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Andrey Gugnin|Shostakovich: 24 Preludes, Op. 34; Piano Sonatas Nos. 1 & 2

Shostakovich: 24 Preludes, Op. 34; Piano Sonatas Nos. 1 & 2

Andrey Gugnin

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The most significant of Dmitry Shostakovich's solo piano works are presented on Andrey Gugnin's 2019 release from Hyperion, reflecting three stages of his development from student composer to mature master. The Piano Sonata No. 1 was originally subtitled "October Symphony," and was intended as a tribute to the October revolution of 1917, though the overt association was dropped when Shostakovich dubbed his Symphony No. 2 in B flat major "To October." Composed in 1926, this wild and impulsive sonata is from Shostakovich's most experimental period, and demonstrates the young composer's eagerness to join the avant-garde. Similarly inventive, though more concentrated on a tonal scheme based on the circle of fifths, were the 24 Preludes and Fugues (1932-33), which reveal a greater contrapuntal discipline and control of materials. Between this set and the Sonata No. 2 in B minor of 1943, Shostakovich had been chastised by the Soviet authorities in 1936 for his opera, Lady Macbeth of the Mtsensk District, and he turned to a more accessible and melodic style that may have kept him alive. This sonata, and the "Nocturne" excerpted from the ballet, The Limpid Stream, are perhaps the most conventional sounding pieces here and less stylistically identifiable, but Gugnin's thoughtful performances bring the program together, not as a full portrait of Shostakovich the composer, but as a consideration of his adaptability to the changing times and his genius in many forms and styles.

© TiVo

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Shostakovich: 24 Preludes, Op. 34; Piano Sonatas Nos. 1 & 2

Andrey Gugnin

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1
Piano Sonata No. 1, Op. 12
00:13:02

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

2
24 Preludes, Op. 34: No. 1 in C Major. Moderato
00:01:50

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

3
24 Preludes, Op. 34: No. 2 in A Minor. Allegretto
00:00:47

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

4
24 Preludes, Op. 34: No. 3 in G Major. Andante
00:02:07

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

5
24 Preludes, Op. 34: No. 4 in E Minor. Moderato
00:03:02

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

6
24 Preludes, Op. 34: No. 5 in D Major. Allegro vivace
00:00:25

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

7
24 Preludes, Op. 34: No. 6 in B Minor. Allegretto
00:01:17

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

8
24 Preludes, Op. 34: No. 7 in A Major. Andante
00:01:43

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

9
24 Preludes, Op. 34: No. 8 in F-Sharp Minor. Allegretto
00:01:00

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

10
24 Preludes, Op. 34: No. 9 in E Major. Presto
00:00:39

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

11
24 Preludes, Op. 34: No. 10 in C-Sharp Minor. Moderato non troppo
00:01:56

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

12
24 Preludes, Op. 34: No. 11 in B Major. Allegretto
00:00:48

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

13
24 Preludes, Op. 34: No. 12 in G-Sharp Minor. Allegro non troppo
00:01:13

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

14
24 Preludes, Op. 34: No. 13 in F-Sharp Major. Moderato
00:02:13

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

15
24 Preludes, Op. 34: No. 14 in E-Flat Minor. Adagio
00:02:34

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

16
24 Preludes, Op. 34: No. 15 in D-Flat Major. Allegretto
00:00:57

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

17
24 Preludes, Op. 34: No. 16 in B-Flat Minor. Andantino
00:01:09

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

18
24 Preludes, Op. 34: No. 17 in A-Flat Major. Largo
00:02:47

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

19
24 Preludes, Op. 34: No. 18 in F Minor. Allegretto
00:00:50

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

20
24 Preludes, Op. 34: No. 19 in E-Flat Major. Andantino
00:01:49

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

21
24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso
00:00:39

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

22
24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato
00:00:38

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

23
24 Preludes, Op. 34: No. 22 in G Minor. Adagio
00:02:47

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

24
24 Preludes, Op. 34: No. 23 in F Major. Moderato
00:01:01

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

25
24 Preludes, Op. 34: No. 24 in D Minor. Allegretto
00:01:30

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

26
Piano Sonata No. 2, Op. 61: I. Allegretto
00:07:11

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

27
Piano Sonata No. 2, Op. 61: II. Largo
00:07:30

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

28
Piano Sonata No. 2, Op. 61: III. Moderato con moto
00:13:43

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

29
The Limpid Stream, Op. 39: Nocturne (Arr. for Piano)
00:02:02

Dmitri Shostakovich, Composer - Andrey Gugnin, Piano, MainArtist, AssociatedPerformer

℗ 2019 Hyperion Records Limited

Presentación del Álbum

The most significant of Dmitry Shostakovich's solo piano works are presented on Andrey Gugnin's 2019 release from Hyperion, reflecting three stages of his development from student composer to mature master. The Piano Sonata No. 1 was originally subtitled "October Symphony," and was intended as a tribute to the October revolution of 1917, though the overt association was dropped when Shostakovich dubbed his Symphony No. 2 in B flat major "To October." Composed in 1926, this wild and impulsive sonata is from Shostakovich's most experimental period, and demonstrates the young composer's eagerness to join the avant-garde. Similarly inventive, though more concentrated on a tonal scheme based on the circle of fifths, were the 24 Preludes and Fugues (1932-33), which reveal a greater contrapuntal discipline and control of materials. Between this set and the Sonata No. 2 in B minor of 1943, Shostakovich had been chastised by the Soviet authorities in 1936 for his opera, Lady Macbeth of the Mtsensk District, and he turned to a more accessible and melodic style that may have kept him alive. This sonata, and the "Nocturne" excerpted from the ballet, The Limpid Stream, are perhaps the most conventional sounding pieces here and less stylistically identifiable, but Gugnin's thoughtful performances bring the program together, not as a full portrait of Shostakovich the composer, but as a consideration of his adaptability to the changing times and his genius in many forms and styles.

© TiVo

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