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James|Millionaires

Millionaires

James

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Going from the folk skullduggery of Stutter to the lavish club steps of Goldmother to the introspective beauty of Laid, James have never been predictable. The band's progression has delivered a seemingly inconsistent but impressive body of work, and Millionaires is no exception. Crisp, shiny, accessible pop songs such as "Crash" (sounding, oddly, like 1990's manic "Come Home" and the bittersweet, Laid-era B-side "The Lake"), "I Know What I'm Here For," and "Afro Lover," seem designed to go for Top 40 gold. For a band like James, this is unusual -- they've always seemed like the freaks and geeks of the school of popular and "credible" music. While it's not necessarily a bad thing for these outcasts to try to fit in, for at least half of the album it's exactly that: The flat, overproduced "Surprise" and the aimless "Dumb Jam" ignore the hook-laden nature of the band's past heights. Fortunately, the album's first half positively shines while taking this same populist approach. "Hello" succeeds with its hushed, electronic cries; "We're Going to Miss You" sounds like one of Midnight Oil's lost classics, simultaneously bitter and triumphant. Best of all, "Just Like Fred Astaire" somehow encapsulates every delirious high one feels when first falling in love. Essentially, the album two disparate halves: the former, an ecstatic stab of triumph and love, the latter, a mired, confused slab of dulling mediocrity. Indeed, Millionaires is as odd and unexpected as James' overall discography. With a little personal song programming, one can make it sound like the freaks and geeks knew what they were doing the entire time -- they might be a bit lost at times, but they have the creative heart that the musical jocks, cheerleaders, and hooligans would never, ever, own themselves.

© Dean Carlson /TiVo

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Millionaires

James

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1
Crash
00:03:58

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Guitar, Co-Producer, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

2
Just Like Fred Astaire
00:03:44

OTT, Engineer, StudioPersonnel - Steve Osborne, Producer - James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Accordion, Keyboards, AssociatedPerformer, ComposerLyricist - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Bells, Guitar, Violin, AssociatedPerformer, ComposerLyricist - Teo Miller, Engineer, StudioPersonnel - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

3
I Know What I'm Here For
00:03:52

OTT, Engineer, StudioPersonnel - James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Guitar, Co-Producer, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

4
Shooting My Mouth Off
00:03:25

OTT, Engineer, StudioPersonnel - James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Accordion, Keyboards, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Producer, Drums, Percussion, Co-Producer, AssociatedPerformer, ComposerLyricist - Saul Davies, Bells, Guitar, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Adrian Oxaal, Guitar, AssociatedPerformer - Michael Kulas, Percussion, AssociatedPerformer

℗ 1999 Mercury Records Limited

5
We're Going To Miss You
00:04:36

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Engineer, Guitar, Co-Producer, Violin, AssociatedPerformer, StudioPersonnel, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Claire Nicolson, Vocalist, AssociatedPerformer - Benedict Fenner, Engineer, StudioPersonnel - Adrian Oxaal, Guitar, AssociatedPerformer - Michael Kulas, Percussion, AssociatedPerformer

℗ 1999 Mercury Records Limited

6
Strangers
00:05:12

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Engineer, Keyboards, Co-Producer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Engineer, Guitar, Co-Producer, Violin, AssociatedPerformer, StudioPersonnel, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Claire Nicolson, Vocalist, AssociatedPerformer - Adrian Oxaal, Guitar, AssociatedPerformer - Michael Kulas, Percussion, AssociatedPerformer

℗ 1999 Mercury Records Limited

7
Hello
00:04:38

James, MainArtist - Brian Eno, Producer, Mixer, StudioPersonnel - Mark Hunter, Producer, Accordion, Engineer, Keyboards, Co-Producer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Engineer, Guitar, Co-Producer, Violin, AssociatedPerformer, StudioPersonnel, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Adrian Oxaal, Guitar, AssociatedPerformer - Michael Kulas, Percussion, AssociatedPerformer

℗ 1999 Mercury Records Limited

8
Afro Lover
00:04:02

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Guitar, Co-Producer, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

9
Surprise
00:05:04

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Guitar, Co-Producer, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

10
Dumb Jam
00:02:38

OTT, Engineer, StudioPersonnel - James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Keyboards, Co-Producer, AssociatedPerformer, ComposerLyricist - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Guitar, Co-Producer, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Andrew Page, Engineer, StudioPersonnel

℗ 1999 Mercury Records Limited

11
Someone's Got It In For Me
00:04:09

James, MainArtist - Dave Bascombe, Mixer, StudioPersonnel - Brian Eno, Producer - Mark Hunter, Producer, Accordion, Engineer, Keyboards, Co-Producer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Saul Davies, Producer, Bells, Engineer, Guitar, Co-Producer, Violin, AssociatedPerformer, StudioPersonnel, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer

℗ 1999 Mercury Records Limited

12
Vervaceous
00:05:42

James, MainArtist - Brian Eno, Producer, Mixer, StudioPersonnel - Sinéad O'Connor, Background Vocalist, AssociatedPerformer - Mark Hunter, Accordion, Keyboards, AssociatedPerformer, ComposerLyricist - Alex Haas, Engineer, StudioPersonnel - David Baynton-Power, Producer, Drums, Percussion, Co-Producer, AssociatedPerformer, ComposerLyricist - Saul Davies, Bells, Guitar, Violin, AssociatedPerformer, ComposerLyricist - James Patrick Glennie, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Timothy Booth, Vocals, AssociatedPerformer, ComposerLyricist - James Lawrence Gott, Guitar, Background Vocalist, AssociatedPerformer - Martin Wilding, Engineer, StudioPersonnel

℗ 1999 Mercury Records Limited

Chronique

Going from the folk skullduggery of Stutter to the lavish club steps of Goldmother to the introspective beauty of Laid, James have never been predictable. The band's progression has delivered a seemingly inconsistent but impressive body of work, and Millionaires is no exception. Crisp, shiny, accessible pop songs such as "Crash" (sounding, oddly, like 1990's manic "Come Home" and the bittersweet, Laid-era B-side "The Lake"), "I Know What I'm Here For," and "Afro Lover," seem designed to go for Top 40 gold. For a band like James, this is unusual -- they've always seemed like the freaks and geeks of the school of popular and "credible" music. While it's not necessarily a bad thing for these outcasts to try to fit in, for at least half of the album it's exactly that: The flat, overproduced "Surprise" and the aimless "Dumb Jam" ignore the hook-laden nature of the band's past heights. Fortunately, the album's first half positively shines while taking this same populist approach. "Hello" succeeds with its hushed, electronic cries; "We're Going to Miss You" sounds like one of Midnight Oil's lost classics, simultaneously bitter and triumphant. Best of all, "Just Like Fred Astaire" somehow encapsulates every delirious high one feels when first falling in love. Essentially, the album two disparate halves: the former, an ecstatic stab of triumph and love, the latter, a mired, confused slab of dulling mediocrity. Indeed, Millionaires is as odd and unexpected as James' overall discography. With a little personal song programming, one can make it sound like the freaks and geeks knew what they were doing the entire time -- they might be a bit lost at times, but they have the creative heart that the musical jocks, cheerleaders, and hooligans would never, ever, own themselves.

© Dean Carlson /TiVo

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