Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Losing longstanding guitarist and "initiator" El Habib El Malak to the political world in Marrakesh dramatically shifted Aisha Kandisha's Jarring Effects toward the techno textures slant of keyboard player Cheb Youssef on Koyo Habib. Sequenced together as if by a DJ working in the booth, the music loses its distinctiveness pretty quickly unless you're into multiple keyboard sounds that probably work in hip European or Moroccan roll discos. It's not as if Aisha Kandisha's Jarring Effects hasn't been moving in this direction in recent years or that Cheb Youssef lacks chops. The propulsive groove and catchy chorus of "Skoko Sankara" followed up by the trance-jungle flavor of "Booya" is an effective enough double-barreled opening salvo. It just lacks the unique character of the group's earlier mix, where Western and Moroccan elements, pop and traditional, were thrown into the modern dancefloor blender and out came something new and intriguing that still retained the original flavors. "Koyo Koyo" has some moments with its violin melody amidst the orchestrated keyboards but -- and surprisingly for a group that started from an outlaw dub mentality -- where Koyo Habib really falls short is in the rhythm zone. Apart from the mutant reggae feel of "Maghrebia" and the tough bassline driving a punchy version of the traditional "Alou AKJE," the grooves just don't pull you into Aisha Kandisha's Jarring Effects' dancefloor world.
© Don Snowden /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 124.90/mes
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Bombax, Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Bombax, Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Trad., Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Trad., Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Trad., Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, MainArtist - Aisha Kandisha's Jarring Effects, Trad., Composer
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Aisha Kandisha's Jarring Effects, Composer, MainArtist
2000 Barraka 2000 Barraka
Presentación del Álbum
Losing longstanding guitarist and "initiator" El Habib El Malak to the political world in Marrakesh dramatically shifted Aisha Kandisha's Jarring Effects toward the techno textures slant of keyboard player Cheb Youssef on Koyo Habib. Sequenced together as if by a DJ working in the booth, the music loses its distinctiveness pretty quickly unless you're into multiple keyboard sounds that probably work in hip European or Moroccan roll discos. It's not as if Aisha Kandisha's Jarring Effects hasn't been moving in this direction in recent years or that Cheb Youssef lacks chops. The propulsive groove and catchy chorus of "Skoko Sankara" followed up by the trance-jungle flavor of "Booya" is an effective enough double-barreled opening salvo. It just lacks the unique character of the group's earlier mix, where Western and Moroccan elements, pop and traditional, were thrown into the modern dancefloor blender and out came something new and intriguing that still retained the original flavors. "Koyo Koyo" has some moments with its violin melody amidst the orchestrated keyboards but -- and surprisingly for a group that started from an outlaw dub mentality -- where Koyo Habib really falls short is in the rhythm zone. Apart from the mutant reggae feel of "Maghrebia" and the tough bassline driving a punchy version of the traditional "Alou AKJE," the grooves just don't pull you into Aisha Kandisha's Jarring Effects' dancefloor world.
© Don Snowden /TiVo
Acerca del álbum
- 1 disco(s) - 17 pista(s)
- Duración total: 01:08:47
- Artistas principales: Aisha Kandisha's Jarring Effects
- Compositor: Various Composers
- Sello: Barraka El Farnatshi Prod.
- Género World Music
2000 Barraka 2000 Barraka
Mejorar la información del álbum