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Rachid Taha|Diwan

Diwan

Rachid Taha

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Langue disponible : anglais

The sophomore release from Algerian singer Rachid Taha. This is a stunning album, as he moves through straightforward rai to blues, rock, and the full spectrum of worldbeat. The album starts out with a song about exile from home, followed by a musical history of rai, covering all of the basic steps in the development of Taha's chosen base-style. An Egyptian film song from the great Farid El Atrache continues the barrage of bouncing Middle Eastern and North African sounds. A more modern version of the ay-ay genre ensues, with fuzzed guitars looped throughout. Some urban Algerian blues and a bit of chaabi follow, on the topics of love and love lost. The album finishes with a stretch of slightly more serious songs, with a number based on the Algerian war for independence and the torture endured by its prisoners, a political song from a Moroccan group, a basic rai number in French pidgin, and a song from the frustrated youth of Algeria. This is something of a North African tour-de-force, as Taha moves from one style to another, always partially based in the rai tradition, but always expanding to other styles in the process. The songs can be backed by a simple flute, or by a group of rock guitars. Either way, the works are held together by the overriding compositions that Taha is dealing from. It's a great album for those that are already knowledgeable in rai for its new directions, and a nice album for newcomers as it displays the full breadth in a single disc.

© Adam Greenberg /TiVo

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Diwan

Rachid Taha

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À partir de 12,49€/mois

1
Ya Rayah (Album Version)
00:06:13

Rachid Taha, MainArtist - Steve Hillage, Producer - Amrani Abderrahmane, ComposerLyricist

℗ 1993 Barclay

2
Ida (Album Version)
00:05:55

Rachid Taha, MainArtist, ComposerLyricist - Steve Hillage, Producer

℗ 1997 Barclay

3
Habina (Album Version)
00:07:26

Farid El Atrache, Composer - Toufic Barakat, Author - Rachid Taha, MainArtist - Steve Hillage, Producer

℗ 1997 Barclay

4
Bent Sahra (Album Version)
00:07:10

Rachid Taha, MainArtist - Steve Hillage, Producer - Ahmed Khelifi, Composer, Author

℗ 1998 Barclay

5
Ach Adani (Album Version)
00:06:25

Rachid Taha, MainArtist - Steve Hillage, Producer - Amrani Abderrahmane, Composer, Author

℗ 1997 Barclay

6
El H'Mame (Album Version)
00:06:07

Rachid Taha, MainArtist - Steve Hillage, Producer - Hadj Mohammed El Anka, ComposerLyricist

℗ 1997 Barclay

7
Enti Rahti (Album Version)
00:06:58

Rachid Taha, MainArtist - Steve Hillage, Producer - Amrani Abderrahmane, Composer, Author

℗ 1997 Barclay

8
Menfi (Album Version)
00:05:03

Rachid Taha, MainArtist - Steve Hillage, Producer - Missoum Amraoui, Composer - Akli Yahiatene, Author

℗ 1997 Barclay

9
Bani Al Insane (Album Version)
00:04:32

Rachid Taha, MainArtist - Steve Hillage, Producer - Hgour Boujemaa, Composer, Author

℗ 1997 Barclay

10
Malheureux Toujours (Album Version)
00:06:12

Rachid Taha, MainArtist - Steve Hillage, Producer - Benaceur Baghdadi, Author - Ahmed Soulimane, Composer

℗ 1997 Barclay

11
Aiya Aiya (Album Version)
00:06:59

Rachid Taha, Composer, Author, MainArtist - Steve Hillage, Producer

℗ 1997 Barclay

Chronique

The sophomore release from Algerian singer Rachid Taha. This is a stunning album, as he moves through straightforward rai to blues, rock, and the full spectrum of worldbeat. The album starts out with a song about exile from home, followed by a musical history of rai, covering all of the basic steps in the development of Taha's chosen base-style. An Egyptian film song from the great Farid El Atrache continues the barrage of bouncing Middle Eastern and North African sounds. A more modern version of the ay-ay genre ensues, with fuzzed guitars looped throughout. Some urban Algerian blues and a bit of chaabi follow, on the topics of love and love lost. The album finishes with a stretch of slightly more serious songs, with a number based on the Algerian war for independence and the torture endured by its prisoners, a political song from a Moroccan group, a basic rai number in French pidgin, and a song from the frustrated youth of Algeria. This is something of a North African tour-de-force, as Taha moves from one style to another, always partially based in the rai tradition, but always expanding to other styles in the process. The songs can be backed by a simple flute, or by a group of rock guitars. Either way, the works are held together by the overriding compositions that Taha is dealing from. It's a great album for those that are already knowledgeable in rai for its new directions, and a nice album for newcomers as it displays the full breadth in a single disc.

© Adam Greenberg /TiVo

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