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AGF & Craig Armstrong

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This disc is actually a collaboration between Antye Greie (aka AGF) and Craig Armstrong, a soundtrack composer who's also worked with Massive Attack, U2, Madonna, and many others. It's the score to a stage play based on Virginia Woolf's novel Orlando, and while it's slightly more lush than AGF's previous discs -- which have been extremely minimalist and frequently focused on electronic manipulations of her voice --it's not typical of Armstrong's work, which tends to feature surging and receding strings and melancholy piano. (There are some tracks here featuring cello, but AGF's whispers are just as dominant.) The music works well outside the context of the play; heard by itself, it's a moody, vaguely ominous electronic disc with a pervasive melancholy and sense of spiritual isolation (which, of course, Virginia Woolf welcomed, as a writer). Far from a nonessential side project, this is a release any AGF fan will want to hear.
© Phil Freeman /TiVo

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1
Writing Pitch And Depth
00:02:24

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

2
For Ever And Ever And Ever Alone
00:03:59

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

3
Yearning Years
00:00:39

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

4
The Tree
00:03:38

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

5
I Held A Queen
00:00:25

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

6
The Queen
00:01:34

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

7
Birds Froze In Mid-Air
00:03:41

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

8
Princess Marousha Stanilovska Dagmar Natascha Iliana Romanovitch
00:03:33

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

9
I Opened My Eyes
00:05:19

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

10
Betrayal
00:04:17

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

11
Konstantinopolis
00:03:35

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

12
You Sleep On
00:01:01

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

13
Sleep
00:07:26

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

14
Sex At Thought
00:00:26

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

15
Enamoured Lady
00:03:42

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

16
The Archduke
00:01:34

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

17
Rain Falls
00:01:01

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

18
Damp
00:04:12

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

19
Nature´s Bride
00:04:13

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

20
The Way We Write
00:02:03

AGF & Craig Armstrong, Performer - Antye Greie, Composer - Craig Armstrong, Composer

AGF Producktion AGF Producktion

Presentación del Álbum

This disc is actually a collaboration between Antye Greie (aka AGF) and Craig Armstrong, a soundtrack composer who's also worked with Massive Attack, U2, Madonna, and many others. It's the score to a stage play based on Virginia Woolf's novel Orlando, and while it's slightly more lush than AGF's previous discs -- which have been extremely minimalist and frequently focused on electronic manipulations of her voice --it's not typical of Armstrong's work, which tends to feature surging and receding strings and melancholy piano. (There are some tracks here featuring cello, but AGF's whispers are just as dominant.) The music works well outside the context of the play; heard by itself, it's a moody, vaguely ominous electronic disc with a pervasive melancholy and sense of spiritual isolation (which, of course, Virginia Woolf welcomed, as a writer). Far from a nonessential side project, this is a release any AGF fan will want to hear.
© Phil Freeman /TiVo

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