Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
You hesitate to assign national characteristics to musical performances. After all, Arturo Toscanini was noted as both a Wagnerian and a Brahmsian. Yet, this big reading of Verdi's Requiem by Christian Thielemann, leading the Staatskapelle Dresden and Sächsischer Staatsopernchor Dresden arguably qualifies as Germanic. It doesn't conform to von Bülow's dictum that the Requiem was merely an opera in sacred garb. If anything, Thielemann makes a German symphony out of it, with all its elements in balance. You can find more purely Verdian readings, but there is much to recommend in this live recording, made during an annual commemoration of the destruction of Dresden in 1945, at which Verdi's, and other requiem masses are performed. The lack of applause at the end was not accomplished through engineering, but is traditional. Start with the particular strengths of the Staatskapelle Dresden, whose brass section, especially since the ascent of Thielemann to the podium, is perhaps the best in Europe. Sample the famed Dies irae, and hear how its sweeping power comes from the way Thielemann is able to shape what the brass are doing. The flipside are the solo movements, ably handled here by a set of vocalists who remain under Thielemann's control. Profil's engineers contribute greatly: they are willing to tolerate a slight loss of clarity to bring you into the midst of this uniquely muscular reading of this work, and the overall effect is powerful indeed. Not the last word on the Verdi Requiem, but certainly a reading that demands to be heard.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 124.90/mes
Messa da requiem (Giuseppe Verdi)
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Marina Prudenskaja, Mezzo-Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Krassimira Stoyanova, Soprano - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Charles Castronovo, Tenor - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
DISCO 2
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Krassimira Stoyanova, Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer
(C) 2019 Profil (P) 2019 Profil
Presentación del Álbum
You hesitate to assign national characteristics to musical performances. After all, Arturo Toscanini was noted as both a Wagnerian and a Brahmsian. Yet, this big reading of Verdi's Requiem by Christian Thielemann, leading the Staatskapelle Dresden and Sächsischer Staatsopernchor Dresden arguably qualifies as Germanic. It doesn't conform to von Bülow's dictum that the Requiem was merely an opera in sacred garb. If anything, Thielemann makes a German symphony out of it, with all its elements in balance. You can find more purely Verdian readings, but there is much to recommend in this live recording, made during an annual commemoration of the destruction of Dresden in 1945, at which Verdi's, and other requiem masses are performed. The lack of applause at the end was not accomplished through engineering, but is traditional. Start with the particular strengths of the Staatskapelle Dresden, whose brass section, especially since the ascent of Thielemann to the podium, is perhaps the best in Europe. Sample the famed Dies irae, and hear how its sweeping power comes from the way Thielemann is able to shape what the brass are doing. The flipside are the solo movements, ably handled here by a set of vocalists who remain under Thielemann's control. Profil's engineers contribute greatly: they are willing to tolerate a slight loss of clarity to bring you into the midst of this uniquely muscular reading of this work, and the overall effect is powerful indeed. Not the last word on the Verdi Requiem, but certainly a reading that demands to be heard.
© TiVo
Detalles de la grabación original : Recording: MDR KULTUR live transmission, February 13, 2014 in the Semperoper “In memory of the destruction of Dresden on February 13, 1945”
Acerca del álbum
- 2 disco(s) - 16 pista(s)
- Duración total: 01:21:10
- 1 Libreto digital
- Artistas principales: Staatskapelle Dresden
- Compositor: Giuseppe Verdi
- Sello: Profil
- Área: Italie
- Género Clásica Música vocal (profana y sacra) Música coral (para coro)
- Periodo: Música Romántica
(C) 2019 Profil (P) 2019 Profil
Mejorar la información del álbum