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The Velvet Underground|The Bootleg Series Vol.1 - The Quine Tapes (Live)

The Bootleg Series Vol.1 - The Quine Tapes (Live)

The Velvet Underground

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Idioma disponible: inglés

Bootleg Series, Vol. 1: The Quine Tapes is a three-CD compilation of live performances from the Velvet Underground. This is likewise the first in presumably a series of recordings documenting the band's concert visage throughout their brief history. This volume is derived from the semi-legit and non-professional recordings of Robert Quine (guitar), who at the time was a fan as well as a friend of the band. During the intervening years, Quine became a founding member of Richard Hell & the Voidoids and later went on to work with guitarist Lou Reed on his 1982 solo album, Blue Mask. A majority of these recordings are from the VU's swing through the San Francisco Bay Area circa late November/early December 1969. Additionally, they reflect the period just prior to embarking upon the Loaded album. This latter-era band includes: Lou Reed (guitar/vocals), Sterling Morrison (guitar/vocals), Doug Yule (bass/organ/vocals), and Maureen "Mo" Tucker (percussion/vocals). Tucker's contributions are of particular note, as this collection features both "After Hours" as well as "I'm Sticking With You," her only VU-related lead vocals. The track list likewise offers a decent sampling from the group's back catalog, including a few tunes that had yet to be issued at the time these recordings were made. Among them are "Ride into the Sun" and "I Can't Stand It" -- which would initially surface on Lou Reed's self-titled debut -- as well as a few tunes that were never issued on a studio album by the band, such as "Over You," and "It's Just Too Much." These titles are likewise available on 1969: Velvet Underground Live. Potential consumers should note that the no-fi sound quality of this release is at the very worst only a minor distraction. For the most part these recordings are clean. Although they are in mono, they are as enjoyable -- if not more so -- than similarly issued releases, such as the previously mentioned 1969: Velvet Underground Live or Live at Max's Kansas City, both of which were unprofessionally documented.
© Lindsay Planer /TiVo

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The Bootleg Series Vol.1 - The Quine Tapes (Live)

The Velvet Underground

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1
I'm Waiting For The Man (Live)
00:07:46

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

2
Too Much (Live)
00:04:10

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

3
What Goes On (Live)
00:08:27

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

4
I Can't Stand It (Live)
00:06:21

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

5
Some Kinda Love (Live (1969/The Family Dog))
00:04:50

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

6
Foggy Notion (Live)
00:04:43

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

7
Femme Fatale (Live)
00:03:15

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

8
After Hours (Live)
00:03:05

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

9
I'm Sticking With You (Live)
00:02:50

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

10
Sunday Morning (Live)
00:02:58

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

11
Sister Ray (Live (1969/The Family Dog))
00:23:57

Sterling Morrison, ComposerLyricist - Maureen Tucker, ComposerLyricist - John Cale, ComposerLyricist - Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist - Robert Quine, Recording Engineer, StudioPersonnel

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

DISCO 2

1
Follow The Leader (Live)
00:17:08

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

2
White Light/White Heat (Live (1969/San Francisco))
00:10:05

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist - Robert Quine, Recording Engineer, StudioPersonnel

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

3
Venus In Furs (Live In San Francisco / 1969)
00:05:16

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

4
Heroin (Live In San Francisco / 1969)
00:08:12

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist - Robert Quine, Recording Engineer, StudioPersonnel

℗ 2001 The Velvet Underground

5
Sister Ray (Live (1969/The Matrix))
00:38:00

Sterling Morrison, ComposerLyricist - Maureen Tucker, ComposerLyricist - John Cale, ComposerLyricist - Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist - Robert Quine, Recording Engineer, StudioPersonnel

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

DISCO 3

1
Rock And Roll (Live)
00:06:51

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

2
New Age (Live)
00:11:19

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

3
Over You (Live)
00:02:42

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

4
The Black Angel's Death Song (Live)
00:05:55

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

5
I'm Waiting For The Man (Live)
00:11:39

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

6
Ride Into The Sun (Live)
00:11:12

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

7
Sister Ray / Foggy Notion (Live)
00:28:40

Lou Reed, ComposerLyricist - The Velvet Underground, MainArtist

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

Presentación del Álbum

Bootleg Series, Vol. 1: The Quine Tapes is a three-CD compilation of live performances from the Velvet Underground. This is likewise the first in presumably a series of recordings documenting the band's concert visage throughout their brief history. This volume is derived from the semi-legit and non-professional recordings of Robert Quine (guitar), who at the time was a fan as well as a friend of the band. During the intervening years, Quine became a founding member of Richard Hell & the Voidoids and later went on to work with guitarist Lou Reed on his 1982 solo album, Blue Mask. A majority of these recordings are from the VU's swing through the San Francisco Bay Area circa late November/early December 1969. Additionally, they reflect the period just prior to embarking upon the Loaded album. This latter-era band includes: Lou Reed (guitar/vocals), Sterling Morrison (guitar/vocals), Doug Yule (bass/organ/vocals), and Maureen "Mo" Tucker (percussion/vocals). Tucker's contributions are of particular note, as this collection features both "After Hours" as well as "I'm Sticking With You," her only VU-related lead vocals. The track list likewise offers a decent sampling from the group's back catalog, including a few tunes that had yet to be issued at the time these recordings were made. Among them are "Ride into the Sun" and "I Can't Stand It" -- which would initially surface on Lou Reed's self-titled debut -- as well as a few tunes that were never issued on a studio album by the band, such as "Over You," and "It's Just Too Much." These titles are likewise available on 1969: Velvet Underground Live. Potential consumers should note that the no-fi sound quality of this release is at the very worst only a minor distraction. For the most part these recordings are clean. Although they are in mono, they are as enjoyable -- if not more so -- than similarly issued releases, such as the previously mentioned 1969: Velvet Underground Live or Live at Max's Kansas City, both of which were unprofessionally documented.
© Lindsay Planer /TiVo

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