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The Bad Plus|These Are The Vistas

These Are The Vistas

The Bad Plus

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Idioma disponible: inglés

Whether or not pianist Ethan Iverson is literally using it, all of the Bad Plus' These Are The Vistas sounds as if it was recorded with the sustain pedal of the piano depressed. It's actually probably mostly the fault of producer Tchad Blake (Soul Coughing, Cibo Matto, Los Lobos), who applies his incredible treatments throughout the album, shining through especially in his work on David King's chaotic drums. Nonetheless, the Bad Plus sound as if they are in a cavernous space. The band rolls out the now-requisite jazz covers of pop tunes (in this case, Nirvana's "Smells Like Teen Spirit," Blondie's "Heart of Glass," and Aphex Twin's "Flim"), but it is their attitude (the very fact that they hired Blake to begin with, for example) that carries them the distance. The band itself is quite compelling. Iverson is a complex piano player. His skills come to bear on the abstract epic "Silence Is The Question," which closes the album, as his spidery piano lines melt into chaotic statements, left hand meeting subtly with bassist Reid Anderson, right hand meeting crazily with King. What is impressive is that the trio manages to sound contemporary using only piano, bass, and drums, and without resorting to electronic gimmicks. Whether or not the band is reinventing jazz is irrelevant. These Are The Vistas is good, interesting music.

© Jesse Jarnow /TiVo

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These Are The Vistas

The Bad Plus

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1
Big Eater (Album Version)
Various Interprets
00:03:53

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Composer - Reid Anderson, Lyricist - Reid Anderson, Bass - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

2
Keep The Bugs Off Your Glass And The Bears Off Your Ass (Album Version)
Various Interprets
00:05:49

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Bass - David king, Composer - David king, Lyricist - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

3
Smells Like Teen Spirit (Album Version)
Various Interprets
00:05:57

David King, Drums - Ethan Iverson, Piano - K. Cobain, Composer - K. Cobain, Lyricist - D. Grohl, Composer - D. Grohl, Lyricist - Tchad Blake, Producer - Tchad Blake, Recording Engineer - Bob Ludwig, Mastering Engineer - K. A. Novoselic, Composer - K. A. Novoselic, Lyricist - Reid Anderson, Bass - The Bad Plus, Producer - The Bad Plus, Performer

(P) 2002 Sony Music Entertainment Inc.

4
Everywhere You Turn (Album Version)
Various Interprets
00:04:56

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Composer - Reid Anderson, Lyricist - Reid Anderson, Bass - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

5
1972 Bronze Medalist (Album Version)
Various Interprets
00:05:19

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Bass - David king, Composer - David king, Lyricist - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

6
Guilty (Album Version)
Various Interprets
00:05:33

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Bass - Ethan Iverson, Composer - Ethan Iverson, Piano - Ethan Iverson, Lyricist

(P) 2002 Sony Music Entertainment Inc.

7
Boo-Wah (Album Version)
Various Interprets
00:03:55

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Bass - Ethan Iverson, Composer - Ethan Iverson, Piano - Ethan Iverson, Lyricist

(P) 2002 Sony Music Entertainment Inc.

8
Flim (Album Version)
Various Interprets
00:04:05

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Richard David James, Composer - Richard David James, Lyricist - Reid Anderson, Bass - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

9
Heart Of Glass (Album Version)
Various Interprets
00:04:47

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Bass - Deborah Harry, Composer - Deborah Harry, Lyricist - Ethan Iverson, Piano - Chris Stein, Composer - Chris Stein, Lyricist

(P) 2002 SONY BMG MUSIC ENTERTIANMENT

10
Silence Is The Question (Album Version)
Various Interprets
00:08:11

Bob Ludwig, Mastering Engineer - The Bad Plus, Producer - The Bad Plus, Performer - Tchad Blake, Producer - Tchad Blake, Recording Engineer - David King, Drums - Reid Anderson, Composer - Reid Anderson, Lyricist - Reid Anderson, Bass - Ethan Iverson, Piano

(P) 2002 Sony Music Entertainment Inc.

11
What Love Is This (Album Version)
Various Interprets
00:04:06

The Bad Plus, Performer - The Bad Plus, Producer - Tchad Blake, Producer - Ethan Iverson, Composer - Ethan Iverson, Lyricist

(P) 2003 Sony Music Entertainment Inc.

Presentación del Álbum

Whether or not pianist Ethan Iverson is literally using it, all of the Bad Plus' These Are The Vistas sounds as if it was recorded with the sustain pedal of the piano depressed. It's actually probably mostly the fault of producer Tchad Blake (Soul Coughing, Cibo Matto, Los Lobos), who applies his incredible treatments throughout the album, shining through especially in his work on David King's chaotic drums. Nonetheless, the Bad Plus sound as if they are in a cavernous space. The band rolls out the now-requisite jazz covers of pop tunes (in this case, Nirvana's "Smells Like Teen Spirit," Blondie's "Heart of Glass," and Aphex Twin's "Flim"), but it is their attitude (the very fact that they hired Blake to begin with, for example) that carries them the distance. The band itself is quite compelling. Iverson is a complex piano player. His skills come to bear on the abstract epic "Silence Is The Question," which closes the album, as his spidery piano lines melt into chaotic statements, left hand meeting subtly with bassist Reid Anderson, right hand meeting crazily with King. What is impressive is that the trio manages to sound contemporary using only piano, bass, and drums, and without resorting to electronic gimmicks. Whether or not the band is reinventing jazz is irrelevant. These Are The Vistas is good, interesting music.

© Jesse Jarnow /TiVo

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