Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Robbie Robertson was once asked why he waited 11 years after the breakup of the Band to release a solo project, and he replied, "I wasn't so sure I had something to say." One can hear a bit of this thinking in Robertson's self-titled solo debut; it's obvious that he didn't care to revisit the country- and blues-flavored roots rock that had been his bread and butter with the Band, and at the same time Robertson seemed determined to make an album that had something important to say, and could stand alongside his legendary earlier work. Looking for a moody and atmospheric sound, Robertson teamed up with producer Daniel Lanois, who had previously worked with U2 and Peter Gabriel, two artists whose work obviously influenced Robertson's musical thinking while he was making the album (they both appear on the album as well). As a result, Robbie Robertson is an album that represents both a clear break from his past, and an ambitious attempt to take his fascination with American culture and music in a new and contemporary direction. It's highly ambitious stuff, and the album's ambitions sometimes prove to be its Achilles' heel. Robertson's collaboration with U2, "Sweet Fire of Love," sounds like a rather unremarkable outtake from The Joshua Tree, with the group's aural bombast subsuming the ostensive leader of the session, while "Fallen Angel," "American Roulette," and "Somewhere Down the Crazy River" find Robertson exploring the same iconography of the Band's best work, but without the same grace or subtle wit. And it doesn't take long to realize why Robbie only took two lead vocals during his tenure with the Band; his dry, reedy voice isn't bad, but it lacks the force and authority to communicate the big themes Robertson wants to bring across. Despite all this, Robbie Robertson does have its share of pearly moments, especially on the bitter "Hell's Half Acre," "Sonny Got Caught in the Moonlight," and "Broken Arrow" (a performance more subtle and effective than Rod Stewart's better-known cover). Robbie Robertson isn't the masterpiece its creator was obviously striving towards, but it's an intelligent and often compelling set from an inarguably important artist, and it comes a good bit closer to capturing what made the Band's work so memorable than the latter-day efforts from Levon Helm and company.
© Mark Deming /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Martin Page, ComposerLyricist - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - BoDeans, Background Vocalist, AssociatedPerformer - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - Bono, ComposerLyricist - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - U2, Participant - Adam Clayton, ComposerLyricist - Larry Mullen, ComposerLyricist - The Edge, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - BoDeans, Background Vocalist, AssociatedPerformer - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
Martin Page, ComposerLyricist - BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Gary Gersh, Producer, Executive Producer
℗ 1987 Geffen Records
BOB CLEARMOUNTAIN, Mixer, StudioPersonnel - Daniel Lanois, Producer - JIM SCOTT, Producer, Engineer, Associate Producer, StudioPersonnel - ROBBIE ROBERTSON, Producer, MainArtist, ComposerLyricist - Ivan Neville, Background Vocalist, AssociatedPerformer
℗ 1987 Geffen Records
Chronique
Robbie Robertson was once asked why he waited 11 years after the breakup of the Band to release a solo project, and he replied, "I wasn't so sure I had something to say." One can hear a bit of this thinking in Robertson's self-titled solo debut; it's obvious that he didn't care to revisit the country- and blues-flavored roots rock that had been his bread and butter with the Band, and at the same time Robertson seemed determined to make an album that had something important to say, and could stand alongside his legendary earlier work. Looking for a moody and atmospheric sound, Robertson teamed up with producer Daniel Lanois, who had previously worked with U2 and Peter Gabriel, two artists whose work obviously influenced Robertson's musical thinking while he was making the album (they both appear on the album as well). As a result, Robbie Robertson is an album that represents both a clear break from his past, and an ambitious attempt to take his fascination with American culture and music in a new and contemporary direction. It's highly ambitious stuff, and the album's ambitions sometimes prove to be its Achilles' heel. Robertson's collaboration with U2, "Sweet Fire of Love," sounds like a rather unremarkable outtake from The Joshua Tree, with the group's aural bombast subsuming the ostensive leader of the session, while "Fallen Angel," "American Roulette," and "Somewhere Down the Crazy River" find Robertson exploring the same iconography of the Band's best work, but without the same grace or subtle wit. And it doesn't take long to realize why Robbie only took two lead vocals during his tenure with the Band; his dry, reedy voice isn't bad, but it lacks the force and authority to communicate the big themes Robertson wants to bring across. Despite all this, Robbie Robertson does have its share of pearly moments, especially on the bitter "Hell's Half Acre," "Sonny Got Caught in the Moonlight," and "Broken Arrow" (a performance more subtle and effective than Rod Stewart's better-known cover). Robbie Robertson isn't the masterpiece its creator was obviously striving towards, but it's an intelligent and often compelling set from an inarguably important artist, and it comes a good bit closer to capturing what made the Band's work so memorable than the latter-day efforts from Levon Helm and company.
© Mark Deming /TiVo
À propos
- 1 disque(s) - 9 piste(s)
- Durée totale : 00:44:12
- Artistes principaux : Robbie Robertson
- Compositeur : Various Composers
- Label : Geffen
- Genre : Pop/Rock Pop
© 1987 Geffen Records Inc. ℗ 1987 Geffen Records Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.