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Alice Ader|L'Art de la fugue (Live Recording)

L'Art de la fugue (Live Recording)

Johann Sebastian Bach

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This 2007 live performance of Bach's Die Kunst der Fuge, BWV 1080, by veteran French pianist Alice Ader is one of the more unusual versions of the work to have appeared. What you'll think of it depends on, first, the degree to which you accept the idea of the Art of Fugue as a keyboard work, ably advocated in the booklet by Gilles Cantagrel, and second, your tolerance for old-school Romantic Bach readings. If you check both boxes, it's quite a find. Ader develops a uniquely spacious interpretation, beginning with an extremely slow "Contrapunctus I" that seems to convey the impression of a giant stirring to life. It's the framework laid down by this opening that gives this two-disc release its unusually large dimension. Ader develops the work as a whole rather than as a collection of fugues, choosing sharp texture contrasts between the long-note fugues and the faster pieces, varying the tempo, and adding a good deal of local variation in pace. Everything leads up to the final two pieces, the augmentation canon in contrary motion and the unfinished "Contrapunctus XIV," for which Cantagrel makes the provocative suggestion that perhaps it wasn't really unfinished at all but simply transmitted in an incomplete state. He bases this idea on the speculation that the B-A-C-H motif with which the existing work ends was not a "countersubject" but in fact a full-fledged subject, intended by Bach as a signature and endpoint of the work. Ader doesn't really play it this way; she takes the usual approach of having the music end in mid-thought. But her entire reading is compelling, with fine live recording, and the final track leaves space for a full minute of enthusiastic applause at the end. Highly recommended.

© TiVo

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L'Art de la fugue (Live Recording)

Alice Ader

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Die Kunst der Fuge, BWV 1080 (Johann Sebastian Bach)

1
I. Contrapunctus I
00:06:09

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

2
II. Contrapunctus II
00:02:37

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

3
III. Contrapunctus III
00:03:39

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

4
IV. Contrapunctus IV
00:07:59

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

5
V. Contrapunctus V
00:02:54

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

6
VI. Contrapunctus VI
00:05:45

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

7
VII. Contrapunctus VII
00:02:25

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

8
VIII. Contrapunctus VIII
00:08:30

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

9
IX. Contrapunctus IX
00:02:14

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

10
X. Contrapunctus X
00:04:14

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

11
XI. Contrapunctus XI
00:10:52

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

DISCO 2

1
XII. Rectus
00:01:55

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

2
XIII. Inversus
00:01:57

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

3
XIV. Rectus
00:04:30

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

4
XV. Inversus
00:04:38

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

5
XVI. Canon alla Ottava
00:03:00

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

6
XVII. Canon alla Decima in Contrapunto alla Terza
00:04:25

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

7
XVIII. Canon alla Duodecime ina Contrapunto alla Quinta
00:02:57

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

8
XIX. Canon per Augmentationem in Contrario Motu
00:08:36

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

9
XX. Fuga a 3 Soggitti (Unfinished)
00:16:20

Alice Ader, Performer - Johann Sebastian Bach, Composer

2008 Outhere 2008 Alice Ader / Outhere

Presentación del Álbum

This 2007 live performance of Bach's Die Kunst der Fuge, BWV 1080, by veteran French pianist Alice Ader is one of the more unusual versions of the work to have appeared. What you'll think of it depends on, first, the degree to which you accept the idea of the Art of Fugue as a keyboard work, ably advocated in the booklet by Gilles Cantagrel, and second, your tolerance for old-school Romantic Bach readings. If you check both boxes, it's quite a find. Ader develops a uniquely spacious interpretation, beginning with an extremely slow "Contrapunctus I" that seems to convey the impression of a giant stirring to life. It's the framework laid down by this opening that gives this two-disc release its unusually large dimension. Ader develops the work as a whole rather than as a collection of fugues, choosing sharp texture contrasts between the long-note fugues and the faster pieces, varying the tempo, and adding a good deal of local variation in pace. Everything leads up to the final two pieces, the augmentation canon in contrary motion and the unfinished "Contrapunctus XIV," for which Cantagrel makes the provocative suggestion that perhaps it wasn't really unfinished at all but simply transmitted in an incomplete state. He bases this idea on the speculation that the B-A-C-H motif with which the existing work ends was not a "countersubject" but in fact a full-fledged subject, intended by Bach as a signature and endpoint of the work. Ader doesn't really play it this way; she takes the usual approach of having the music end in mid-thought. But her entire reading is compelling, with fine live recording, and the final track leaves space for a full minute of enthusiastic applause at the end. Highly recommended.

© TiVo

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