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Nina Simone|Verve Jazz Masters 17: Nina Simone

Verve Jazz Masters 17: Nina Simone

Nina Simone

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Nina Simone's inclusion in Verve's Jazz Masters series is a bit suspect; there was a lot of jazz in Simone, true, but wasn't there quite a bit of pop and soul as well, not to mention some blues? Anyway, this is an excellent survey of her mid-'60s work, with 16 tracks spanning 1964 to 1966 that find Simone at her most versatile and assured. Quite a range is encompassed here: traditional folk ("Black Is the Color of My True Love's Hair"), R&B (her jazzy rendition of "I Put a Spell on You"), Jacques Brel ("Ne Me Quitte Pas"), Billie Holiday ("Strange Fruit"), the Gershwins ("I Loves You, Porgy"), Rodgers & Hart ("Little Girl Blue"), and modern jazz (Nat Adderley's "Work Song"). Other highlights are the mesmerizing "See Line Woman" and the original version of "Don't Let Me Be Misunderstood," which was a hit for the Animals shortly afterwards. On the two original compositions, "Four Women" and "Mississippi Goddam," Simone confronts racism in a head-on fashion rare for the time. Discographical details: the version of "Little Girl Blue" is a mono alternate take, and the recording of "My Baby Just Cares for Me" is not from the mid-'60s, but a 1987 live album.
© Richie Unterberger /TiVo

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Verve Jazz Masters 17: Nina Simone

Nina Simone

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1
Black Is The Color Of My True Love's Hair
00:03:29

Traditional, ComposerLyricist - Nina Simone, Arranger, Vocals, Recording Arranger, Work Arranger, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, Upright Bass, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

2
I Put A Spell On You
00:02:36

Jay Hawkins, ComposerLyricist - Nina Simone, Vocals, MainArtist, AssociatedPerformer - Hal Mooney, Conductor, Producer, Recording Arranger, AssociatedPerformer - Rudy Stevenson, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Upright Bass, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

3
Love Me Or Leave Me
00:04:07

Walter Donaldson, Composer - Gus Kahn, Author - Nina Simone, Keyboards, Vocals, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

4
Little Girl Blue (Live)
00:04:19

Al Shackman, Guitar, Harmonica, AssociatedPerformer - Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Nina Simone, Recording Arranger, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

5
My Baby Just Cares For Me (Live At Vine St. Bar & Grill, 1987)
00:03:02

Walter Donaldson, Composer - Gus Kahn, Author - Cornell McFadden, Drums, AssociatedPerformer - Nina Simone, Recording Arranger, MainArtist, AssociatedPerformer - Arthur Adams, Guitar, Electric Bass, AssociatedPerformer - Miriam Cutler, Producer - Ron Berinstein, Producer - David Kreisberg, Producer, Engineer, StudioPersonnel - Nick Dofflemeyer, Engineer, StudioPersonnel

℗ 1987 UMG Recordings, Inc.

6
I Loves You Porgy (Live At Carnegie Hall, New York, 1964)
00:02:31

George Gershwin, Composer - Ira Gershwin, Author - Dubose Heyward, Author - Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Upright Bass, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

7
Work Song
00:03:06

Nat Adderley, ComposerLyricist - Nina Simone, Vocals, MainArtist, AssociatedPerformer - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Oscar Brown, Jr., ComposerLyricist

℗ 1967 UMG Recordings, Inc.

8
Ne Me Quitte Pas
00:03:37

Jacques Brel, Composer, Author - Nina Simone, Vocals, MainArtist, AssociatedPerformer - Hal Mooney, Producer, Recording Arranger, Music Director & Conductor, AssociatedPerformer - Rudy Stevenson, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Upright Bass, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

9
Wild Is The Wind
00:06:59

Dimitri Tiomkin, ComposerLyricist - Ned Washington, ComposerLyricist - Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Upright Bass, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

10
See-Line Woman
00:02:37

Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - George H. Bass, ComposerLyricist - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Percussion, Upright Bass, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

11
Strange Fruit
00:03:30

Al Shackman, Guitar, Harmonica, AssociatedPerformer - Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer - Lewis Allan, ComposerLyricist - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

12
Pirate Jenny (Live At Carnegie Hall, New York, 1964)
00:06:39

Kurt Weill, ComposerLyricist - MARC BLITZSTEIN, ComposerLyricist - Bertolt Brecht, ComposerLyricist - Nina Simone, Recording Arranger, MainArtist, AssociatedPerformer - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

13
Four Women
00:04:25

Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Double Bass, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

14
Mississippi Goddam (Live At Carnegie Hall, New York, 1964)
00:04:53

Nina Simone, Vocals, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar, AssociatedPerformer - Bobby Hamilton, Drums, AssociatedPerformer - Lisle Atkinson, Upright Bass, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

15
Don't Let Me Be Misunderstood
00:02:45

Gloria Caldwell, ComposerLyricist - Horace Ott, Conductor, Recording Arranger, AssociatedPerformer - Nina Simone, Vocals, MainArtist, AssociatedPerformer - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

16
I Hold No Grudge
00:02:19

Angelo Badalamenti, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - John Clifford, ComposerLyricist

℗ 1967 Verve Label Group, a Division of UMG Recordings, Inc.

Chronique

Nina Simone's inclusion in Verve's Jazz Masters series is a bit suspect; there was a lot of jazz in Simone, true, but wasn't there quite a bit of pop and soul as well, not to mention some blues? Anyway, this is an excellent survey of her mid-'60s work, with 16 tracks spanning 1964 to 1966 that find Simone at her most versatile and assured. Quite a range is encompassed here: traditional folk ("Black Is the Color of My True Love's Hair"), R&B (her jazzy rendition of "I Put a Spell on You"), Jacques Brel ("Ne Me Quitte Pas"), Billie Holiday ("Strange Fruit"), the Gershwins ("I Loves You, Porgy"), Rodgers & Hart ("Little Girl Blue"), and modern jazz (Nat Adderley's "Work Song"). Other highlights are the mesmerizing "See Line Woman" and the original version of "Don't Let Me Be Misunderstood," which was a hit for the Animals shortly afterwards. On the two original compositions, "Four Women" and "Mississippi Goddam," Simone confronts racism in a head-on fashion rare for the time. Discographical details: the version of "Little Girl Blue" is a mono alternate take, and the recording of "My Baby Just Cares for Me" is not from the mid-'60s, but a 1987 live album.
© Richie Unterberger /TiVo

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