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Paavo Järvi|Messiaen : L'Ascension, Le Tombeau resplendissant, Les Offrandes oubliées, Un sourire

Messiaen : L'Ascension, Le Tombeau resplendissant, Les Offrandes oubliées, Un sourire

Tonhalle-Orchester Zürich - Paavo Järvi

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Paavo Järvi inaugurates his new contract as conductor of the Tonhalle Orchestra in Zurich with a programme devoted to Messiaen. Alpha Classics will accompany this extremely promising combination:
‘I’ve always admired French music very much. (...) I think Messiaen is the most original voice, someone absolutely unique. You need only listen for three seconds to a work by Messiaen to be sure that it is by him. His style is so clear, so unmistakable. In his two early works Les Offrandes oubliées and Le Tombeau resplendissant, religion and mysticism play an important role. If you listen carefully, you will notice how a harmony is continually transformed, so that you can never predict what sound will come next. But Messiaen’s harmonic language is not experimental: it produces an inevitable meaning, and you get the feeling that the chord sequence can be that way and no other. Music is a language of its own; music begins where words leave off.’ (Excerpt from an interview with Paavo Järvi)
© Alpha Classics

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Messiaen : L'Ascension, Le Tombeau resplendissant, Les Offrandes oubliées, Un sourire

Paavo Järvi

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Le Tombeau resplendissant (1931) (Olivier Messiaen)

1
Le Tombeau resplendissant
Tonhalle-Orchester Zürich
00:16:49

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

2
Les Offrandes oubliées, méditation symphonique
Tonhalle-Orchester Zürich
00:09:54

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

Un Sourire (Olivier Messiaen)

3
Un Sourire
Tonhalle-Orchester Zürich
00:10:43

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

L'Ascension, quatre méditations symphoniques pour orchestre (1932/33) (Olivier Messiaen)

4
I. Majesté du Christ demandant sa gloire à son père
Tonhalle-Orchester Zürich
00:05:26

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

5
II. Alléluias sereins d'une âme qui désire le ciel
Tonhalle-Orchester Zürich
00:06:38

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

6
III. Alléluia sur la trompette, alléluia sur la cymbale
Tonhalle-Orchester Zürich
00:06:12

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

7
IV. Prière du Christ montant vers son père
Tonhalle-Orchester Zürich
00:09:01

Tonhalle-Orchester Zürich - Paavo Jarvi, Conductor - Olivier Messiaen, Composer

2019 Alpha Classics / Outhere Music France 2019 Tonhalle-Gesellschaft Zürich

Presentación del Álbum

Paavo Järvi inaugurates his new contract as conductor of the Tonhalle Orchestra in Zurich with a programme devoted to Messiaen. Alpha Classics will accompany this extremely promising combination:
‘I’ve always admired French music very much. (...) I think Messiaen is the most original voice, someone absolutely unique. You need only listen for three seconds to a work by Messiaen to be sure that it is by him. His style is so clear, so unmistakable. In his two early works Les Offrandes oubliées and Le Tombeau resplendissant, religion and mysticism play an important role. If you listen carefully, you will notice how a harmony is continually transformed, so that you can never predict what sound will come next. But Messiaen’s harmonic language is not experimental: it produces an inevitable meaning, and you get the feeling that the chord sequence can be that way and no other. Music is a language of its own; music begins where words leave off.’ (Excerpt from an interview with Paavo Järvi)
© Alpha Classics

Detalles de la grabación original : Recorded January & April 2019, Tonhalle Maag, Zürich (Switzerland)

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