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Idioma disponible: inglés
Produced by Rick Hall in 1993, Nickels & Dimes & Love was recorded outside of Nash Vegas at Muscle Shoals in Alabama. It was also the last time Gosdin nailed the charts, with Hugh Prestwood's "Back When," a mid- to uptempo burner with gorgeous acoustic guitars, a lilting fiddle, and pedal steel that jumps in texture and phrasing from verse to refrain. It's a love song that verges on a breakup tune. But in the grain of Gosdin's voice, the track becomes a song of hope and redemption. One of Gosdin's five contributions is a solid honky tonk number, "Bury Me in a Jukebox." In that George Jones croon of his, Gosdin sounds like he's having a good time even when he's broken -- as long as the Telecasters and steel guitars are ringing out in the heart of the mix. And they certainly do here. Uncharacteristically, Gosdin travels deep into outlaw terrain with the pumping "I Like My Country Music Kinda Rock." Here a funky backbeat frames a razor-wire guitar and rounded high-pitched pedal steel, as a bluegrass fiddle anchors the tune in the country camp. The high point on the album, however, is a duet with Janie Fricke entitled "Two People With a Love Gone Bad," another Gosdin number. If there were ever a song written too late, this one was. It should have been written for George Jones and Tammy Wynette. In the voices of this pair, it's still a devastatingly beautiful country weeper that transcends the country genre and becomes simply a beautiful song. Gosdin was focused here on writing for the charts, and it is reflected in the production, but nonetheless he remains completely true to the tradition in his execution. Gosdin would remain with Columbia for another four years, but this was the beginning of a transformation in country music that would leave him out, as it had others in his generation. It was too bad for country, because Gosdin is the real thing.
© Thom Jurek /TiVo
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Vern Gosdin, Associated Performer, Main Artist - Rick Hall, Producer - Johnny MacRae, Composer, Lyricist - Steve Clark, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Main Artist - Rick Hall, Producer - Hugh Prestwood, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Main Artist - Kerry Kurt Phillips, Composer, Lyricist - Andy Spooner, Composer, Lyricist - Randy Boudreaux, Composer, Lyricist - Russell Smith - Dennis Wilson - Billy Hullett, Acoustic Guitar - Mac McAnally, Acoustic Guitar - Fred Newell, Banjo, Electric Guitar - Larry Byrom, Electric Guitar - Brent Mason, Electric Guitar - Don Srygley, Electric Guitar, Engineer - Wayne Bridge, Steel Guitar - Jim Vest, Steel Guitar - Mickey Buckins, Assistant Engineer, Percussion - Jerry Kroon, Drums - Ron Oates, Keyboards, Piano - Chalmers Davis, Organ - Bob Wray, Bass - Rob Hajacos, Fiddle - Bill Darnell, Harmonica - Rick Hall, Engineer, Producer - Hollis Flatt, Mastering Engineer
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Composer, Lyricist, Main Artist - Rick Hall, Producer - Buddy Cannon, Composer, Lyricist - John Northrup, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Main Artist - Rick Hall, Producer - Walt Aldridge, Composer, Lyricist - Gary Nicholson, Composer, Lyricist - Donnie Fritts, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Composer, Lyricist, Main Artist - Rick Hall, Producer - Robin Taylor, Composer, Lyricist - David Ball, Composer, Lyricist - John Northrup, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Composer, Lyricist, Main Artist - Janie Fricke, Associated Performer, Featured Artist - Vern Gosdin feat. Janie Fricke, Associated Performer - Rick Hall, Producer - Buddy Cannon, Composer, Lyricist - Dean Dillon, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Composer, Lyricist, Main Artist - Rick Hall, Producer - John Northrup, Composer, Lyricist - Robert Ellis Orrall, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Main Artist - Rick Hall, Producer - Russell Smith, Composer, Lyricist - James Hooker, Composer, Lyricist
(P) 1993 Sony Music Entertainment
Vern Gosdin, Associated Performer, Composer, Lyricist, Main Artist - Buddy Cannon, Composer, Lyricist - Dean Dillon, Composer, Lyricist - Russell Smith - Dennis Wilson - Billy Hullett, Acoustic Guitar - Mac McAnally, Acoustic Guitar - Larry Byrom, Electric Guitar - Brent Mason, Electric Guitar - Don Srygley, Electric Guitar, Engineer - Fred Newell, Bass, Electric Guitar - Wayne Bridge, Steel Guitar - Jim Vest, Steel Guitar - Jerry Kroon, Drums - Ron Oates, Piano - Bob Wray, Bass - Rob Hajacos, Fiddle - Bill Darnell, Harmonica - Rick Hall, Engineer, Producer - Mickey Buckins, Assistant Engineer - M.C. Rather, Mastering Engineer - Hollis Flatt, Mastering Engineer
(P) 1993 Sony Music Entertainment
Presentación del Álbum
Produced by Rick Hall in 1993, Nickels & Dimes & Love was recorded outside of Nash Vegas at Muscle Shoals in Alabama. It was also the last time Gosdin nailed the charts, with Hugh Prestwood's "Back When," a mid- to uptempo burner with gorgeous acoustic guitars, a lilting fiddle, and pedal steel that jumps in texture and phrasing from verse to refrain. It's a love song that verges on a breakup tune. But in the grain of Gosdin's voice, the track becomes a song of hope and redemption. One of Gosdin's five contributions is a solid honky tonk number, "Bury Me in a Jukebox." In that George Jones croon of his, Gosdin sounds like he's having a good time even when he's broken -- as long as the Telecasters and steel guitars are ringing out in the heart of the mix. And they certainly do here. Uncharacteristically, Gosdin travels deep into outlaw terrain with the pumping "I Like My Country Music Kinda Rock." Here a funky backbeat frames a razor-wire guitar and rounded high-pitched pedal steel, as a bluegrass fiddle anchors the tune in the country camp. The high point on the album, however, is a duet with Janie Fricke entitled "Two People With a Love Gone Bad," another Gosdin number. If there were ever a song written too late, this one was. It should have been written for George Jones and Tammy Wynette. In the voices of this pair, it's still a devastatingly beautiful country weeper that transcends the country genre and becomes simply a beautiful song. Gosdin was focused here on writing for the charts, and it is reflected in the production, but nonetheless he remains completely true to the tradition in his execution. Gosdin would remain with Columbia for another four years, but this was the beginning of a transformation in country music that would leave him out, as it had others in his generation. It was too bad for country, because Gosdin is the real thing.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 00:32:57
- Artistas principales: Vern Gosdin
- Compositor: Various Composers
- Sello: Columbia Nashville Legacy
- Género Blues/Country/Folk Country
(P) 1993 Sony Music Entertainment
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