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III

Alternatif et Indé - Paru le 1 septembre 1991 | Domino Recording Co

Distinctions Discothèque Idéale Qobuz
Along with Pavement's Slanted & Enchanted, Sebadoh III is one of the cornerstones of '90s indie rock, establishing the dubious lo-fi style as a credible subgenre. Though the recording techniques give the album a distinctive, hazy atmosphere, the music itself is fascinating. Divided between contributions from Lou Barlow, Eric Gaffney, and Jason Loewenstein, Sebadoh III doesn't necessarily offer a coherent listen. Instead, it's a variety of unexpected detours, with each track offering something different from what preceded. Barlow immediately distinguishes himself with his folky acoustic musings, which not only have sensitivity to spare, but also strong melodies. Gaffney, on the other hand, consigns himself to the role of hardcore noise rocker, often with varying results. Loewenstein falls between the two extremes, acting as a bridge between the two songwriters. With such a variety of styles and sounds, Sebadoh III is a kaleidoscopic summation of various American underground rock genres of the '80s, as well as a launching pad for the introspective obsessions of '90s indie rock. © Stephen Thomas Erlewine /TiVo
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Alternatif et Indé - Paru le 14 juin 2011 | Sub Pop Records

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Alternatif et Indé - Paru le 20 août 1996 | Sub Pop Records

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Alternatif et Indé - Paru le 15 août 2006 | Sub Pop Records

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Alternatif et Indé - Paru le 23 avril 1993 | Sub Pop Records

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Pop/Rock - Paru le 4 avril 2011 | Domino Recording Co

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Alternatif et Indé - Paru le 1 août 2006 | Sub Pop Records

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Alternatif et Indé - Paru le 24 mai 2019 | Fire Records

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Comme la saga du Dinosaur Jr. de Jay Mascis n’est toujours pas finie, aucune raison pour que Lou Barlow ne fasse pas tourner sa petite entreprise à lui ouverte depuis 1987. Avec Act Surprised, Sebadoh ne change pas son fusil d’épaule : du rock indé classique, guitaristiquement bien soutenu et mélodiquement ancré en terre pop. A 53 ans, Barlow a aiguisé sa plume pour soutenir plus finement son rock’n’roll 100 % 90's concocté avec ses complices Jason Loewenstein et Bob D’Amico. De quoi rassasier les fans de la première heure… © Max Dembo/Qobuz
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Alternatif et Indé - Paru le 6 novembre 1992 | Sub Pop Records

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Pop/Rock - Paru le 1 septembre 1989 | Domino Recording Co

When Lou Barlow first started recording as Sebadoh with his pal Eric Gaffney in 1986, he was still playing bass in Dinosaur Jr., and the group's early work practically defines the "side project syndrome" -- since Barlow was already a member of another, more "serious" band at the same time, Sebadoh gave him the opportunity to be as silly, as cryptic, or as obsessively personal as he wished. Not long after Sebadoh's The Freed Man first surfaced as a cassette-only release, Barlow was fired from Dinosaur Jr., and what was once his creative safety valve suddenly became his primary musical forum, and the rough, purposefully distorted textures of Sebadoh's primitive early work (recorded on inexpensive four-track cassette decks and then dubbed down to even cheesier tape) would become the early hallmark of their music, along with the rage, puzzlement, and melancholy that defined Barlow's lyrical world-view. However, on The Freed Man, while Barlow hardly sounds sunny most of the time, he was clearly able to embrace the playful side of the group's music, and Gaffney was more than willing to bring his fair share of goofiness into the formula; add the periodic barrage of audio clips from television broadcasts, old children's records, and assorted noise, and you get the template for much of what would emerge in the "lo-fi revolution" (and like thousands of bands that would follow in Sebadoh's wake, much of The Freed Man was recorded in a college dorm room, with sounds from the adjoining rooms occasionally bleeding onto the tape). While stretches of The Freed Man sound like the pot-addled meanderings of a semi-bohemian college sophomore with a little too much time on his hands, both Barlow and Gaffney display enough songcraft and imagination to show they were several cuts above most folks following a similar path, and the fact that the nerdy but confessional "Soulmate," the bare-bones pop of "Drifts on Thru," and a mock-hardcore cover of "Yellow Submarine" could peacefully coexist on the same album suggests Sebadoh's budget-minded eclecticism was reaping potent rewards right from the very start. © Mark Deming /TiVo
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Alternatif et Indé - Paru le 16 septembre 2013 | Domino Recording Co

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Puisque l’aventure Dinosaur Jr. sévit encore joliment, il n’y avait pas de raison pour que Lou Barlow ressuscite sa petite entreprise à lui… Avec Defend Yourself, Sebadoh ne change pas trop son fusil d’épaule, offrant un rock indé, guitaristiquement bien soutenu et mélodiquement ancré en terre pop. L’âge aidant (47 ans), la plume de Barlow s’affine un peu plus et soutient à merveille se rock’n’roll 100% nineties.
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Alternatif et Indé - Paru le 15 mars 2021 | Dime Store

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Alternatif et Indé - Paru le 1 mars 2019 | Fire Records

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Rock - Paru le 19 avril 2019 | Fire Records

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Rock - Paru le 3 mai 2019 | Fire Records

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Rock - Paru le 29 mars 2019 | Fire Records

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Rock - Paru le 1 mai 2015 | Joyful Noise Recordings

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Alternatif et Indé - Paru le 16 septembre 2013 | Domino Recording Co

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Alternatif et Indé - Paru le 5 juin 2013 | Domino Recording Co