Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Following an Oscar nomination in 2018 for his sumptuous score for the Paul Thomas Anderson film Phantom Thread, and the release of his soundtrack for Lynne Ramsey's neo-noir You Were Never Really Here that same year, Jonny Greenwood returned to theaters in November 2021 with a pair of high-caliber scores: Spencer and The Power of the Dog. Set on a Montana cattle ranch in 1925, Jane Campion's The Power of the Dog edges closer to a psychological suspense film than a historical drama, and Greenwood's anxious, austere score incorporates glimpses of traditional folk befitting its setting alongside Baroque, Romantic, and atonal inspirations. First track "25 Years" begins with an urgent, minimalist acoustic guitar pattern before introducing harmonics, tense melodic strings, and dissonance. In an attempt to avoid "sweeping strings" tropes to represent the film's panoramic landscapes, Greenwood wrote French horn pieces including a blustery second track, "Requiem for Phil," which only subtly employs atmospheric strings. The horns, which reappear on "The Ravine," were recorded in a large church to take advantage of its natural reverb. Greenwood challenges distinctions between classical violin and fiddle on occasion, and while diegetic banjo and piano performances by characters in the film are not represented here, the unsettling, partly manic score entry "Detuned Mechanical Piano" is. More-refined classical stylings surface on the piano-and-violin piece "West Alone," the string quartet "West," and the later-period, Impressionistic "Viola Quartet," but they constitute a minority (and the latter takes a decidedly dissonant turn). In keeping with the score's generally more chaotic bearing, the luxuriant "So Soft" and jittery "Best Friends" both opt for variations on tone clusters that, in keeping with the film's story, convey rich warmth and distress at once.
© Marcy Donelson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Jonny Greenwood, Composer, MainArtist
2021 Invada Records UK / Lakeshore Records 2021 Invada Records UK / Lakeshore Records
Jonny Greenwood, Composer, MainArtist
2021 Invada Records UK / Lakeshore Records 2021 Invada Records UK / Lakeshore Records
Chronique
Following an Oscar nomination in 2018 for his sumptuous score for the Paul Thomas Anderson film Phantom Thread, and the release of his soundtrack for Lynne Ramsey's neo-noir You Were Never Really Here that same year, Jonny Greenwood returned to theaters in November 2021 with a pair of high-caliber scores: Spencer and The Power of the Dog. Set on a Montana cattle ranch in 1925, Jane Campion's The Power of the Dog edges closer to a psychological suspense film than a historical drama, and Greenwood's anxious, austere score incorporates glimpses of traditional folk befitting its setting alongside Baroque, Romantic, and atonal inspirations. First track "25 Years" begins with an urgent, minimalist acoustic guitar pattern before introducing harmonics, tense melodic strings, and dissonance. In an attempt to avoid "sweeping strings" tropes to represent the film's panoramic landscapes, Greenwood wrote French horn pieces including a blustery second track, "Requiem for Phil," which only subtly employs atmospheric strings. The horns, which reappear on "The Ravine," were recorded in a large church to take advantage of its natural reverb. Greenwood challenges distinctions between classical violin and fiddle on occasion, and while diegetic banjo and piano performances by characters in the film are not represented here, the unsettling, partly manic score entry "Detuned Mechanical Piano" is. More-refined classical stylings surface on the piano-and-violin piece "West Alone," the string quartet "West," and the later-period, Impressionistic "Viola Quartet," but they constitute a minority (and the latter takes a decidedly dissonant turn). In keeping with the score's generally more chaotic bearing, the luxuriant "So Soft" and jittery "Best Friends" both opt for variations on tone clusters that, in keeping with the film's story, convey rich warmth and distress at once.
© Marcy Donelson /TiVo
À propos
- 1 disque(s) - 2 piste(s)
- Durée totale : 00:04:49
- Artistes principaux : Jonny Greenwood
- Compositeur : Jonny Greenwood
- Label : INVADA Records
- Genre : Bandes originales Bandes originales de films
2021 Invada Records UK / Lakeshore Records 2021 Invada Records UK / Lakeshore Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.