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Kenny Werner|The Maybeck Recital Series, Vol. 34 (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)

The Maybeck Recital Series, Vol. 34 (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)

Kenny Werner

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Kenny Werner's Maybeck recital, volume 34 in the series, wanders even more freely and unpredictably than most, establishing his footing somewhere just outside the periphery of mainstream solo piano. A neo-romantic, free-associative spirit pervades these excursions, which sometimes end up in surprising places. The opening "Roberta Moon" roams in an almost new age-like manner until it reaches a streak of high velocity, while "Someday My Prince Will Come" is more boppish, with some nice abrupt transitions. An attractive voyage through "In Your Own Sweet Way" moves through "Jeepers Creepers," a snatch of "Raindrops Keep Falling on My Head," and finally ends up at the door of "Naima." The way he gets around "Try to Remember" before breaking playfully into "St. Thomas" is especially interesting. A most attractive entry in the long Maybeck line.
© Richard S. Ginell /TiVo

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The Maybeck Recital Series, Vol. 34 (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)

Kenny Werner

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1
Roberta Moon (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:13:09

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

2
Someday My Prince Will Come (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:08:38

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Larry Morey, Author - Kenny Werner, Piano, MainArtist, AssociatedPerformer - Frank Churchill, Composer - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

3
In Your Own Sweet Way / Naima (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:12:10

John Coltrane, ComposerLyricist - Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer - Dave Brubeck, ComposerLyricist - Iola Brubeck, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

4
Autumn Leaves (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:07:41

Nick Phillips, Producer, Recording Producer - Johnny Mercer, ComposerLyricist - Jacques Prevert, ComposerLyricist - Joseph Kosma, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

5
Try To Remember / St. Thomas (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:04:46

Nick Phillips, Producer, Recording Producer - Tom Jones, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer - Sonny Rollins, Composer - Harvey Schmidt, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

6
Guru (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:06:43

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Records, Inc.

7
A Child Is Born (Live At Maybeck Recital Hall, Berkeley, CA / February 27, 1994)
00:05:45

Nick Phillips, Producer, Recording Producer - Thad Jones, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Kenny Werner, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Elizabeth Bell, Production Coordinator, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Barbara Fisher, Recording Engineer, StudioPersonnel

℗ 1994 Concord Jazz

Presentación del Álbum

Kenny Werner's Maybeck recital, volume 34 in the series, wanders even more freely and unpredictably than most, establishing his footing somewhere just outside the periphery of mainstream solo piano. A neo-romantic, free-associative spirit pervades these excursions, which sometimes end up in surprising places. The opening "Roberta Moon" roams in an almost new age-like manner until it reaches a streak of high velocity, while "Someday My Prince Will Come" is more boppish, with some nice abrupt transitions. An attractive voyage through "In Your Own Sweet Way" moves through "Jeepers Creepers," a snatch of "Raindrops Keep Falling on My Head," and finally ends up at the door of "Naima." The way he gets around "Try to Remember" before breaking playfully into "St. Thomas" is especially interesting. A most attractive entry in the long Maybeck line.
© Richard S. Ginell /TiVo

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