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Shakatak|Magic

Magic

Shakatak

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The veteran instrumental/vocal foursome have come up with the kind of album that radio programmers can have a field day with. On the instrumental side, there are tons of grand variety -- everything from a slamming retro-soul meets hip-hop explosion on "Space Dance" (which features a lighthearted Bill Sharpe with a piano melody amidst the futuristic shenanigans and crunchy George Anderson bass groove) to funky modern samba ("Nova Bossa," anyone?). Vocalist Jill Saward has a dreamy yet powerful voice reminiscent of Corrine Drewery (from Swing Out Sister), and she makes even the corniest cliché sound like a passionate power play on songs like "Magic." "Move a Little Closer" has her and two female backing vocalists soaring heartily over punchy retro-soul bass-and-drum grooves. The sweet little title "Sundown" belies that tune's innovative sonic progression in which Sharpe varies his synth tones from electric piano to spacy textures and hypnotic piano harmonies. Ironically, the least original piece here, a note-for-note cover of Boz Scaggs' "Lowdown," allows Shakatak and guest saxist and flutist Dave Bishop to show some of their best teamwork. The verses and choruses switch off between Sharpe's electric piano and Bishop's flute riffs; Bishop's flute mimics the flute on the original, while the bridge of the song is all sax. Magic isn't the most original title, but it fits the ensemble vibe and varied energy of the disc perfectly.
© Jonathan Widran /TiVo

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Magic

Shakatak

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1
Low Down
00:03:54

Shakatak, MainArtist - B. Scaggs/D. Paich, Composer

1999 Instinct Records 1999 Instinct Records

2
Magic
00:03:54

Shakatak, MainArtist - Jill Saward/George Anderson, Composer

1999 Instinct Records 1999 Instinct Records

3
Drive-In
00:03:23

Shakatak, MainArtist - William Sharpe, Composer

1999 Instinct Records 1999 Instinct Records

4
Move A Little Closer
00:04:20

Shakatak, MainArtist - William Sharpe/Roger Odell/Jill Saward, Composer

1999 Instinct Records 1999 Instinct Records

5
Lovely Day
00:03:39

Shakatak, MainArtist - B. Withers/S. Scarborough, Composer

1999 Instinct Records 1999 Instinct Records

6
Sundown
00:03:41

Shakatak, MainArtist - William Sharpe, Composer

1999 Instinct Records 1999 Instinct Records

7
Say Somethin'
00:04:49

Shakatak, MainArtist - William Sharpe/Jill Saward, Composer

1999 Instinct Records 1999 Instinct Records

8
Driftin'
00:05:18

Shakatak, MainArtist - William Sharpe, Composer

1999 Instinct Records 1999 Instinct Records

9
Get Up
00:04:08

Shakatak, MainArtist - Jill Saward/George Anderson, Composer

1999 Instinct Records 1999 Instinct Records

10
Nova Bossa
00:04:47

Shakatak, MainArtist - William Sharpe, Composer

1999 Instinct Records 1999 Instinct Records

11
Space Dance (Steppers Get Ready Mix)
00:05:30

Shakatak, MainArtist - William Sharpe, Composer

1999 Instinct Records 1999 Instinct Records

Presentación del Álbum

The veteran instrumental/vocal foursome have come up with the kind of album that radio programmers can have a field day with. On the instrumental side, there are tons of grand variety -- everything from a slamming retro-soul meets hip-hop explosion on "Space Dance" (which features a lighthearted Bill Sharpe with a piano melody amidst the futuristic shenanigans and crunchy George Anderson bass groove) to funky modern samba ("Nova Bossa," anyone?). Vocalist Jill Saward has a dreamy yet powerful voice reminiscent of Corrine Drewery (from Swing Out Sister), and she makes even the corniest cliché sound like a passionate power play on songs like "Magic." "Move a Little Closer" has her and two female backing vocalists soaring heartily over punchy retro-soul bass-and-drum grooves. The sweet little title "Sundown" belies that tune's innovative sonic progression in which Sharpe varies his synth tones from electric piano to spacy textures and hypnotic piano harmonies. Ironically, the least original piece here, a note-for-note cover of Boz Scaggs' "Lowdown," allows Shakatak and guest saxist and flutist Dave Bishop to show some of their best teamwork. The verses and choruses switch off between Sharpe's electric piano and Bishop's flute riffs; Bishop's flute mimics the flute on the original, while the bridge of the song is all sax. Magic isn't the most original title, but it fits the ensemble vibe and varied energy of the disc perfectly.
© Jonathan Widran /TiVo

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