated (Woz, Steve)
Edward Parks
00:03:04

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist - Garrett Sorenson, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

6
Scene 12: They're waiting for you in the boardroom (Ensemble, Steve)
Edward Parks
00:02:54

Mason Bates, Composer - Michael Christie, Conductor - Andrew Maughan, Artist - Santa Fe Opera Orchestra, Orchestra - Adelaide Boedecker, Artist - Edward Parks, Artist, MainArtist - Adam Bonanni, Artist - Kristen Choi, Artist - Thaddeus Ennen, Artist - Corrie Stallings, Artist - Tyler Zimmerman, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

7
Dark Interlude
Santa Fe Opera Orchestra
00:01:46

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

8
Scenes 13, 14, 15: Karma can suck (Kōbun, Steve, Laurene)
Edward Parks
00:03:00

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Wei Wu, Artist - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

9
Scene 16: Where were you (Laurene, Steve)
Edward Parks
00:07:41

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

10
Lyrical Interlude
Santa Fe Opera Orchestra
00:00:51

Mason Bates, Composer - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

11
Scene 17: Kan ji zai bo za tsu (Kōbun, Steve, Laurene)
Edward Parks
00:03:38

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Wei Wu, Artist - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

12
Scene 18: And now he is gone (Laurene, Steve, Kōbun, Ensemble, Woz)
Edward Parks
00:03:23

Sasha Cooke, Artist - Mason Bates, Composer - Michael Christie, Conductor - Wei Wu, Artist - Andrew Maughan, Artist - Santa Fe Opera Orchestra, Orchestra - Adelaide Boedecker, Artist - Edward Parks, Artist, MainArtist - Adam Bonanni, Artist - Kristen Choi, Artist - Thaddeus Ennen, Artist - Corrie Stallings, Artist - Tyler Zimmerman, Artist - Garrett Sorenson, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

13
Scene 18 - Epilogue: Hope you like this table (Laurene, Paul, Steve)
Kelly Markgraf
00:04:32

Sasha Cooke, Artist - Mason Bates, Composer - Kelly Markgraf, Artist, MainArtist - Michael Christie, Conductor - Santa Fe Opera Orchestra, Orchestra - Edward Parks, Artist

(C) 2018 PENTATONE (P) 2018 PENTATONE

Albumbeschreibung

It's inescapable: love him or hate him, Steve Jobs was a real character. By turns a visionary, an inventor, a despot, a manipulator, he took his computer business to the top of the industry. Long a public figure, he is now a character in an opera, brought to life brilliantly by Mark Campbell and composer Mason Bates, two great explorers of the most offbeat corners of American lyric art. Their opera, The (R)evolution of Steve Jobs , first performed in 2017 in Santa Fe, presents the IT magnate and his inner circle around the time of the foundation and development of their business, his friends and his enemies, all in an extravagant musical language, in which Bates introduces a leitmotif for every new character and situation, with instrumental colours, dedicated themes, and also interjections of electronic sounds, from – you've guessed it – computers and mobile phones made by the firm itself. There's also some jazz thrown in (the symphonic jazz of Bernstein or Gershwin), and some very progressive rock, with atonalism and chromatism, as well as Adams-style minimalism. Bates stays firmly within the realm of classical lyricism, because his modernity has nothing to do with avant-gardist destruction: rather, it's a new creation based on existing elements being used in a thoroughly original and personal way. This recording was made at the world première in Santa Fe in summer 2017. © SM/Qobuz

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