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Bill Evans|Bill Evans: His Last Concert in Germany with Marc Johnson and Joe LaBarbera

Bill Evans: His Last Concert in Germany with Marc Johnson and Joe LaBarbera

Bill Evans

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Lest any unwitting soul be misled, this ten-song session from an August 15, 1980, date in Bad Honningen is not, in fact, Bill Evans' last concert recording, despite what the liner notes claim. That historic footnote would be left to San Francisco's Keystone Korner where the Evans/Marc Johnson/Joe Labarbera trio represented here would complete an eight-night stand less than a month later, a mere week before Evans' death.
Morbid historical reflections aside, there is an overt quality in much of this performance that, compounded by the frequently shrill quality of the recording itself, betrays a lack of cohesiveness verging on the unkempt.
Regardless, even on his less stellar outings Evans still manages to search for catharsis where most mortal pianists fear to tread -- in this case sacrificing introspection for clamor, wrapping himself up Houdini-like in angular cadences of sound before bursting out and almost threatening to become unhinged from his accompaniment.
Although categorizing any Bill Evans set as dispensable carries with it a hint of blasphemy, given the abundance of commercially legitimate, sonically superior recordings available, any time invested searching for this one would probably be better spent elsewhere.

© Andrew Vance /TiVo

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Bill Evans: His Last Concert in Germany with Marc Johnson and Joe LaBarbera

Bill Evans

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1
Letter to Evan
00:07:22

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

2
Yet Ne'er Broken
00:06:28

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

3
Laurie
00:05:34

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

4
Bill's Hit Tune
00:07:25

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

5
Knit for Mary F
00:06:23

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

6
Days of Wine and Roses: Days Of Wine And Roses
00:08:05

Henry Mancini, Composer - Marc Johnson, Artist - Bill Evans, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

7
Your Story
00:04:38

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

8
But Beautiful: Road to Rio: But Beautiful
00:04:20

Marc Johnson, Artist - Bill Evans, Artist, MainArtist - Jimmy Van Heusen, Composer - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

9
If you could see me now
00:05:48

Tadd Dameron, Composer - Marc Johnson, Artist - Bill Evans, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

10
Waltz for Debby
00:07:13

Marc Johnson, Artist - Bill Evans, Composer, Artist, MainArtist - Joe LaBarbera, Artist

(C) 2013 West Wind (P) 2013 West Wind

Presentación del Álbum

Lest any unwitting soul be misled, this ten-song session from an August 15, 1980, date in Bad Honningen is not, in fact, Bill Evans' last concert recording, despite what the liner notes claim. That historic footnote would be left to San Francisco's Keystone Korner where the Evans/Marc Johnson/Joe Labarbera trio represented here would complete an eight-night stand less than a month later, a mere week before Evans' death.
Morbid historical reflections aside, there is an overt quality in much of this performance that, compounded by the frequently shrill quality of the recording itself, betrays a lack of cohesiveness verging on the unkempt.
Regardless, even on his less stellar outings Evans still manages to search for catharsis where most mortal pianists fear to tread -- in this case sacrificing introspection for clamor, wrapping himself up Houdini-like in angular cadences of sound before bursting out and almost threatening to become unhinged from his accompaniment.
Although categorizing any Bill Evans set as dispensable carries with it a hint of blasphemy, given the abundance of commercially legitimate, sonically superior recordings available, any time invested searching for this one would probably be better spent elsewhere.

© Andrew Vance /TiVo

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