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Agalloch|Of Stone, Wind, & Pillor  (Remastered 2021)

Of Stone, Wind, & Pillor (Remastered 2021)

Agalloch

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Of Stone, Wind and Pillor collects material left off Agalloch's first album, 1999's very impressive Pale Folklore. Its first three songs were previously released in a now hard-to-find 7", and sound quite similar to the depressive ambient folk-metal heard on the band's debut. The remaining two cuts offer more of a departure, and include an awkward-sounding cover of Sol Invictus' "Kneel to the Cross" and a low-key ambient instrumental named "A Poem by Yeats." In some respects, this release might have served as a good introduction, even if in reverse chronological order, to Agalloch's challenging sound, but when heard outside a full album context, these brief snapshots come across as simply too scattered and unfocused.

© Eduardo Rivadavia /TiVo

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Of Stone, Wind, & Pillor (Remastered 2021)

Agalloch

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1
Of Stone, Wind, & Pillor
00:06:59

Copyright Control, MusicPublisher - Don Anderson, Composer - Agalloch, Artist, MainArtist - John Haughm, Composer, Lyricist - Gus Elg, Producer - Jason William Walton, Composer - Michael Lastra, Producer

2021 Eisenwald 2021 Eisenwald

2
Foliorum Viridium
00:02:42

Copyright Control, MusicPublisher - Agalloch, Artist, MainArtist - Gus Elg, Producer - Daniel S. Breyer, Composer, Producer

2021 Eisenwald 2021 Eisenwald

3
Haunting Birds
00:03:44

Copyright Control, MusicPublisher - Agalloch, Artist, MainArtist - John Haughm, Composer - Gus Elg, Producer - Michael Lastra, Producer

2021 Eisenwald 2021 Eisenwald

4
Kneel to the Cross
00:05:55

Copyright Control, MusicPublisher - Tony Wakeford, Composer, Lyricist - Agalloch, Artist, MainArtist - Gus Elg, Producer - Ronn Chick, Producer

2021 Eisenwald 2021 Eisenwald

5
A Poem by Yeats
00:04:05

Copyright Control, MusicPublisher - Agalloch, Artist, MainArtist - Gus Elg, Producer - Daniel S. Breyer, Composer, Lyricist, Producer - Aaron Sholes, Producer

2021 Eisenwald 2021 Eisenwald

Presentación del Álbum

Of Stone, Wind and Pillor collects material left off Agalloch's first album, 1999's very impressive Pale Folklore. Its first three songs were previously released in a now hard-to-find 7", and sound quite similar to the depressive ambient folk-metal heard on the band's debut. The remaining two cuts offer more of a departure, and include an awkward-sounding cover of Sol Invictus' "Kneel to the Cross" and a low-key ambient instrumental named "A Poem by Yeats." In some respects, this release might have served as a good introduction, even if in reverse chronological order, to Agalloch's challenging sound, but when heard outside a full album context, these brief snapshots come across as simply too scattered and unfocused.

© Eduardo Rivadavia /TiVo

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