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Idioma disponible: inglés
The Swingle Singers' scat vocal jazz swing arrangements of Johann Sebastian Bach classics were among their most popular material, particularly in Europe (where they actually enjoyed some chart success in the U.K.). Accompanied by nothing more than double bass and drums, the octet distributed their vocal parts equally among two sopranos, two altos, two tenors, and two basses, favoring brisk tempos. Occasionally, indeed, they were so brisk they verged on hyperventilation, as on "Prelude No. 1 in C Major" and the version of "Fugue No. 5 in D Major" drawn from "The Well-Tempered Clavier, Book 1." They do slow things down once in a while on numbers like "Aria" (from the composer's "Orchestral Suite No. 3 in D Major") and parts of "Sinfonia," which tend to tilt the mood a little more toward the classical. The album's inventive but a little white bread in its relentlessly wholesome, upbeat tone. Pop fans might hear echoes of the Swingle Singers' work, whether direct or coincidental, in the harmonies of artists like the Association and the Beach Boys, and a U.K. rock group, the Belfast Gypsies, a spinoff of Them, actually based its "Aria of the Fallen Angels" on the Swingle Singers' reading of "Aria" on this album.
© TiVo
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Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Universal Music Jazz France
Aria [Orchestral Suite No.3 in D minor BWV 1068] (Johann Sebastian Bach)
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Johann Sebastian Bach, ComposerLyricist - The Swingle Singers, MainArtist - Ward Swingle, Recording Arranger, AssociatedPerformer - Pierre Fatosme, Producer
℗ 1963 Decca Records France
Presentación del Álbum
The Swingle Singers' scat vocal jazz swing arrangements of Johann Sebastian Bach classics were among their most popular material, particularly in Europe (where they actually enjoyed some chart success in the U.K.). Accompanied by nothing more than double bass and drums, the octet distributed their vocal parts equally among two sopranos, two altos, two tenors, and two basses, favoring brisk tempos. Occasionally, indeed, they were so brisk they verged on hyperventilation, as on "Prelude No. 1 in C Major" and the version of "Fugue No. 5 in D Major" drawn from "The Well-Tempered Clavier, Book 1." They do slow things down once in a while on numbers like "Aria" (from the composer's "Orchestral Suite No. 3 in D Major") and parts of "Sinfonia," which tend to tilt the mood a little more toward the classical. The album's inventive but a little white bread in its relentlessly wholesome, upbeat tone. Pop fans might hear echoes of the Swingle Singers' work, whether direct or coincidental, in the harmonies of artists like the Association and the Beach Boys, and a U.K. rock group, the Belfast Gypsies, a spinoff of Them, actually based its "Aria of the Fallen Angels" on the Swingle Singers' reading of "Aria" on this album.
© TiVo
Acerca del álbum
- 1 disco(s) - 13 pista(s)
- Duración total: 00:31:38
- Artistas principales: The Swingle Singers
- Compositor: Johann Sebastian Bach
- Sello: Universal Music Division Decca Records France
- Género Jazz
© 2000 Universal Music Jazz France ℗ 2000 Decca Records France
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