Categorías:
Carrito 0

Servicio no disponible por el momento

Damnation|The Second Damnation Plus

The Second Damnation Plus

Damnation

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Idioma disponible: inglés

The Damnation of Adam Blessing's second LP (sometimes attributed in discographies to Damnation) went in a harder rock direction than their 1969 self-titled debut. The result was a more stylistically consistent, yet overall less interesting effort that was closer to the standard of competent, but below-top-of-the-line early Midwestern hard rock bands, lacking some of the pop influences that were among the most interesting attributes of their prior album. It's not totally run-of-the-mill, though, since Adam Blessing was one of the best singers in the style, and since the group were more adept at background vocal harmonies than almost any other similar bands of the era. "Death of a Virgin" and (to a lesser extent) "Everyone," actually sound closer to the likes of Moby Grape and some of Quicksilver's more song-driven material than Midwestern hard rock; this and some other tracks are graced with some particularly exceptional bass playing by Ray Benich. Cuts like "Driver" and "Back to the River" are more typical of their approach, though, relying on pile-driving blues-rockish riffs and pummeling drums, boringly so on the overlong "In the Morning."
© Richie Unterberger /TiVo

Más información

The Second Damnation Plus

Damnation

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 124.90/mes

1
No Way
00:03:18

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

2
Death of a Virgin
00:03:41

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

3
Driver
00:03:56

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

4
Everyone
00:04:13

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

5
Back to the River
00:05:19

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

6
Money Tree
00:04:50

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

7
Ba-Dup
00:03:22

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

8
New York City Woman
00:06:01

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

9
In the Morning
00:06:16

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

10
Smile
00:01:06

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

11
Sunny Days
00:04:36

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

12
Running Away
00:05:52

Damnation, Performer - Bob Kalamasz, Composer, Writer - Ray Benich, Composer, Writer - Adam Blessing, Composer, Writer - Jim Quinn, Composer, Writer - Bill Schwark, Composer, Writer

Akarma Akarma

13
Find Out Lover
00:04:55

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

14
Get Up
00:03:59

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

15
Dawn
00:05:25

Damnation, Performer - Bill Constable, Composer, Writer - Ken Constable, Composer, Writer - Ray Benich, Composer, Writer - William Schwark, Composer, Writer - Robert Kalamasz, Composer, Writer - Jim Quinn, Composer, Writer

Akarma Akarma

Presentación del Álbum

The Damnation of Adam Blessing's second LP (sometimes attributed in discographies to Damnation) went in a harder rock direction than their 1969 self-titled debut. The result was a more stylistically consistent, yet overall less interesting effort that was closer to the standard of competent, but below-top-of-the-line early Midwestern hard rock bands, lacking some of the pop influences that were among the most interesting attributes of their prior album. It's not totally run-of-the-mill, though, since Adam Blessing was one of the best singers in the style, and since the group were more adept at background vocal harmonies than almost any other similar bands of the era. "Death of a Virgin" and (to a lesser extent) "Everyone," actually sound closer to the likes of Moby Grape and some of Quicksilver's more song-driven material than Midwestern hard rock; this and some other tracks are graced with some particularly exceptional bass playing by Ray Benich. Cuts like "Driver" and "Back to the River" are more typical of their approach, though, relying on pile-driving blues-rockish riffs and pummeling drums, boringly so on the overlong "In the Morning."
© Richie Unterberger /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Damnation

Reborn

Damnation

Reborn Damnation

State of Freedom

Damnation

State of Freedom Damnation

Jack the Ripper

Damnation

Jack the Ripper Damnation

DEMO(n)S

Damnation

DEMO(n)S Damnation

The Damnation Of Adam Blessing

Damnation

Playlists

Quizás también le guste...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam