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Cows|Old Gold (1989-91)

Old Gold (1989-91)

Cows

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Idioma disponible: inglés

Serving as both an excellent introduction to the Cows' freaked-out, discordant universe and as a reissue of older, out-of-print album tracks and singles, Old Gold captures this quartet's arc of development from a sloppy, discordant Butthole Surfer-esque punk band to legendary noise rock merchants. Culling tracks from 1989's massively off-kilter Daddy Has a Tail, 1990s more developed Effete and Impudent Snobs, and the band's first classic album, 1991's Peacetika, Old Gold also contains "One O'Clock High" from the "Slapback" single. With a tone that most clearly resembles the damaging, atonal scraping Ted Falconi employed in Flipper, guitarist Thor Eisentrager's shrill feedback and distortion is perfectly foiled by Kevin Rutmanis' amorphous, melting bass tone; truly it sounds as though Rutmanis' bass is melting through the amps. As the tracks on Old Gold progress, so do the Cows musically, and by the time the cuts from Peacetika have been reached, the band is capable of harnessing and developing melody while retaining their signature noise attack.

© Patrick Kennedy /TiVo

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Old Gold (1989-91)

Cows

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1
Shaking
00:02:47

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

2
Camouflage Monkey
00:02:14

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

3
Part My Konk
00:06:09

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

4
Bum In The Alley
00:03:20

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

5
By The Throat
00:02:08

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

6
I Miss Her Beer
00:02:09

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

7
Sugar
00:02:47

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

8
Chasin' Darla
00:04:28

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

9
Sticky & Sweet
00:04:33

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

10
Memorial
00:04:23

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

11
Dirty Leg
00:02:39

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

12
Big Mickey
00:03:15

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

13
Preyed On
00:03:34

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

14
Whitney In The Woodpile
00:02:18

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

15
Cartoon Corral
00:01:41

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

16
Little Bit
00:04:11

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

17
Hitting The Wall
00:02:41

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

18
I'm Missing
00:03:56

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

19
Can't Die
00:03:07

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

20
3-Way Lisa
00:02:59

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

21
Good Cop
00:02:38

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

22
Peacetika
00:04:14

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

23
One O'Clock High
00:03:37

Cows, MainArtist

(C) 1996 Am Rep Records (P) 1996 Am Rep Records

Presentación del Álbum

Serving as both an excellent introduction to the Cows' freaked-out, discordant universe and as a reissue of older, out-of-print album tracks and singles, Old Gold captures this quartet's arc of development from a sloppy, discordant Butthole Surfer-esque punk band to legendary noise rock merchants. Culling tracks from 1989's massively off-kilter Daddy Has a Tail, 1990s more developed Effete and Impudent Snobs, and the band's first classic album, 1991's Peacetika, Old Gold also contains "One O'Clock High" from the "Slapback" single. With a tone that most clearly resembles the damaging, atonal scraping Ted Falconi employed in Flipper, guitarist Thor Eisentrager's shrill feedback and distortion is perfectly foiled by Kevin Rutmanis' amorphous, melting bass tone; truly it sounds as though Rutmanis' bass is melting through the amps. As the tracks on Old Gold progress, so do the Cows musically, and by the time the cuts from Peacetika have been reached, the band is capable of harnessing and developing melody while retaining their signature noise attack.

© Patrick Kennedy /TiVo

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