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Game Theory|2 Steps From The Middle Ages

2 Steps From The Middle Ages

Game Theory

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Arriving in 1987, Lolita Nation was Game Theory's masterpiece, a strikingly ambitious and accomplished exercise in power pop at its smartest. But it was also a purposely difficult double album, and it did little to boost the group's somewhat precarious career status. For Game Theory's fifth LP, group leader and songwriter Scott Miller set out to make something more user-friendly, and 1988's 2 Steps from the Middle Ages reflected a more streamlined approach, stripping away some of the more baroque elements from the tunes, abandoning the aural montage that had become a major part of the group's approach, and delivering a relatively concise 13-song set. There was also a bit more gloss in Mitch Easter's production than in his previous work with the band, and tunes like "Wyoming," "In a Delorean," "Rolling with the Moody Girls," and "What the Whole World Wants" sound like they could have found a comfortable spot on college radio, if not mainstream FM outlets. However, 2 Steps manages to play like a compromise in the best sense of the world -- it's a far easier album for a beginner to slip into than Lolita Nation or Real Nighttime, but it still boasts plenty of superb songs from Miller, and the band carries this material with impressive strength, especially Gil Ray's drumming and Shelley LaFreniere's keyboards. And on the second half of the album, Miller lets his dour, literate personality shine bright on "Don't Entertain Me Twice," "Throwing the Election," and "Initiations Week," which rank with his best songs. 2 Steps from the Middle Ages proved to be Game Theory's final album, and it's hard not to wish they'd allowed their grand finale to flaunt the group's eccentricities. But think of it as their answer to the Velvet Underground's Loaded, a superb example of a challenging band playing nice without throwing away the smarts and ideas that made them worthwhile.

© Mark Deming /TiVo

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2 Steps From The Middle Ages

Game Theory

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1
Room For One More, Honey
00:03:02

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

2
What The Whole World Wants
00:04:26

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

3
The Picture Of Agreeability
00:00:54

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

4
Amelia, Have You Lost
00:03:19

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

5
Rolling With The Moody Girls
00:03:09

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

6
Wyoming
00:03:22

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

7
In A Delorean
00:03:11

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

8
You Drive
00:04:06

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

9
Leilani
00:03:01

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

10
Wish I Could Stand Or Have
00:01:58

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

11
Don't Entertain Me Twice
00:03:57

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

12
Throwing The Election
00:04:12

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

13
Initiations Week
00:02:29

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1988 Scott Vanderbilt, under exclusive license to Omnivore Recordings

14
Together Now, Very Minor (Live)
00:03:04

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

15
Amelia, Have You Lost (Demo)
00:03:14

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Estate Of Scott Miller, under exclusive license to Omnivore Recordings

16
Bad Machinery (Radio Session)
00:02:17

Mitch Easter, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

17
Room For One More, Honey (Demo)
00:03:04

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Estate Of Scott Miller, under exclusive license to Omnivore Recordings

18
The Waist And The Knees (Live)
00:06:22

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

19
Wish I Could Stand Or Have (Demo)
00:01:52

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Estate Of Scott Miller, under exclusive license to Omnivore Recordings

20
Rolling With The Moody Girls (Demo)
00:03:13

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Estate Of Scott Miller, under exclusive license to Omnivore Recordings

21
America (Demo)
00:03:52

Paul Simon, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Estate Of Scott Miller, under exclusive license to Omnivore Recordings

22
I Turned Her Away (Radio Session)
00:03:11

Scott Miller, Composer, Writer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

23
Wyoming (Rough Mix)
00:03:20

Scott Miller, Composer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

24
Sleeping Through Heaven (Live)
00:05:01

Scott Miller, Composer, Writer - Game Theory, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 The Scott Miller Archives, under exclusive license to Omnivore Recordings

Presentación del Álbum

Arriving in 1987, Lolita Nation was Game Theory's masterpiece, a strikingly ambitious and accomplished exercise in power pop at its smartest. But it was also a purposely difficult double album, and it did little to boost the group's somewhat precarious career status. For Game Theory's fifth LP, group leader and songwriter Scott Miller set out to make something more user-friendly, and 1988's 2 Steps from the Middle Ages reflected a more streamlined approach, stripping away some of the more baroque elements from the tunes, abandoning the aural montage that had become a major part of the group's approach, and delivering a relatively concise 13-song set. There was also a bit more gloss in Mitch Easter's production than in his previous work with the band, and tunes like "Wyoming," "In a Delorean," "Rolling with the Moody Girls," and "What the Whole World Wants" sound like they could have found a comfortable spot on college radio, if not mainstream FM outlets. However, 2 Steps manages to play like a compromise in the best sense of the world -- it's a far easier album for a beginner to slip into than Lolita Nation or Real Nighttime, but it still boasts plenty of superb songs from Miller, and the band carries this material with impressive strength, especially Gil Ray's drumming and Shelley LaFreniere's keyboards. And on the second half of the album, Miller lets his dour, literate personality shine bright on "Don't Entertain Me Twice," "Throwing the Election," and "Initiations Week," which rank with his best songs. 2 Steps from the Middle Ages proved to be Game Theory's final album, and it's hard not to wish they'd allowed their grand finale to flaunt the group's eccentricities. But think of it as their answer to the Velvet Underground's Loaded, a superb example of a challenging band playing nice without throwing away the smarts and ideas that made them worthwhile.

© Mark Deming /TiVo

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