Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Between 1950 and 1980, he was one of the eminent conductors of international standing, and yet in the meantime he has somewhat faded into obscurity: Karl Böhm epitomised the anti-star amongst the great conductors of his time, emphatically at the service of music alone. Now available for the first time are two Lucerne concert recordings made with the Vienna Philharmonic, with whom he was closely associated for decades: Bruckner's Seventh Symphony alongside a buoyant Hindemith Concerto (the latter recorded only once by Böhm).
An advocate for contemporary music in his youth, Böhm performed Paul Hindemith's Concerto for Woodwinds, Harp and Orchestra (1949) in Lucerne in the summer of 1970. Cast in three movements, this work offers especially rewarding passages to the five-part concertino grouping and, via a quotation of Mendelssohn's Wedding March, refers to Hindemith's own silver wedding anniversary.
Alongside symphonic works of Mozart, Beethoven, Schubert, Brahms and Strauss, Anton Bruckner's symphonies were also at the centre of Böhm's concert repertoire. Böhm's Bruckner interpretations possess a special aura, though he neither follows the pious, pathos-laden manner of Eugen Jochum, nor the solemn worldly style of Sergiu Celibidache, nor the austere and matter-of-fact interpretations of Nikolaus Harnoncourt. This is also demonstrated by the Lucerne concert recording of the Seventh Symphony, made in September 1964: Böhm never loses sight of the whole, but plays out every articulatory detail as notated, with almost scrupulous textual fidelity. He follows Bruckner's block-like editing technique without aggressively emphasising it. He does not evade the solemn monumentality of the music, but he also does not exaggerate it into a sense of false, violent pathos.
In cooperation with audite, Lucerne Festival presents the "Historic Performances" series featuring outstanding concert recordings of artists who have shaped the festival throughout its history. The aim of this edition is to rediscover treasures - most of which have not previously been released - from the first six decades of the festival, which was founded in 1938 with a special gala concert conducted by Arturo Toscanini. These recordings have been made available by the archives of SRF Swiss Radio and Television, which has broadcast the Lucerne concerts from the outset. Painstakingly re-mastered and supplemented with photos and materials from the Lucerne Festival archive, they represent a sonic history of the festival. © Audite
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Paul Hindemith, Composer - Karl Böhm, Conductor, MainArtist - Alfred Prinz, Artist, MainArtist - Werner Tripp, Artist, MainArtist - Hubert Jelinek, Artist, MainArtist - Ernst Pamperl, Artist, MainArtist - Gerhard Turetscheck, Artist, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Paul Hindemith, Composer - Karl Böhm, Conductor, MainArtist - Alfred Prinz, Artist, MainArtist - Werner Tripp, Artist, MainArtist - Hubert Jelinek, Artist, MainArtist - Ernst Pamperl, Artist, MainArtist - Gerhard Turetscheck, Artist, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Paul Hindemith, Composer - Karl Böhm, Conductor, MainArtist - Alfred Prinz, Artist, MainArtist - Werner Tripp, Artist, MainArtist - Hubert Jelinek, Artist, MainArtist - Ernst Pamperl, Artist, MainArtist - Gerhard Turetscheck, Artist, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Anton BRUCKNER, Composer - Karl Böhm, Conductor, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Anton BRUCKNER, Composer - Karl Böhm, Conductor, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Anton BRUCKNER, Composer - Karl Böhm, Conductor, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Wiener Philharmoniker, Ensemble, MainArtist - Copyright Control, MusicPublisher - Anton BRUCKNER, Composer - Karl Böhm, Conductor, MainArtist
2021 audite Musikproduktion 2021 audite Musikproduktion
Chronique
Between 1950 and 1980, he was one of the eminent conductors of international standing, and yet in the meantime he has somewhat faded into obscurity: Karl Böhm epitomised the anti-star amongst the great conductors of his time, emphatically at the service of music alone. Now available for the first time are two Lucerne concert recordings made with the Vienna Philharmonic, with whom he was closely associated for decades: Bruckner's Seventh Symphony alongside a buoyant Hindemith Concerto (the latter recorded only once by Böhm).
An advocate for contemporary music in his youth, Böhm performed Paul Hindemith's Concerto for Woodwinds, Harp and Orchestra (1949) in Lucerne in the summer of 1970. Cast in three movements, this work offers especially rewarding passages to the five-part concertino grouping and, via a quotation of Mendelssohn's Wedding March, refers to Hindemith's own silver wedding anniversary.
Alongside symphonic works of Mozart, Beethoven, Schubert, Brahms and Strauss, Anton Bruckner's symphonies were also at the centre of Böhm's concert repertoire. Böhm's Bruckner interpretations possess a special aura, though he neither follows the pious, pathos-laden manner of Eugen Jochum, nor the solemn worldly style of Sergiu Celibidache, nor the austere and matter-of-fact interpretations of Nikolaus Harnoncourt. This is also demonstrated by the Lucerne concert recording of the Seventh Symphony, made in September 1964: Böhm never loses sight of the whole, but plays out every articulatory detail as notated, with almost scrupulous textual fidelity. He follows Bruckner's block-like editing technique without aggressively emphasising it. He does not evade the solemn monumentality of the music, but he also does not exaggerate it into a sense of false, violent pathos.
In cooperation with audite, Lucerne Festival presents the "Historic Performances" series featuring outstanding concert recordings of artists who have shaped the festival throughout its history. The aim of this edition is to rediscover treasures - most of which have not previously been released - from the first six decades of the festival, which was founded in 1938 with a special gala concert conducted by Arturo Toscanini. These recordings have been made available by the archives of SRF Swiss Radio and Television, which has broadcast the Lucerne concerts from the outset. Painstakingly re-mastered and supplemented with photos and materials from the Lucerne Festival archive, they represent a sonic history of the festival. © Audite
À propos
- 1 disque(s) - 7 piste(s)
- Durée totale : 01:18:08
- 1 Livret Numérique
- Artistes principaux : Wiener Philharmonic Orchestra Karl Böhm
- Compositeur : Various Composers
- Label : audite Musikproduktion
- Genre : Classique Musique symphonique
2021 audite Musikproduktion 2021 audite Musikproduktion
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.