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Sarastro Quartett|Busch: String Quartet in A Minor, Flute Quintet in C Major & 9 Pieces for String Quartet

Busch: String Quartet in A Minor, Flute Quintet in C Major & 9 Pieces for String Quartet

Sarastro Quartett, Dimitri Vecchi

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Adolf Busch was not only the leading German violinist during the years between the two World Wars but also wrote more than a hundred works in his capacity as a composer. Following our first recording success with Busch’s trios and piano quartet, the Sarastro Quartet now turns to more chamber music by this congenial composer.

Busch’s point of departure in harmonic language was formed by the music of Max Reger, a friend of his during the last years of the Weiden composer’s life. At the same time, Busch’s lifelong occupation with chamber music from Mozart to Brahms endowed his oeuvre with a measure of clarity and balance. Some of his themes and motifs might also have been found in Dvorák; his mysteriously scurrying sound pictures, in Mendelssohn; his rhythmic impulses, in Beethoven; and his lyrical intensity, in Schubert or Schumann. The fact that Busch was not afraid to engage in stylistic retrospection meant that critics from his times leveled charges against him, but what in the end has remained decisive is the manner in which Busch formed his syntheses, his sovereign command of the musical material, and the personal expressive depth and humor in his music. © CPO

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Busch: String Quartet in A Minor, Flute Quintet in C Major & 9 Pieces for String Quartet

Sarastro Quartett

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9 Pieces for String Quartet, Op. 45 (Adolf Busch)

1
No. 1, Lento
00:01:51

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

2
No. 2, Allegretto, ma non troppo presto
00:01:52

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

3
No. 3, Presto
00:03:03

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

4
No. 4, Andante sostenuto et espressivo
00:02:46

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

5
No. 5, Allegro assai con vehemenza
00:01:34

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

6
No. 6, Allegro grazioso, ma sempre tranquilla
00:01:58

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

7
No. 7, Poco adagio
00:02:33

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

8
No. 8, Prestissimo e molto leggiero
00:02:02

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

9
No. 9, Allegro moderato, ma con brio
00:05:41

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

String Quartet in A Minor, Op. 57 (Adolf Busch)

10
I. Allegro e vehemente
00:05:21

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

11
II. Vivace assai
00:05:45

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

12
III. Finale. Allegro
00:07:24

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist

(C) 2019 CPO (P) 2019 CPO

Flute Quintet in C Major, Op. 68 (Adolf Busch)

13
I. Allegro
00:10:12

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist - Dimitri Vecchi, Artist, MainArtist

(C) 2019 CPO (P) 2019 CPO

14
II. Adagio cantabile e espressivo
00:06:19

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist - Dimitri Vecchi, Artist, MainArtist

(C) 2019 CPO (P) 2019 CPO

15
III. Presto
00:04:03

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist - Dimitri Vecchi, Artist, MainArtist

(C) 2019 CPO (P) 2019 CPO

16
IV. Allegro giocoso
00:09:36

Adolf Busch, Composer - Sarastro Quartett, Ensemble, MainArtist - Dimitri Vecchi, Artist, MainArtist

(C) 2019 CPO (P) 2019 CPO

Presentación del Álbum

Adolf Busch was not only the leading German violinist during the years between the two World Wars but also wrote more than a hundred works in his capacity as a composer. Following our first recording success with Busch’s trios and piano quartet, the Sarastro Quartet now turns to more chamber music by this congenial composer.

Busch’s point of departure in harmonic language was formed by the music of Max Reger, a friend of his during the last years of the Weiden composer’s life. At the same time, Busch’s lifelong occupation with chamber music from Mozart to Brahms endowed his oeuvre with a measure of clarity and balance. Some of his themes and motifs might also have been found in Dvorák; his mysteriously scurrying sound pictures, in Mendelssohn; his rhythmic impulses, in Beethoven; and his lyrical intensity, in Schubert or Schumann. The fact that Busch was not afraid to engage in stylistic retrospection meant that critics from his times leveled charges against him, but what in the end has remained decisive is the manner in which Busch formed his syntheses, his sovereign command of the musical material, and the personal expressive depth and humor in his music. © CPO

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