Categorías:
Carrito 0

Servicio no disponible por el momento

Jesse Sykes & The Sweet Hereafter|Like, Love, Lust & the Open Halls of the Soul

Like, Love, Lust & the Open Halls of the Soul

Jesse Sykes & The Sweet Hereafter

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

On their third offering, Jesse Sykes & the Sweet Hereafter widen their musical palette ever so slightly. The first noticeable difference is in the grain of Sykes' voice. She is far more world-worn this time out. She's raspier, digging into the meat of her lyrics more and stubbornly holding on to her syllables to open her lyrics enough to let her intent and emotion drip from them like raw, bittersweet honey. The Sweet Hereafter, led by Phil Wandscher, is tighter, louder, and -- while still slow and purposeful -- more forceful. Check Wandscher's smoking guitar roar on "LLL," a song wrenched from sexual memory and emotional desolation: "Like love, lust/Sometimes you have to kill/The one you trust" (if the French writer Georges Bataille had been a woman born in the late 20th century perhaps). The band has been augmented by some curious guests as well, enlisted by producer and engineer Tucker Martine: jazz trumpeter Dave Carter leads the horn section, and vanguard violinist Eyvind Kang and Wayne Horvitz also appear. The bigger arrangements and lusher sound separate this set from its predecessors. Yes, that is a good thing. "You Might Walk Away" is a straight-up rock tune, tempered only by the hushed tension on Sykes' voice. The insistently hyper Farfisa sounds like an outtake form Forever Changes. Elsewhere, "I Like the Sound" is a rocking take on six-o psychedelic pop and Sykes' delivery feels almost like Grace Slick's. That's not to say this is a derivative record. Far from it. If anything, the Sweet Hereafter are stretching themselves, incorporating different textures, sonics, and even song structures to build bridges for that understated, intensely expressive voice to articulate a poetic view that's decidedly subterranean and perhaps even sublingual. Country and folk music hasn't been abandoned -- it's still ever present in tracks like "The Air Is Thin," the haunted "Spectral Beings," "Morning, It Comes," and "The Open Halls of the Soul." If anything, this is the most satisfying offering from Sykes and her band yet.

© Thom Jurek /TiVo

Más información

Like, Love, Lust & the Open Halls of the Soul

Jesse Sykes & The Sweet Hereafter

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 124.90/mes

1
Eisenhower Moon
00:03:32

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

2
LLL
00:03:57

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

3
You Might Walk Away
00:02:49

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

4
The Air Is Thin
00:04:19

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

5
Spectral Beings
00:04:13

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

6
How Will We Know?
00:05:24

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

7
Hard Not to Believe
00:04:35

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

8
Aftermath
00:03:27

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

9
Station Grey
00:05:03

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

10
I Like the Sound
00:03:51

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

11
Morning, It Comes
00:06:07

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

12
The Open Halls of the Soul
00:05:25

Jesse Sykes & The Sweet Hereafter, Composer, MainArtist - Barsuk Records, MusicPublisher

2007 Barsuk Records 2007 Barsuk Records

Presentación del Álbum

On their third offering, Jesse Sykes & the Sweet Hereafter widen their musical palette ever so slightly. The first noticeable difference is in the grain of Sykes' voice. She is far more world-worn this time out. She's raspier, digging into the meat of her lyrics more and stubbornly holding on to her syllables to open her lyrics enough to let her intent and emotion drip from them like raw, bittersweet honey. The Sweet Hereafter, led by Phil Wandscher, is tighter, louder, and -- while still slow and purposeful -- more forceful. Check Wandscher's smoking guitar roar on "LLL," a song wrenched from sexual memory and emotional desolation: "Like love, lust/Sometimes you have to kill/The one you trust" (if the French writer Georges Bataille had been a woman born in the late 20th century perhaps). The band has been augmented by some curious guests as well, enlisted by producer and engineer Tucker Martine: jazz trumpeter Dave Carter leads the horn section, and vanguard violinist Eyvind Kang and Wayne Horvitz also appear. The bigger arrangements and lusher sound separate this set from its predecessors. Yes, that is a good thing. "You Might Walk Away" is a straight-up rock tune, tempered only by the hushed tension on Sykes' voice. The insistently hyper Farfisa sounds like an outtake form Forever Changes. Elsewhere, "I Like the Sound" is a rocking take on six-o psychedelic pop and Sykes' delivery feels almost like Grace Slick's. That's not to say this is a derivative record. Far from it. If anything, the Sweet Hereafter are stretching themselves, incorporating different textures, sonics, and even song structures to build bridges for that understated, intensely expressive voice to articulate a poetic view that's decidedly subterranean and perhaps even sublingual. Country and folk music hasn't been abandoned -- it's still ever present in tracks like "The Air Is Thin," the haunted "Spectral Beings," "Morning, It Comes," and "The Open Halls of the Soul." If anything, this is the most satisfying offering from Sykes and her band yet.

© Thom Jurek /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Jesse Sykes & The Sweet Hereafter

Oh, My Girl

Jesse Sykes & The Sweet Hereafter

Oh, My Girl Jesse Sykes & The Sweet Hereafter

Reckless Burning

Jesse Sykes & The Sweet Hereafter

Reckless Burning Jesse Sykes & The Sweet Hereafter

Like Love Lust & The Open Halls of the Soul

Jesse Sykes & The Sweet Hereafter

Like Love Lust & The Open Halls of the Soul Jesse Sykes & The Sweet Hereafter

Oh, My Girl

Jesse Sykes & The Sweet Hereafter

Oh, My Girl Jesse Sykes & The Sweet Hereafter
Quizás también le guste...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

Lives Outgrown

Beth Gibbons

Lives Outgrown Beth Gibbons

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish