Catégories :
Panier 0

Votre panier est vide

Krzysztof Penderecki|Penderecki: Horn and Violin Concertos

Penderecki: Horn and Violin Concertos

Krzysztof Penderecki, Michał Dworzynski, Radovan Vlatkovic, Barnabás Kelemen, London Philharmonic Orchestra

Livret numérique

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

This release draws on live London Philharmonic Orchestra recorded performances from 2013 and 2015, all of them, except for that of the Violin Concerto No. 1, conducted by Krzysztof Penderecki, the composer of all four works. It pairs a Penderecki classic, the hair-raising Threnody for the Victims of Hiroshima (1960) with three newer works: the Violin Concerto No. 1, the Adagio for Strings (a transcription of the slow movement of the Symphony No. 3), and the Horn Concerto of 2008. While it's true that composers don't necessarily make the best conductors of their works, these are exceptionally compelling performances. Penderecki's career, even according to his own testimony, is conventionally divided into avant-garde and neo-Romantic phases, but what the composer-conductor shows here, is that the division isn't as thorough as it may seem. The Horn Concerto, not a commonly played piece, contains all of the blocks of sound and the structural use of texture that earlier Penderecki works do, and, of course, the grim pictorial quality of the "avant-garde" Threnody has an expressive Romantic aesthetic. All of these works get at another aspect of why Penderecki remains one of the most frequently played contemporary composers: he gives orchestral players a great deal to do, and they consequently play his music enthusiastically. As good a place as any to start with the more recent Penderecki.
© TiVo

Plus d'informations

Penderecki: Horn and Violin Concertos

Krzysztof Penderecki

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 80 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 80 millions de titres avec votre abonnement illimité.

À partir de 12,50€/mois

1
Horn Concerto "Winterreise"
Krzysztof Penderecki
00:17:31

Radovan Vlatkovic, Horn, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Krzysztof PENDERECKI, Composer, Conductor, MainArtist

2020 London Philharmonic Orchestra Ltd 2020 London Philharmonic Orchestra Ltd

2
Adagio for Strings (from 3rd Symphony)
Krzysztof Penderecki
00:11:37

London Philharmonic Orchestra, Orchestra, MainArtist - Krzysztof PENDERECKI, Composer, Conductor, MainArtist

2020 London Philharmonic Orchestra Ltd 2020 London Philharmonic Orchestra Ltd

3
Violin Concerto No. 1
Michał Dworzynski
00:40:25

London Philharmonic Orchestra, Orchestra, MainArtist - Krzysztof PENDERECKI, Composer - Barnabás Kelemen, Violin, MainArtist - Michał Dworzynski, Conductor, MainArtist

2020 London Philharmonic Orchestra Ltd 2020 London Philharmonic Orchestra Ltd

4
Threnody for the Victims of Hiroshima
Krzysztof Penderecki
00:08:56

London Philharmonic Orchestra, Orchestra, MainArtist - Krzysztof PENDERECKI, Composer, Conductor, MainArtist

2020 London Philharmonic Orchestra Ltd 2020 London Philharmonic Orchestra Ltd

Descriptif de l'album

This release draws on live London Philharmonic Orchestra recorded performances from 2013 and 2015, all of them, except for that of the Violin Concerto No. 1, conducted by Krzysztof Penderecki, the composer of all four works. It pairs a Penderecki classic, the hair-raising Threnody for the Victims of Hiroshima (1960) with three newer works: the Violin Concerto No. 1, the Adagio for Strings (a transcription of the slow movement of the Symphony No. 3), and the Horn Concerto of 2008. While it's true that composers don't necessarily make the best conductors of their works, these are exceptionally compelling performances. Penderecki's career, even according to his own testimony, is conventionally divided into avant-garde and neo-Romantic phases, but what the composer-conductor shows here, is that the division isn't as thorough as it may seem. The Horn Concerto, not a commonly played piece, contains all of the blocks of sound and the structural use of texture that earlier Penderecki works do, and, of course, the grim pictorial quality of the "avant-garde" Threnody has an expressive Romantic aesthetic. All of these works get at another aspect of why Penderecki remains one of the most frequently played contemporary composers: he gives orchestral players a great deal to do, and they consequently play his music enthusiastically. As good a place as any to start with the more recent Penderecki.
© TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

The Number of the Beast

Iron Maiden

From The Fires

Greta Van Fleet

From The Fires Greta Van Fleet

Powerslave

Iron Maiden

Powerslave Iron Maiden

Somewhere in Time

Iron Maiden

Somewhere in Time Iron Maiden
À découvrir également
Par Krzysztof Penderecki

Penderecki: Horn and Violin Concertos

Krzysztof Penderecki

Penderecki: Concertos, Vol. 7

Krzysztof Penderecki

Penderecki: Concertos, Vol. 7 Krzysztof Penderecki

Penderecki : Music for Violin, Cello & Orchestra

Krzysztof Penderecki

Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia

Krzysztof Penderecki

20th Century Classics: Penderecki

Krzysztof Penderecki

20th Century Classics: Penderecki Krzysztof Penderecki
Dans la même thématique...

John Ireland: Orchestral Works

Sinfonia Of London

John Ireland: Orchestral Works Sinfonia Of London

Jurowski Conducts Mahler's Symphony No. 8

Vladimir Jurowski

Metamorphosen

Sinfonia Of London

Metamorphosen Sinfonia Of London

Mozart: Symphonies Nos.35 "Haffner", 36 "Linzer", 38 "Prager", 39, 40, 41 "Jupiter"

Karl Böhm

Mahler: Symphony No. 4

Berliner Philharmoniker

Mahler: Symphony No. 4 Berliner Philharmoniker
Les Grands Angles...
Le tour du monde choral de Marcus Creed

Marcus Creed incarne, auprès des auditeurs de chant choral, et davantage encore a cappella, un idéal de constance, d'exigence et d'exploration. Cette série chez Hänssler avec l'Ensemble vocal de la Radio de Stuttgart propose un tour du monde de la musique chorale, des Amériques au Japon en passant par les grandes nations vocales d'Europe.

Gounod romantique et mystique

Artisan majeur du renouveau de la musique française dans la seconde moitié du XIXe siècle aux côtés de son aîné, Berlioz, qu’il admirait, et de ses disciples, Bizet, Saint-Saëns, Massenet qui vénéraient sa foi en l’Art, Charles Gounod (1818-1893), mystique et charmeur, romantique en quête d’un nouveau classicisme, doit sa célébrité à quelques chefs-d’œuvre qui réduisent son envergure. Une discographie en plein essor permet de découvrir sa musique dans sa diversité : instrumentale, vocale, sacrée et lyrique.

Bernard Haitink, prophète en son pays

Le grand chef d’orchestre néerlandais nous a quittés le 21 octobre 2021 à l’âge vénérable de 92 ans. Reconnu par ses pairs et dans son pays dès sa jeunesse, Bernard Haitink accomplira la majeure partie de son immense carrière aux Pays-Bas, d’abord à la tête de l’Orchestre de la Radio néerlandaise puis du prestigieux Concertgebouw d’Amsterdam pendant vingt-sept ans, avec lequel il enregistrera de nombreux disques devenus légendaires.

Dans l'actualité...