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Bonnie Guitar|Moonlight And Shadows

Moonlight And Shadows

Bonnie Guitar

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Bonnie Guitar's first LP was designed to capitalize on the success of her recording of "Dark Moon," each of the 12 songs refers to the Moon in its title and lyrics. So it's a concept album of sorts, and it is, more importantly, a superb pop effort, showcasing the artist's singing and the male vocal accompaniment. But it will hardly illuminate the guitar side of the artist's output; one does get hints of her instrument's significance on "Carolina Moon," but the emphasis here, as on the rest of the album, is on singing. She's not bad in that department, either, and as a representative of a smooth pop style, this album would be difficult to outdo. Guitar's singing is expressive and her approach sometimes veers toward a bluesy country style that could appeal to rock & roll listeners (check out her version of "Shine on Harvest Moon") and country audiences. How well the whole album holds up for modern listeners is problematic, but in the 1950s, this was money in the bank to Dot Records, and the lean, stripped down instrumental sound is fascinating to hear today as representative of a forgotten corner of '50s pop music, Guitar backed by little more than a quintet (bass, drums, piano, her own guitar, and maybe a flute or reed instrument).

© Bruce Eder /TiVo

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Moonlight And Shadows

Bonnie Guitar

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1
Moonlight And Shadows
00:01:53

Leo Robin, Composer - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Irma Hollander, Composer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

2
Carolina Moon
00:02:01

BENNY DAVIS, ComposerLyricist - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - JOE BURKE, ComposerLyricist - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

3
Get Out And Under The Moon
00:02:13

William Jerome, Composer - CHARLES TOBIAS, Composer - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Larry Shay, Composer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

4
By The Light Of The Silvery Moon
00:02:14

Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Gus Edwards, Composer - Edward Madden, Composer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

5
Moonlight On The Colorado
00:02:26

Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Billy Moll, ComposerLyricist - Robert King, ComposerLyricist - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

6
Shine On Harvest Moon
00:02:05

Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Jack Norworth, ComposerLyricist - Nora Bayes, ComposerLyricist - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

7
There's A New Moon Over My Shoulder
00:02:10

Lee Blastic, ComposerLyricist - Jimmie Davis, ComposerLyricist - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Bonnie Guitar, MainArtist - Ekko Whelan, ComposerLyricist

℗ 1957 Geffen Records

8
Moonlight And Roses
00:01:54

Black, Composer - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Neil Moret, Composer - Edwin Lemare, Composer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

9
It's Only A Paper Moon
00:01:57

Harold Arlen, ComposerLyricist - Billy Rose, ComposerLyricist - E.Y. HARBURG, ComposerLyricist - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

10
The Moon Is Low
00:02:05

ARTHUR FREED, ComposerLyricist - NACIO HERB BROWN, ComposerLyricist - Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

11
Roll Along Prarie Moon
00:02:06

Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Albert Von Tilzer, Composer - Fiorito, Composer - Macpherson, Composer - Bonnie Guitar, MainArtist

℗ 1957 Geffen Records

12
Roll Along Kentucky Moon
00:01:58

Jack Fascinato, Conductor, Recording Arranger, AssociatedPerformer - Bonnie Guitar, MainArtist - William Heagney, ComposerLyricist

℗ 1957 Geffen Records

Presentación del Álbum

Bonnie Guitar's first LP was designed to capitalize on the success of her recording of "Dark Moon," each of the 12 songs refers to the Moon in its title and lyrics. So it's a concept album of sorts, and it is, more importantly, a superb pop effort, showcasing the artist's singing and the male vocal accompaniment. But it will hardly illuminate the guitar side of the artist's output; one does get hints of her instrument's significance on "Carolina Moon," but the emphasis here, as on the rest of the album, is on singing. She's not bad in that department, either, and as a representative of a smooth pop style, this album would be difficult to outdo. Guitar's singing is expressive and her approach sometimes veers toward a bluesy country style that could appeal to rock & roll listeners (check out her version of "Shine on Harvest Moon") and country audiences. How well the whole album holds up for modern listeners is problematic, but in the 1950s, this was money in the bank to Dot Records, and the lean, stripped down instrumental sound is fascinating to hear today as representative of a forgotten corner of '50s pop music, Guitar backed by little more than a quintet (bass, drums, piano, her own guitar, and maybe a flute or reed instrument).

© Bruce Eder /TiVo

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