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Zoltán Kocsis|Debussy: Images Books 1 & 2; Arabesques; Rêverie etc

Debussy: Images Books 1 & 2; Arabesques; Rêverie etc

Zoltán Kocsis

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There's all sorts of beauty. There's Mozart's beauty and Bach's beauty and there's Debussy's beauty and Bartók's beauty. But Mozart's beauty is not Bach's beauty and Debussy's beauty is not Bartók's music. So while one can admire the hard beauty of Zoltan Kocsis' 1988 recording of Debussy's recording, it is impossible to approve of it. Kocsis' playing is beyond reproach: whatever is on the page comes out of the piano, every nuanced dynamic, every glancing grace note, every subtle rhythm. But his clarity is cold and his lucidity is cruel. Reflects dans l'eau is frozen into crystal. Cloches à travers les feuilles rings clangorously. Poissons d'or glints but does not gleam. Reverie is sleep with no rest and the Berceuse héroïque is a last post over a dead fort in the desert. It is all very beautiful, but it is all an awful beauty. Philips' early digital piano sound is clean, dry, and efficient.

© TiVo

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Debussy: Images Books 1 & 2; Arabesques; Rêverie etc

Zoltán Kocsis

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Images - Book 1, L. 110 (Claude Debussy)

1
1. Reflets dans l'eau
00:05:25

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

2
2. Hommage à Rameau
00:08:18

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

3
3. Mouvement
00:03:15

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

Images - Book 2, L. 111 (Claude Debussy)

4
1. Cloches à travers les feuilles
00:04:11

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

5
2. Et la lune descend sur le temple qui fût
00:06:09

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

6
3. Poissons d'or
00:04:00

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

7
D'un cahier d'esquisses, L. 99
00:04:51

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

8
L'Isle joyeuse, L. 106
00:06:06

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

Deux Arabesques L. 66 (Claude Debussy)

9
No. 1 Andante con moto
00:03:54

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

10
No. 2 Allegretto scherzande
00:02:49

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

11
Hommage à Haydn, L. 115
00:02:22

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

12
Rêverie, L. 68
00:03:52

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

13
Page d'album, L. 133 (Pour l'oeuvre du "Vêtement du Blessé)
00:00:56

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

14
Berceuse héroïque, L. 132
00:05:10

Claude Debussy, Composer - Wilhelm Hellweg, Producer - Onno Scholtze, Balance Engineer, StudioPersonnel - Zoltán Kocsis, Piano, MainArtist, AssociatedPerformer - Stan Taal, Recording Engineer, StudioPersonnel

℗ 1990 Universal International Music B.V.

Chronique

There's all sorts of beauty. There's Mozart's beauty and Bach's beauty and there's Debussy's beauty and Bartók's beauty. But Mozart's beauty is not Bach's beauty and Debussy's beauty is not Bartók's music. So while one can admire the hard beauty of Zoltan Kocsis' 1988 recording of Debussy's recording, it is impossible to approve of it. Kocsis' playing is beyond reproach: whatever is on the page comes out of the piano, every nuanced dynamic, every glancing grace note, every subtle rhythm. But his clarity is cold and his lucidity is cruel. Reflects dans l'eau is frozen into crystal. Cloches à travers les feuilles rings clangorously. Poissons d'or glints but does not gleam. Reverie is sleep with no rest and the Berceuse héroïque is a last post over a dead fort in the desert. It is all very beautiful, but it is all an awful beauty. Philips' early digital piano sound is clean, dry, and efficient.

© TiVo

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