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Blues - Paru le 30 avril 2021 | Provogue Records

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Rock - Paru le 1 janvier 1990 | Virgin Records

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Blues - Paru le 31 janvier 2020 | Provogue Records

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Metal - Paru le 1 janvier 2006 | Virgin Catalogue

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Blues - Paru le 24 novembre 2017 | Sanctuary Records

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Blues - Paru le 24 novembre 2017 | BMG Rights Management (UK) Limited

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Rock - Paru le 21 mars 1995 | Virgin Records

This ill-advised compilation rudely splices early ballads from Gary Moore's "metal period" ("Empty Rooms," "Johnny Boy") with his better-known latter-day blues experiments ("Midnight Blues," "Story of the Blues"). It's mostly solid material notwithstanding; however, this record can only be described as a doomed marriage -- the kind that could only have made sense to awful people like record company execs. Even worse, the record exposes the troubling similarity between 1979's "Parisienne Walkways" (co-written by Thin Lizzy main man Phil Lynott) and 1990's "Still Got the Blues" (Moore's biggest stateside success) in a blatant case of self-plagiarism. © Eduardo Rivadavia /TiVo
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Rock - Paru le 1 janvier 1989 | Virgin Records

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Rock - Paru le 1 janvier 1995 | Virgin Records

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Rock - Paru le 16 juin 2009 | Mercury Studios

This five-disc box collects as many complete concerts by Irish blues-rock guitarist Gary Moore, recorded in 1990, 1995, 1997, 1999, and 2001 at the Montreux Jazz Festival. Some might call this too much material, especially given the number of songs that recur (four versions of "All Your Love," three each of "Oh Pretty Woman," "Too Tired," and "You Don't Love Me," and two each of "The Blues Is Alright," "Further on Up the Road," "Need Your Love So Bad," "Parisienne Walkways," "Since I Met You Baby," "Still Got the Blues," "Stop Messing Around," and "Walking by Myself"), but there is in fact substantial variation from disc to disc. The obvious outlier is the 1990 disc, on which Moore is joined for four superlative songs by legendary Texas guitarist Albert Collins. But the 1997 concert finds Moore moving from straight Chicago-style blues to an alternative metal roar, the guitar cranked up ferociously loud and backed by a mix of live instruments, occasionally chintzy synths, and programmed beats. By 1999, he's returned to the blues, albeit a hard-rocking version that's still closer in spirit to Blueshammer than Buddy Guy. The 2001 set is a mixed bag, running the gamut from a restrained take on "Stormy Monday" to an almost punk rock sprint through Jimi Hendrix's "Fire" and the amp-frying closing instrumental "The Prophet." At each concert, he's backed by a sympathetic and skilled band (including horns in 1990 and 1995), which only draws attention to one of this set's biggest flaws -- the total lack of information. Concert dates are provided, but no personnel listings or songwriting credits. It's a shame that the backing musicians are so ill-served, but otherwise, any serious Moore fan would do well to pick this set up and spend an afternoon or two wallowing in six hours of screaming blues-rock guitar. © Phil Freeman /TiVo
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Rock - Paru le 19 septembre 2011 | Mercury Studios

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Rock - Paru le 24 septembre 2012 | Mercury Studios

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Blues - Paru le 12 mars 2001 | Castle Communications

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Metal - Paru le 1 janvier 1998 | Virgin Records

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Metal - Paru le 1 janvier 2002 | EMI Marketing

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Rock - Paru le 1 janvier 2002 | Virgin Records

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Rock - Paru le 1 janvier 1993 | Virgin Records

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Metal - Paru le 1 janvier 1985 | Virgin Records

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Rock - Paru le 1 janvier 2012 | Virgin Catalogue

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Blues - Paru le 1 janvier 1989 | Virgin Catalogue

L'interprète

Gary Moore dans le magazine
  • Gary Moore est mort
    Gary Moore est mort Virtuose du hard rock puis du blues rock, le guitariste irlandais Gary Moore s’est éteint à l’âge de 58 ans.
  • Gary Moore a vraiment le blues...
    Gary Moore a vraiment le blues... Un tribunal de Munich condamne le bluesman irlandais pour avoir plagié un obscure musicien allemand pour le solo de son tube de 1990 Still Got The Blues.