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Spandau Ballet|Through the Barricades  ((Remastered))

Through the Barricades ((Remastered))

Spandau Ballet

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Idioma disponible: inglés

By the time Spandau Ballet's fifth album appeared in 1986, the sun had set on the synth poppers of the second British Invasion and guitars were all the rage once again. Never ones to miss a trend, the former new romantics -- who'd signed with a new label, Epic, and were determined to make a big splash stateside -- declared their admiration for bands like Bon Jovi and made an album that likely surprised their diminishing fan base with its AOR aspirations. Rocking up Spandau Ballet's smooth white-boy soul, Through the Barricades manages to avoid utter disaster via the tuneful creations of songwriter/guitarist Gary Kemp. Some would argue Kemp had finally evolved into a first-class hack, but while his songs never avoid a cliché if it can be helped (and occasionally offer much worse; see "Virgin"), he does a credible job of supplying his bandmates with arena-ready material like "How Many Lies." Unsurprisingly, melodramatic vocalist Tony Hadley digs in with real gusto, but the production and mix prove the undoing of this effort. Most of the tunes demand guitar and drum bombast; instead, the riff-rocking "Cross the Line" and "Fight for Ourselves," in particular, are undercut by the polite-sounding rhythm section. Given that weakness, which affects much of the album, it's unsurprising that the best song by far is the title track, a Bic-flicking acoustic ballad that became a deserved hit.

© Dan LeRoy /TiVo

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Through the Barricades ((Remastered))

Spandau Ballet

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1
Barricades (Introduction) (Remastered)
00:01:17

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

2
Cross the Line (Remastered)
00:04:07

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

3
Man in Chains (Remastered)
00:05:41

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

4
How Many Lies? (Remastered)
00:05:20

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

5
Virgin (Remastered)
00:04:23

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

6
Fight for Ourselves (Remastered)
00:04:22

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

7
Swept (Remastered)
00:04:53

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

8
Snakes and Lovers (Remastered)
00:04:35

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

9
Through the Barricades (Remastered)
00:05:59

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

10
Fight for Ourselves (Extended Remix) (Remastered)
00:07:27

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

11
Fight... The Heartache (Remastered)
00:04:12

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

12
Through the Barricades (Extended Version) (Remastered)
00:07:08

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

13
Cross the Line (Extended Version) (Remastered)
00:06:16

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

14
How Many Lies? (Instrumental) (Remastered)
00:05:24

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Langan, Producer - Gary Kemp, Composer, Lyricist

(P) 2017 Sony Music Entertainment UK Limited

15
Fight... The Heartache (Alternate Version)
00:03:15

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

16
Through the Barricades (One Track Vocal Guide Demo)
00:04:52

Spandau Ballet, Associated Performer, Main Artist, Producer - Gary Kemp, Composer, Lyricist - Gary Langan, Producer

(P) 2017 Sony Music Entertainment UK Limited

Presentación del Álbum

By the time Spandau Ballet's fifth album appeared in 1986, the sun had set on the synth poppers of the second British Invasion and guitars were all the rage once again. Never ones to miss a trend, the former new romantics -- who'd signed with a new label, Epic, and were determined to make a big splash stateside -- declared their admiration for bands like Bon Jovi and made an album that likely surprised their diminishing fan base with its AOR aspirations. Rocking up Spandau Ballet's smooth white-boy soul, Through the Barricades manages to avoid utter disaster via the tuneful creations of songwriter/guitarist Gary Kemp. Some would argue Kemp had finally evolved into a first-class hack, but while his songs never avoid a cliché if it can be helped (and occasionally offer much worse; see "Virgin"), he does a credible job of supplying his bandmates with arena-ready material like "How Many Lies." Unsurprisingly, melodramatic vocalist Tony Hadley digs in with real gusto, but the production and mix prove the undoing of this effort. Most of the tunes demand guitar and drum bombast; instead, the riff-rocking "Cross the Line" and "Fight for Ourselves," in particular, are undercut by the polite-sounding rhythm section. Given that weakness, which affects much of the album, it's unsurprising that the best song by far is the title track, a Bic-flicking acoustic ballad that became a deserved hit.

© Dan LeRoy /TiVo

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