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Das Neue Ensemble|Les mystères

Les mystères

Das Neue Ensemble

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The music of Nicolas Tzortzis, Athens-born (in 1978) and now a resident of Paris, often involves other art-forms, not least video and elements of theatre. Two of the works on this album, part of a trilogy inspired by surrealist films by Man Ray, are intended to mirror the unsettling discontinuities of Ray’s films in musical surrealism of their own. Another, ‘… de ce qui est en lutte’, has its starting point in an aphorism of Heraclitus, and seeks coherence in extremes of contrast, throwing ideas against one another like images in a kaleidoscope. And What the wave meant – the title comes from a song by the Red Hot Chili Peppers – processes the stages of grief. All four pieces pay close attention to instrumental timbre and bristle with energy, occasionally leavened by an anarchic sense of humour. © Toccata Classics

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Les mystères

Das Neue Ensemble

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L’étoile de mer (Nicolas Tzortzis)

1
L’étoile de mer
00:19:42

Das Neue Ensemble, Ensemble, MainArtist - Nicolas Tzortzis, Composer

(C) 2019 Toccata Classics (P) 2019 Toccata Classics

...De ce qui est en lutte (Nicolas Tzortzis)

2
...De ce qui est en lutte
00:11:00

Das Neue Ensemble, Ensemble, MainArtist - Nicolas Tzortzis, Composer

(C) 2019 Toccata Classics (P) 2019 Toccata Classics

What the Wave Meant (Nicolas Tzortzis)

3
What the Wave Meant
00:15:24

Das Neue Ensemble, Ensemble, MainArtist - Nicolas Tzortzis, Composer

(C) 2019 Toccata Classics (P) 2019 Toccata Classics

Les mystères du château du Dé (Nicolas Tzortzis)

4
Les mystères du château du Dé
00:21:42

Das Neue Ensemble, Ensemble, MainArtist - Nicolas Tzortzis, Composer

(C) 2019 Toccata Classics (P) 2019 Toccata Classics

Presentación del Álbum

The music of Nicolas Tzortzis, Athens-born (in 1978) and now a resident of Paris, often involves other art-forms, not least video and elements of theatre. Two of the works on this album, part of a trilogy inspired by surrealist films by Man Ray, are intended to mirror the unsettling discontinuities of Ray’s films in musical surrealism of their own. Another, ‘… de ce qui est en lutte’, has its starting point in an aphorism of Heraclitus, and seeks coherence in extremes of contrast, throwing ideas against one another like images in a kaleidoscope. And What the wave meant – the title comes from a song by the Red Hot Chili Peppers – processes the stages of grief. All four pieces pay close attention to instrumental timbre and bristle with energy, occasionally leavened by an anarchic sense of humour. © Toccata Classics

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