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Steven Osborne|Beethoven: The Complete Bagatelles for Solo Piano

Beethoven: The Complete Bagatelles for Solo Piano

Steven osborne

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A bagatelle is a short, light composition, generally considered to be of little substance, yet the bagatelles of Ludwig van Beethoven are usually placed among his most sophisticated and elusive compositions, even though he called them "trifles." The most popular of these piano pieces is the Klavierstück in A minor, "Für Elise," which is frequently anthologized and known to casual listeners from its use in "A Charlie Brown Christmas." Considerably less familiar, even to classical listeners who should know them, are the Seven Bagatelles, Op. 33, the Eleven Bagatelles, Op. 119, and the Six Bagatelles, Op. 126, as well as a handful of bagatelles without opus numbers, which have been brought together for this Hyperion release by pianist Steven Osborne. To say that these miniatures are obscure is not quite accurate, but their relative infrequency in recitals and on recordings has made them unnecessarily mysterious. Osborne demonstrates that they are quite approachable and easy to absorb, and while he is light in tone and expression for the early bagatelles, he strives toward the sublime in Op. 119 and Op. 126, which approach the late sonatas in their ideas and moods. The playing throughout is alert and exciting, and Osborne gives the music a mixture of wit and seriousness that keeps the interpretations fresh. Hyperion's sound is clean and focused, though there is some space between the piano and the microphone that prevents it from having full presence.

© TiVo

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Beethoven: The Complete Bagatelles for Solo Piano

Steven Osborne

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1
7 Bagatelles, Op. 33: No. 1 in E-Flat Major. Andante grazioso, quasi allegretto
00:03:46

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

2
7 Bagatelles, Op. 33: No. 2 in C Major. Scherzo. Allegro – Trio
00:03:11

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

3
7 Bagatelles, Op. 33: No. 3 in F Major. Allegretto
00:01:48

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

4
7 Bagatelles, Op. 33: No. 4 in A Major. Andante
00:03:23

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

5
7 Bagatelles, Op. 33: No. 5 in C Major. Allegro ma non troppo
00:03:21

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

6
7 Bagatelles, Op. 33: No. 6 in D Major. Allegretto quasi andante
00:02:35

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

7
7 Bagatelles, Op. 33: No. 7 in A-Flat Major. Presto
00:01:56

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

8
11 Bagatelles, Op. 119: No. 1 in G Minor. Allegretto
00:02:01

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

9
11 Bagatelles, Op. 119: No. 2 in C Major. Andante con moto
00:01:03

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

10
11 Bagatelles, Op. 119: No. 3 in D Major. À l'Allemande
00:01:43

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

11
11 Bagatelles, Op. 119: No. 4 in A Major. Andante cantabile
00:01:45

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

12
11 Bagatelles, Op. 119: No. 5 in C Minor. Risoluto
00:00:57

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

13
11 Bagatelles, Op. 119: No. 6 in G Major. Andante – Allegretto
00:01:30

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

14
11 Bagatelles, Op. 119: No. 7 in C Major. Allegro ma non troppo
00:00:52

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

15
11 Bagatelles, Op. 119: No. 8 in C Major. Moderato cantabile
00:01:18

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

16
11 Bagatelles, Op. 119: No. 9 in A Minor. Vivace moderato
00:00:37

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

17
11 Bagatelles, Op. 119: No. 10 in A Major. Allegramente
00:00:12

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

18
11 Bagatelles, Op. 119: No. 11 in B-Flat Major. Andante ma non troppo
00:01:38

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

19
6 Bagatelles, Op. 126: No. 1 in G Major. Andante con moto
00:02:48

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

20
6 Bagatelles, Op. 126: No. 2 in G Minor. Allegro
00:02:52

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

21
6 Bagatelles, Op. 126: No. 3 in E-Flat Major. Andante
00:02:24

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

22
6 Bagatelles, Op. 126: No. 4 in B Minor. Presto
00:04:11

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

23
6 Bagatelles, Op. 126: No. 5 in G Major. Quasi allegretto
00:02:44

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

24
6 Bagatelles, Op. 126: No. 6 in E-Flat Major. Presto – Andante amabile e con moto
00:04:14

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

25
Allegretto quasi andante in G Minor, WoO 61a
00:00:31

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

26
Allegretto (Bagatelle) in C Major, WoO 56
00:02:25

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

27
Presto (Bagatelle) in C Minor, WoO 52
00:04:08

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

28
Bagatelle in B-Flat Major, WoO 60
00:01:08

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

29
Allegretto in B Minor, WoO 61
00:02:35

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

30
Für Elise, Bagatelle in A Minor, WoO 59
00:03:26

Ludwig van Beethoven, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2012 Hyperion Records Limited

Presentación del Álbum

A bagatelle is a short, light composition, generally considered to be of little substance, yet the bagatelles of Ludwig van Beethoven are usually placed among his most sophisticated and elusive compositions, even though he called them "trifles." The most popular of these piano pieces is the Klavierstück in A minor, "Für Elise," which is frequently anthologized and known to casual listeners from its use in "A Charlie Brown Christmas." Considerably less familiar, even to classical listeners who should know them, are the Seven Bagatelles, Op. 33, the Eleven Bagatelles, Op. 119, and the Six Bagatelles, Op. 126, as well as a handful of bagatelles without opus numbers, which have been brought together for this Hyperion release by pianist Steven Osborne. To say that these miniatures are obscure is not quite accurate, but their relative infrequency in recitals and on recordings has made them unnecessarily mysterious. Osborne demonstrates that they are quite approachable and easy to absorb, and while he is light in tone and expression for the early bagatelles, he strives toward the sublime in Op. 119 and Op. 126, which approach the late sonatas in their ideas and moods. The playing throughout is alert and exciting, and Osborne gives the music a mixture of wit and seriousness that keeps the interpretations fresh. Hyperion's sound is clean and focused, though there is some space between the piano and the microphone that prevents it from having full presence.

© TiVo

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