Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Though neither of their first two albums had sold in very large quantities (even by heavy metal standards), by 1983 Venom had become simply impossible to ignore. To be sure, their exceedingly Satanic posturing wasn't nearly as shocking as it was cartoonish, and their impenetrable dirge of embryonic black metal was known to clear rooms faster than a fire alarm, but somehow, these qualities only helped fuel the metal community's interest in the band. At the time, even their most promising New Wave of British Heavy Metal contemporaries (Iron Maiden, Def Leppard, etc.) were still struggling to break out of the strictest metal circles, but what they had, and what Venom craved above all else, was some measure of respect from the media, most of whom still viewed them as a trio of buffoons. So when it came time to record their third album, At War with Satan, the band took desperate measures to try and validate both their technical ability as musicians and their songwriting capabilities. Their folly gave birth to the album's bloated magnum opus of a title track -- a twenty-minute concept piece/sonic ordeal taking up the album's entire first half and dedicated to the lord of darkness himself (no, not Ozzy, the Devil). Needless to say, Venom were simply not equipped to pull off this feat (heck, can you name the bands besides maybe Rush who did?) and much of "At War with Satan" is decidedly crap; and what memorable moments do crop up, are almost always neutralized by the track's massive, confusing girth. But once they got past this ill-advised anomaly, the band got back to what they did best: furiously compact two and three minute scorchers. Although they'd already squandered most of their inspiration on albums one and two, Venom's dwindling creative reserves still yielded a few very strong cuts here, most notably the blistering "Rip Ride," the vicious "Genocide" and the all-inclusive "Women, Leather and Hell" (what else is there, really?). And when there's simply nothing left to say, Venom say it better than most, closing the album with the immortal relic "Aaaaaaarrghh" (possibly the funniest song ever recorded). 'Nuff said! [As with other Sanctuary/Neat re-issues, the 2002 version of At War with Satan is simply stellar, containing informative liner notes, rare photos and eight bonus tracks. Many of these singles ("Warhead," "Manitou") are actually better than songs that made the album, elevating At War with Satan's overall grade quite a bit from its original configuration.]
© Eduardo Rivadavia /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 124.90/mes
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Vocals, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Vocals, MainArtist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, MainArtist - Cronos, Vocals, Instrumental - Mantas, Instrumental - Abaddon, Instrumental
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company
Presentación del Álbum
Though neither of their first two albums had sold in very large quantities (even by heavy metal standards), by 1983 Venom had become simply impossible to ignore. To be sure, their exceedingly Satanic posturing wasn't nearly as shocking as it was cartoonish, and their impenetrable dirge of embryonic black metal was known to clear rooms faster than a fire alarm, but somehow, these qualities only helped fuel the metal community's interest in the band. At the time, even their most promising New Wave of British Heavy Metal contemporaries (Iron Maiden, Def Leppard, etc.) were still struggling to break out of the strictest metal circles, but what they had, and what Venom craved above all else, was some measure of respect from the media, most of whom still viewed them as a trio of buffoons. So when it came time to record their third album, At War with Satan, the band took desperate measures to try and validate both their technical ability as musicians and their songwriting capabilities. Their folly gave birth to the album's bloated magnum opus of a title track -- a twenty-minute concept piece/sonic ordeal taking up the album's entire first half and dedicated to the lord of darkness himself (no, not Ozzy, the Devil). Needless to say, Venom were simply not equipped to pull off this feat (heck, can you name the bands besides maybe Rush who did?) and much of "At War with Satan" is decidedly crap; and what memorable moments do crop up, are almost always neutralized by the track's massive, confusing girth. But once they got past this ill-advised anomaly, the band got back to what they did best: furiously compact two and three minute scorchers. Although they'd already squandered most of their inspiration on albums one and two, Venom's dwindling creative reserves still yielded a few very strong cuts here, most notably the blistering "Rip Ride," the vicious "Genocide" and the all-inclusive "Women, Leather and Hell" (what else is there, really?). And when there's simply nothing left to say, Venom say it better than most, closing the album with the immortal relic "Aaaaaaarrghh" (possibly the funniest song ever recorded). 'Nuff said! [As with other Sanctuary/Neat re-issues, the 2002 version of At War with Satan is simply stellar, containing informative liner notes, rare photos and eight bonus tracks. Many of these singles ("Warhead," "Manitou") are actually better than songs that made the album, elevating At War with Satan's overall grade quite a bit from its original configuration.]
© Eduardo Rivadavia /TiVo
Acerca del álbum
- 1 disco(s) - 15 pista(s)
- Duración total: 01:08:36
- Artistas principales: Venom
- Compositor: Various Composers
- Sello: Noise Records
- Género Pop/Rock Rock
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 2002 Sanctuary Records Group Ltd., a BMG Company
Mejorar la información del álbum