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Barbara Schlick|Mozart: Mass No. 11 in C Major, "Credo" / Te Deum Laudamus / Regina Coeli

Mozart: Mass No. 11 in C Major, "Credo" / Te Deum Laudamus / Regina Coeli

Klaus Knubben

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Why should anyone listen to this disc of Mozart's "Credo" Mass along with five shorter sacred works, including Ave Verum Corpus, with so many fine recordings of these works already available? Soprano Barbara Schlick is a wonderful singer with a warm, lyrical voice, but she alone is not reason enough to listen. Bass-baritone Thomas Quasthoff is a marvelous musician with a deep, dramatic voice, but alone he is not reason enough to listen. The Gürzenich Kammerorchester Köln is a serviceable enough ensemble, but it isn't reason enough to listen. Conductor Klaus Knubben is a skillful conductor, but he isn't reason enough to listen. Profil's undated recording is quite loud, but it is also much too reverberant and thus not always easy to listen to. The Limburger Dom-Singknaben is a pure, clear, sweet, light, and strong boys' choir, and its performances throughout are nearly equal to the best ever recorded. Is that reason enough to listen to this disc? Yes, is: try the choir's Ave Verum Corpus. It may or may not be the best ever recorded, but it is surely exquisitely lovely.
© TiVo

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Mozart: Mass No. 11 in C Major, "Credo" / Te Deum Laudamus / Regina Coeli

Barbara Schlick

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Mass No. 11 in C Major, K. 257, "Credo" (Wolfgang Amadeus Mozart)

1
Kyrie
Barbara Schlick
00:02:34

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

2
Gloria
Barbara Schlick
00:03:56

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

3
Credo
Barbara Schlick
00:09:09

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

4
Sanctus
Barbara Schlick
00:01:28

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

5
Benedictus
Barbara Schlick
00:05:36

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

6
Agnus Dei
Barbara Schlick
00:05:06

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

Alma Dei creatoris, K. 277 (Wolfgang Amadeus Mozart)

7
Alma Dei creatoris, K. 277
Barbara Schlick
00:05:36

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

Regina coeli, K. 108 (Wolfgang Amadeus Mozart)

8
Regina coeli, K. 276
Barbara Schlick
00:06:57

Wolfgang Amadeus Mozart, Composer - Thomas Quasthoff, Artist - Barbara Schlick, Artist, MainArtist - Clemens Bieber, Artist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Erika Schmidt-Valentin, Artist - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

Vesperae solennes de Confessore, K. 339 (Wolfgang Amadeus Mozart)

9
Vesperae solennes de confessore, K. 339
Barbara Schlick
00:04:15

Wolfgang Amadeus Mozart, Composer - Barbara Schlick, Artist, MainArtist - Limburger Cathedral Boys Choir, Choir - Klaus Knubben, Conductor - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

10
Ave Verum Corpus, K. 618: Ave verum corpus, K. 618
Limburger Cathedral Boys Choir
00:03:17

Wolfgang Amadeus Mozart, Composer - Limburger Cathedral Boys Choir, Choir, MainArtist - Klaus Knubben, Conductor - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

Te Deum, K. 141 (Wolfgang Amadeus Mozart)

11
Te Deum, K. 141
Limburger Cathedral Boys Choir
00:07:16

Wolfgang Amadeus Mozart, Composer - Limburger Cathedral Boys Choir, Choir, MainArtist - Klaus Knubben, Conductor - Gürzenich-Orchester Köln, Orchestra

(C) 2004 Profil (P) 2004 Profil

Presentación del Álbum

Why should anyone listen to this disc of Mozart's "Credo" Mass along with five shorter sacred works, including Ave Verum Corpus, with so many fine recordings of these works already available? Soprano Barbara Schlick is a wonderful singer with a warm, lyrical voice, but she alone is not reason enough to listen. Bass-baritone Thomas Quasthoff is a marvelous musician with a deep, dramatic voice, but alone he is not reason enough to listen. The Gürzenich Kammerorchester Köln is a serviceable enough ensemble, but it isn't reason enough to listen. Conductor Klaus Knubben is a skillful conductor, but he isn't reason enough to listen. Profil's undated recording is quite loud, but it is also much too reverberant and thus not always easy to listen to. The Limburger Dom-Singknaben is a pure, clear, sweet, light, and strong boys' choir, and its performances throughout are nearly equal to the best ever recorded. Is that reason enough to listen to this disc? Yes, is: try the choir's Ave Verum Corpus. It may or may not be the best ever recorded, but it is surely exquisitely lovely.
© TiVo

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