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Mikhail Simonyan|Two Souls - Khachaturian | Barber

Two Souls - Khachaturian | Barber

Mikhail Simonyan, London Symphony Orchestra, Kristjan Järvi

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Two Souls. An ideal title for the debut recording album of a young violinist whose heritage draws from Armenian and American backgrounds. To highlight these two divergent cultural influences, violinist Mikhail Simonyan has chosen the violin concertos of Aram Khachaturian and Samuel Barber. The flamboyantly virtuosic Khachaturian concerto is punched out with authoritative bravura, gripping power of tone, and a musical excitement that keeps listeners rapt from start to finish. Making this particular recording even noteworthy is the new cadenza that Simonyan commissioned in an effort to highlight the distinctively Armenian musical idiom. Simonyan's heritage truly emerges throughout the hauntingly beautiful cadenza, contrasting marvelously with the concerto's many aggressive moments. Deutshe Grammophon's sound in this concerto appropriately highlights the edgy, gritty tone that Simonyan produces and is nicely balanced with the superb playing by the London Symphony Orchestra under Kristjan Järvi. This same close sound does not serve the Barber concerto quite as well. A bit more warmth and softness would have greatly helped the first and second movements. Simonyan makes the curious choice to tone down the frenetic nature of the Presto Finale, opting for a slower, more deliberate tempo that doesn't make for quite as exciting a finish as this talented young violinist is capable of.

© TiVo

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Two Souls - Khachaturian | Barber

Mikhail Simonyan

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Violin Concerto (Aram Ilyitch Khatchaturian)

1
1. Allegro con fermezza
Mikhail Simonyan
00:16:51

Aram Khachaturian, Composer - Mike Hatch, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Artur Avanesov, Composer, Cadenzor - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

2
2. Andante sostenuto
Mikhail Simonyan
00:11:30

Aram Khachaturian, Composer - Mike Hatch, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

3
3. Allegro vivace
Mikhail Simonyan
00:09:18

Aram Khachaturian, Composer - Mike Hatch, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

Concerto for Violin & Orchestra, Op. 14 (Samuel Barber)

4
1. Allegro
London Symphony Orchestra
00:10:35

Mike Hatch, Recording Engineer, StudioPersonnel - Samuel Barber, Composer - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

5
2. Andante
London Symphony Orchestra
00:08:37

Mike Hatch, Recording Engineer, StudioPersonnel - Samuel Barber, Composer - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

6
3. Presto in moto perpetuo
London Symphony Orchestra
00:03:50

Mike Hatch, Recording Engineer, StudioPersonnel - Samuel Barber, Composer - London Symphony Orchestra, Orchestra, MainArtist - Mikhail Simonyan, Violin, MainArtist, AssociatedPerformer - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

7
Adagio for Strings, Op. 11
London Symphony Orchestra
00:09:46

Mike Hatch, Recording Engineer, StudioPersonnel - Samuel Barber, Composer - London Symphony Orchestra, Orchestra, MainArtist - Kristjan Järvi, Conductor, MainArtist - Philip Traugott, Producer, Recording Producer - Craig Jenkins, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2011 Deutsche Grammophon GmbH, Berlin

Presentación del Álbum

Two Souls. An ideal title for the debut recording album of a young violinist whose heritage draws from Armenian and American backgrounds. To highlight these two divergent cultural influences, violinist Mikhail Simonyan has chosen the violin concertos of Aram Khachaturian and Samuel Barber. The flamboyantly virtuosic Khachaturian concerto is punched out with authoritative bravura, gripping power of tone, and a musical excitement that keeps listeners rapt from start to finish. Making this particular recording even noteworthy is the new cadenza that Simonyan commissioned in an effort to highlight the distinctively Armenian musical idiom. Simonyan's heritage truly emerges throughout the hauntingly beautiful cadenza, contrasting marvelously with the concerto's many aggressive moments. Deutshe Grammophon's sound in this concerto appropriately highlights the edgy, gritty tone that Simonyan produces and is nicely balanced with the superb playing by the London Symphony Orchestra under Kristjan Järvi. This same close sound does not serve the Barber concerto quite as well. A bit more warmth and softness would have greatly helped the first and second movements. Simonyan makes the curious choice to tone down the frenetic nature of the Presto Finale, opting for a slower, more deliberate tempo that doesn't make for quite as exciting a finish as this talented young violinist is capable of.

© TiVo

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