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Black Flag|Slip It In

Slip It In

Black Flag

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Langue disponible : anglais

Slip It In followed My War almost immediately, and while a bit better (fewer mega-volume angst drones), the band still wanders a bit, experimenting with expanding the breadth of hardcore into a newer hard rock/punk sound. This is especially true of Greg Ginn's guitar playing, which was becoming increasingly avant-garde and exciting. Rather than simply coughing up one clichéd solo after another, he wandered harmolodically up and down the fretboard as a jazz player like Blood Ulmer would, making the material more interesting than what most Black Flag-influenced bands were playing.
© John Dougan /TiVo

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Slip It In

Black Flag

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À partir de 12,49€/mois

1
Slip It In
00:06:17

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

2
Black Coffee
00:04:55

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

3
Wound Up
00:04:23

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

4
Rat's Eyes
00:04:07

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

5
Obliteration
00:05:56

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

6
The Bars
00:04:37

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

7
My Ghetto
00:02:05

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

8
You're Not Evil
00:07:10

Black Flag, MainArtist - 1984 Cesstone Music (BMI), MusicPublisher

(C) 1984 SST Records (P) 1984 SST Records

Chronique

Slip It In followed My War almost immediately, and while a bit better (fewer mega-volume angst drones), the band still wanders a bit, experimenting with expanding the breadth of hardcore into a newer hard rock/punk sound. This is especially true of Greg Ginn's guitar playing, which was becoming increasingly avant-garde and exciting. Rather than simply coughing up one clichéd solo after another, he wandered harmolodically up and down the fretboard as a jazz player like Blood Ulmer would, making the material more interesting than what most Black Flag-influenced bands were playing.
© John Dougan /TiVo

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