Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Slade|Slade in Flame

Slade in Flame

Slade

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Slade in Flame is a tough album to judge. It marks the end of Slade's rule over the British charts -- the album went to number six (the band's previous four LPs reached number one), but it would be nearly ten years before the band would return to the top of the pops. Made as an accompanying piece to the movie of the same name, Slade in Flame was different than the group's other records. It's an artistic tour de force for a band that was looked on as "just a good time." Although Slade was that, the band had a lot more in its bag of tricks, and this album shows it. Most folks (if not all) were expecting Slade to come out with a Monkees-type movie: lots of slapstick and a funny, lighthearted good time. Instead, the band delivered a much more reality-based film and album. Don't worry, though, because it's still pure Slade. The album stretches the band's stylistic universe to include brass and more keyboards than before. The lyrics are a little more serious than you might expect -- the album is about what a bummer it can be to be famous, as well as the all of the advantages (girls). From the opening number, "How Does It Feel," Slade sets a different tone. A piano and vocal intro greets the listener. Of course, by the end of the song the full band is rocking furiously. They don't let up on the classic "Them Kinda Monkeys Can't Swing," which features great drumming by Don Powell. "So Far So Good" is a beautiful rocker, and was covered by Alice Cooper songwriter Mike Bruce on his first solo album. On "OK Yesterday Was Yesterday," Noddy gives his lungs a big-time workout. [The British and American versions of this album differ slightly. The U.S. version added two British A-sides, "Bangin' Man" and "Thanks for the Memories," while deleting a couple of tracks. "Bangin' Man" is definitely one of Slade's best, and worth seeking out on a greatest-hits CD.]

© Geoff Ginsberg /TiVo

Plus d'informations

Slade in Flame

Slade

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
How Does It Feel
00:05:55

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

2
Them Kinda Monkeys Can't Swing
00:03:28

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

3
So Far so Good
00:03:02

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

4
Summer Song (Wishing You Were Here)
00:03:36

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

5
OK Yesterday Was Yesterday
00:03:59

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

6
Far Far Away
00:03:34

James Lea, Composer, Lyricist - Neville Holder, Composer, Lyricist - CHAS CHANDLER, Producer - Slade, MainArtist

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Noddy Holder Music Ltd./Jim Lea Music Ltd.

7
This Girl
00:03:32

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

8
Lay It Down
00:04:09

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

9
Heaven Knows
00:03:56

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

10
Standin' On The Corner
00:04:54

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, Performance, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 1974 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

Chronique

Slade in Flame is a tough album to judge. It marks the end of Slade's rule over the British charts -- the album went to number six (the band's previous four LPs reached number one), but it would be nearly ten years before the band would return to the top of the pops. Made as an accompanying piece to the movie of the same name, Slade in Flame was different than the group's other records. It's an artistic tour de force for a band that was looked on as "just a good time." Although Slade was that, the band had a lot more in its bag of tricks, and this album shows it. Most folks (if not all) were expecting Slade to come out with a Monkees-type movie: lots of slapstick and a funny, lighthearted good time. Instead, the band delivered a much more reality-based film and album. Don't worry, though, because it's still pure Slade. The album stretches the band's stylistic universe to include brass and more keyboards than before. The lyrics are a little more serious than you might expect -- the album is about what a bummer it can be to be famous, as well as the all of the advantages (girls). From the opening number, "How Does It Feel," Slade sets a different tone. A piano and vocal intro greets the listener. Of course, by the end of the song the full band is rocking furiously. They don't let up on the classic "Them Kinda Monkeys Can't Swing," which features great drumming by Don Powell. "So Far So Good" is a beautiful rocker, and was covered by Alice Cooper songwriter Mike Bruce on his first solo album. On "OK Yesterday Was Yesterday," Noddy gives his lungs a big-time workout. [The British and American versions of this album differ slightly. The U.S. version added two British A-sides, "Bangin' Man" and "Thanks for the Memories," while deleting a couple of tracks. "Bangin' Man" is definitely one of Slade's best, and worth seeking out on a greatest-hits CD.]

© Geoff Ginsberg /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

A Shot At Glory

Mark Knopfler

A Shot At Glory Mark Knopfler

Sultans Of Swing - The Very Best Of Dire Straits

Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

Sailing To Philadelphia

Mark Knopfler

Sailing To Philadelphia Mark Knopfler
À découvrir également
Par Slade

Merry Xmas Everybody

Slade

Cum On Feel the Hitz: The Best of Slade

Slade

Sladest

Slade

Sladest Slade

Crackers

Slade

Crackers Slade

SUMO

Slade

SUMO Slade

Playlists

Dans la même thématique...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift