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Vaclav Talich|Talich Special Edition 10. Dvořák: Stabat Mater - Suk: Asrael

Talich Special Edition 10. Dvořák: Stabat Mater - Suk: Asrael

Václav Talich, Prague Philharmonic Choir, Czech Philharmonic Orchestra

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The facts speak for themselves: Dvorák composed his Stabat Mater after the deaths of his first three children and Suk composed his Asrael Symphony after the deaths of his father-in-law Dvorák and then his young wife Ottilie, Dvorák's fourth child. And yet, for all the music's horrors and anguish, Dvorák's Stabat Mater and Suk's Asrael are ultimately deeply consoling, both finally providing comfort and solace to those shattered by grief. In Supraphon's distinguished series of re-releases of the recorded legacy of Václav Talich, the coupling of his 1952 recordings of the Stabat Mater and the Asrael is inspired. Talich, universally acknowledged to be the greatest Czech conductor of the twentieth century, was steeped in the music of both composers. He'd made his debut with the Czech Philharmonic leading the premiere of Suk's Ripening two days after the Czech Republic was declared and his recordings of Dvorák's Slavonic Dance and Smetana's Má Vlast made his international reputation in the '30s. And Talich, of course, was the conductor who built the Czech Philharmonic into an orchestra of marvelous strength, wonderful suppleness, and ineffable sweetness, and whose forced separation from them in the years after the Communist revolution was painful for them both. They were, however, allowed to make recordings together, and thus there are these performances of the Stabat Mater and the Asrael, performances of immense power, tremendous intensity and enormous profundity. While only the foolhardy would try to listen to both works back-to-back, anyone who loves late romantic music will have to hear these performances. They were, in their time as they are in ours, the greatest recordings either work had ever received. Supraphon's monaural sound is big and gray but honest.
© TiVo

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Talich Special Edition 10. Dvořák: Stabat Mater - Suk: Asrael

Vaclav Talich

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1
Stabat Mater, Op. 58, B. 71: I. Stabat Mater dolorosa - Andante con moto
Prague Philharmonic Choir
00:21:24

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Marta Krasova, MainArtist - Drahomira Tikalova, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Beno Blachut, MainArtist - Vaclav Talich, MainArtist - Karel Kalas, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

2
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret - Andante sostenuto
Czech Philharmonic Orchestra
00:10:13

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Marta Krasova, MainArtist - Drahomira Tikalova, MainArtist - Jacopone da Todi, Lyricist - Beno Blachut, MainArtist - Vaclav Talich, MainArtist - Karel Kalas, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

3
Stabat Mater, Op. 58, B. 71: III. Eja, Mater, fons amoris - Andante con moto
Prague Philharmonic Choir
00:06:11

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Vaclav Talich, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

4
Stabat Mater, Op. 58, B. 71: IV. Fac, ut ardeat cor meum - Largo
Prague Philharmonic Choir
00:08:25

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Vaclav Talich, MainArtist - Karel Kalas, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

5
Stabat Mater, Op. 58, B. 71: V. Tui Nati vulnerati - Andante con moto, quasi allegretto
Prague Philharmonic Choir
00:05:27

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Vaclav Talich, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

6
Stabat Mater, Op. 58, B. 71: VI. Fac me vere tecum flere - Andante con moto
Prague Philharmonic Choir
00:06:57

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Beno Blachut, MainArtist - Vaclav Talich, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

7
Stabat Mater, Op. 58, B. 71: VII. Virgo virginum praeclara - Largo
Prague Philharmonic Choir
00:07:23

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Vaclav Talich, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

8
Stabat Mater, Op. 58, B. 71: VIII. Fac, ut portem Christi mortem - Larghetto
Czech Philharmonic Orchestra
00:05:59

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Drahomira Tikalova, MainArtist - Jacopone da Todi, Lyricist - Beno Blachut, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

9
Stabat Mater, Op. 58, B. 71: IX. Inflammatus et accensus - Andante maestoso
Czech Philharmonic Orchestra
00:05:25

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Marta Krasova, MainArtist - Jacopone da Todi, Lyricist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

10
Stabat Mater, Op. 58, B. 71: X. Quando corpus morietur - Andante con moto
Prague Philharmonic Choir
00:07:53

Antonín Dvorák, Composer - Czech Philharmonic Orchestra, MainArtist - Marta Krasova, MainArtist - Drahomira Tikalova, MainArtist - Jacopone da Todi, Lyricist - Prague Philharmonic Choir, MainArtist - Beno Blachut, MainArtist - Vaclav Talich, MainArtist - Karel Kalas, MainArtist - Jan Kühn, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

11
Asrael. Symphony for Large Orchestra in C Minor, Op. 27: I. Andante sostenuto
Czech Philharmonic Orchestra
00:15:24

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

12
Asrael. Symphony for Large Orchestra in C Minor, Op. 27: II. Andante
Czech Philharmonic Orchestra
00:08:18

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

13
Asrael. Symphony for Large Orchestra in C Minor, Op. 27: III. Vivace
Czech Philharmonic Orchestra
00:11:46

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

14
Asrael. Symphony for Large Orchestra in C Minor, Op. 27: IV. Adagio
Czech Philharmonic Orchestra
00:11:17

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

15
Asrael. Symphony for Large Orchestra in C Minor, Op. 27: V. Adagio e maestoso
Czech Philharmonic Orchestra
00:15:07

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

16
Talich during the recording session on May 28, 1952 - Asrael. Symphony for Large Orchestra in C Minor, Op. 27
Czech Philharmonic Orchestra
00:05:13

Josef Suk, Composer - Czech Philharmonic Orchestra, MainArtist - Vaclav Talich, MainArtist

2023 SUPRAPHON a.s. 2023 SUPRAPHON a.s.

Presentación del Álbum

The facts speak for themselves: Dvorák composed his Stabat Mater after the deaths of his first three children and Suk composed his Asrael Symphony after the deaths of his father-in-law Dvorák and then his young wife Ottilie, Dvorák's fourth child. And yet, for all the music's horrors and anguish, Dvorák's Stabat Mater and Suk's Asrael are ultimately deeply consoling, both finally providing comfort and solace to those shattered by grief. In Supraphon's distinguished series of re-releases of the recorded legacy of Václav Talich, the coupling of his 1952 recordings of the Stabat Mater and the Asrael is inspired. Talich, universally acknowledged to be the greatest Czech conductor of the twentieth century, was steeped in the music of both composers. He'd made his debut with the Czech Philharmonic leading the premiere of Suk's Ripening two days after the Czech Republic was declared and his recordings of Dvorák's Slavonic Dance and Smetana's Má Vlast made his international reputation in the '30s. And Talich, of course, was the conductor who built the Czech Philharmonic into an orchestra of marvelous strength, wonderful suppleness, and ineffable sweetness, and whose forced separation from them in the years after the Communist revolution was painful for them both. They were, however, allowed to make recordings together, and thus there are these performances of the Stabat Mater and the Asrael, performances of immense power, tremendous intensity and enormous profundity. While only the foolhardy would try to listen to both works back-to-back, anyone who loves late romantic music will have to hear these performances. They were, in their time as they are in ours, the greatest recordings either work had ever received. Supraphon's monaural sound is big and gray but honest.
© TiVo

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