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The Only Ones|Baby's Got A Gun

Baby's Got A Gun

The Only Ones

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Idioma disponible: inglés

In many respects, the Only Ones had been swimming against the current ever since they started playing out in 1977, and the wear was finally beginning to show by the time they cut their third album, 1980's Baby's Got a Gun. After Even Serpents Shine failed to sell to expectations, CBS put the Only Ones in the studio with producer Colin Thurston, best known for his work with the likes of Duran Duran, the Human League, and Bow Wow Wow; Thurston was clearly aiming to push the pop angles of Peter Perrett's melodies into the forefront, and while to some degree he succeeded, the amiably sleazy rock & roll edge of their first two albums was blunted on this set, and Perrett and John Perry's guitars don't have the same impact here. The quality of the songwriting on Baby's Got a Gun, while still strong, is not up to the level of the first two albums, and significantly, the Only Ones recorded their only cover for this LP ("Fools," a hit for country singer Johnny Duncan, with Perrett dueting quite wonderfully with Pauline Murray of Penetration). And while Perrett was still singing and writing well, the drug addiction that would haunt him for years was catching up with him during these sessions, and Baby's Got a Gun lacks some of the focus and energy of their earlier work. Baby's Got a Gun is clearly the weakest of the Only Ones' three original albums, but for all its faults there's plenty here that testifies to the band's strengths; "Why Don't You Kill Yourself," "Strange Mouth," and "The Big Sleep" are splendid songs that show the band still had the goods, and "Trouble in the World" and "The Happy Pilgrim" confirm they could reach for a poppier sound without losing their personality in the process. The Only Ones broke up a year after Baby's Got a Gun came out, but if it captured the sound of a band in decline, you can barely tell unless you're looking for the seams.

© Mark Deming /TiVo

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Baby's Got A Gun

The Only Ones

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1
The Happy Pilgrim (2008 re-mastered version)
00:02:31

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

2
Why Don't You Kill Yourself (2008 re-mastered version)
00:02:43

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

3
Me And My Shadow (2008 re-mastered version)
00:05:41

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

4
Deadly Nightshade (2008 re-mastered version)
00:03:07

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

5
Strange Mouth (2008 re-mastered version)
00:02:31

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

6
The Big Sleep (2008 re-mastered version)
00:04:58

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

7
Oh Lucinda (Love Becomes A Habit) (2008 re-mastered version)
00:03:10

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

8
Re-Union (2008 re-mastered version)
00:02:58

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

9
Trouble In The World (2008 re-mastered version)
00:03:06

The Only Ones, Performer - The Only Ones, Producer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

10
Castle Built On Sand (2008 re-mastered version)
00:01:51

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Writer - Peter Perrett, Composer

(P) 2009 Sony Music Entertainment UK

11
Fools (2008 re-mastered version)
00:02:25

Johnny Duncan, Writer - Johnny Duncan, Composer - The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer

(P) 2009 Sony Music Entertainment UK

12
My Way Out Of Here (2008 re-mastered version)
00:03:50

Alan Mair, Composer - Alan Mair, Writer - The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer

(P) 2009 Sony Music Entertainment UK

13
Baby's Got A Gun (2008 re-mastered version)
00:01:56

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

14
The Big Sleep (Advision Studio Session 1979)
00:04:37

Martin Hannett, Producer - The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

15
Your Chosen Life (2008 re-mastered version)
00:02:48

The Only Ones, Performer - Ray Staff, Re-Mastering Engineer - Colin Thurston, Producer - Peter Perrett, Composer - Peter Perrett, Writer

(P) 2009 Sony Music Entertainment UK

Presentación del Álbum

In many respects, the Only Ones had been swimming against the current ever since they started playing out in 1977, and the wear was finally beginning to show by the time they cut their third album, 1980's Baby's Got a Gun. After Even Serpents Shine failed to sell to expectations, CBS put the Only Ones in the studio with producer Colin Thurston, best known for his work with the likes of Duran Duran, the Human League, and Bow Wow Wow; Thurston was clearly aiming to push the pop angles of Peter Perrett's melodies into the forefront, and while to some degree he succeeded, the amiably sleazy rock & roll edge of their first two albums was blunted on this set, and Perrett and John Perry's guitars don't have the same impact here. The quality of the songwriting on Baby's Got a Gun, while still strong, is not up to the level of the first two albums, and significantly, the Only Ones recorded their only cover for this LP ("Fools," a hit for country singer Johnny Duncan, with Perrett dueting quite wonderfully with Pauline Murray of Penetration). And while Perrett was still singing and writing well, the drug addiction that would haunt him for years was catching up with him during these sessions, and Baby's Got a Gun lacks some of the focus and energy of their earlier work. Baby's Got a Gun is clearly the weakest of the Only Ones' three original albums, but for all its faults there's plenty here that testifies to the band's strengths; "Why Don't You Kill Yourself," "Strange Mouth," and "The Big Sleep" are splendid songs that show the band still had the goods, and "Trouble in the World" and "The Happy Pilgrim" confirm they could reach for a poppier sound without losing their personality in the process. The Only Ones broke up a year after Baby's Got a Gun came out, but if it captured the sound of a band in decline, you can barely tell unless you're looking for the seams.

© Mark Deming /TiVo

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