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St. Vincent|Daddy's Home

Daddy's Home

St. Vincent

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Aussi fascinante que déroutante, Annie Clark alias St. Vincent joue perpétuellement à cache-cache avec des valeurs, des sons et des influences comme déconnectées de leur temps. En 2013, sur son album St. Vincent, elle imbriquait par exemple un esprit à la Talking Heads dans des textures dignes de King Crimson, lorgnant aussi bien la new wave des 80's que David Bowie, l’artiste à qui elle ressemble sans doute le plus… Quatre ans plus tard, son cinquième album, Masseduction, était son disque le plus personnel, avec ses mots de l’intime, ses phrases sans maquillage. Des introspections qui ne l’empêchaient toutefois pas de déballer quelques parenthèses farfelues voire surréalistes pour être, à l’arrivée, son disque le plus… bowiesque !


Daddy’s Home enfonce le clou dans ce domaine en penchant vers la période Young Americans (1975) du Thin White Duke. Et côté vie privée, le titre Daddy’s Home, qui annonce le retour de papa à la maison, évoque son propre père, sorti de prison en 2019 après une lourde condamnation pour détournement de fonds… Le vrai choc est ici surtout esthétique et l’atmosphère générale de l’album décale clairement Clark des 80's vers les 70's, de la cold wave et la pop électronique vers le rock imbibé de soul voire de funk. Comme sur la chanson-titre qui semble être un inédit du There’s a Riot Goin’ de Sly And The Family Stone. Ou lorsqu’elle claque un vrai solo de guitar hero sur Live in the Dream, un thème grandiloquent baignant dans l’hédonisme à la Prince et le planant à la Pink Floyd (elle cite même Dark Side of the Moon sur The Melting of the Sun). Annie Clark ne cherche jamais le catchy, ni le tube à tout prix. Et ses compositions s’étirent, prennent leur temps et se prélassent dans cette langueur propre à cette décennie 70 qui la fascine tant, et nous aussi par la même occasion. © Marc Zisman/Qobuz

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Daddy's Home

St. Vincent

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1
Pay Your Way In Pain
00:03:03

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, Drums, AssociatedPerformer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Piano, AssociatedPerformer - Annie Clark, Producer, Guitar, Vocals, Synthesizer, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Guitar, Bass Guitar, Organ, Percussion, Background Vocalist, Recording Producer, AssociatedPerformer, ComposerLyricist - Evan Smith, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

2
Down And Out Downtown
00:03:42

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Guitar, Acoustic Guitar, Bass Guitar, Vocals, Sitar, Steel Guitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer - Sam KS, Drums, Conga, AssociatedPerformer - Evan Smith, Flute, Guitar, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Synthesizer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

3
Daddy's Home
00:03:19

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Guitar, Acoustic Guitar, Vocals, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Synthesizer, Recording Producer, AssociatedPerformer, ComposerLyricist - Evan Smith, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

4
Live In The Dream
00:06:29

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Guitar, Acoustic Guitar, Organ, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Guitar, Bass Guitar, Organ, Mellotron, Recording Producer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

5
The Melting Of The Sun
00:04:17

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Guitar, Acoustic Guitar, Vocals, Sitar, Steel Guitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Percussion, Piano, Clavichord, Recording Producer, AssociatedPerformer - Sam KS, Drums, AssociatedPerformer - Evan Smith, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

6
Humming (Interlude 1)
00:00:57

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Annie Clark, Producer, Guitar, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

7
The Laughing Man
00:03:25

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Annie Clark, Producer, Guitar, Keyboards, Vibraphone, Vocals, Sitar, Mellotron, Steel Guitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer, ComposerLyricist

℗ 2021 Loma Vista Recordings.

8
Down
00:03:26

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Acoustic Guitar, Electric Guitar, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Percussion, Clavichord, Recording Producer, AssociatedPerformer, ComposerLyricist

℗ 2021 Loma Vista Recordings.

9
Humming (Interlude 2)
00:00:28

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Annie Clark, Producer, Guitar, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

10
Somebody Like Me
00:03:53

Patrick Kelly, Bass Guitar, AssociatedPerformer - Chris Gehringer, Mastering Engineer, StudioPersonnel - Greg Leisz, Pedal Steel, AssociatedPerformer - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Piano, AssociatedPerformer - Annie Clark, Producer, Acoustic Guitar, Vocals, Mellotron, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Organ, Mellotron, Recording Producer, AssociatedPerformer - Daniel Hart, Violin, AssociatedPerformer - Sam KS, Drums, AssociatedPerformer - Evan Smith, Clarinet, Flute, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Peter Labberton, Engineer, StudioPersonnel

℗ 2021 Loma Vista Recordings.

11
My Baby Wants A Baby
00:03:20

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Florrie Palmer, ComposerLyricist - Annie Clark, Producer, Guitar, Acoustic Guitar, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer - Evan Smith, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

12
…At The Holiday Party
00:04:17

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - Michael Leonhart, Horn, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Annie Clark, Producer, Acoustic Guitar, Bass Guitar, Electric Guitar, Vocals, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Acoustic Guitar, Bass Guitar, Organ, Synthesizer, Clavichord, Recording Producer, AssociatedPerformer, ComposerLyricist - Evan Smith, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

13
Candy Darling
00:01:55

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Thomas Bartlett, Organ, AssociatedPerformer - Annie Clark, Producer, Guitar, Vocals, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Guitar, Bass Guitar, Mellotron, Recording Producer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

14
Humming (Interlude 3)
00:00:38

Chris Gehringer, Mastering Engineer, StudioPersonnel - Lynne Fiddmont, Background Vocalist, AssociatedPerformer - St. Vincent, MainArtist - Cian Riordan, Mixer, StudioPersonnel - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Annie Clark, Producer, Guitar, Vocals, Sitar, Recording Producer, AssociatedPerformer, ComposerLyricist - Kenya Hathaway, Background Vocalist, AssociatedPerformer - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Bass Guitar, Organ, Recording Producer, AssociatedPerformer

℗ 2021 Loma Vista Recordings.

Descriptif de l'album

Aussi fascinante que déroutante, Annie Clark alias St. Vincent joue perpétuellement à cache-cache avec des valeurs, des sons et des influences comme déconnectées de leur temps. En 2013, sur son album St. Vincent, elle imbriquait par exemple un esprit à la Talking Heads dans des textures dignes de King Crimson, lorgnant aussi bien la new wave des 80's que David Bowie, l’artiste à qui elle ressemble sans doute le plus… Quatre ans plus tard, son cinquième album, Masseduction, était son disque le plus personnel, avec ses mots de l’intime, ses phrases sans maquillage. Des introspections qui ne l’empêchaient toutefois pas de déballer quelques parenthèses farfelues voire surréalistes pour être, à l’arrivée, son disque le plus… bowiesque !


Daddy’s Home enfonce le clou dans ce domaine en penchant vers la période Young Americans (1975) du Thin White Duke. Et côté vie privée, le titre Daddy’s Home, qui annonce le retour de papa à la maison, évoque son propre père, sorti de prison en 2019 après une lourde condamnation pour détournement de fonds… Le vrai choc est ici surtout esthétique et l’atmosphère générale de l’album décale clairement Clark des 80's vers les 70's, de la cold wave et la pop électronique vers le rock imbibé de soul voire de funk. Comme sur la chanson-titre qui semble être un inédit du There’s a Riot Goin’ de Sly And The Family Stone. Ou lorsqu’elle claque un vrai solo de guitar hero sur Live in the Dream, un thème grandiloquent baignant dans l’hédonisme à la Prince et le planant à la Pink Floyd (elle cite même Dark Side of the Moon sur The Melting of the Sun). Annie Clark ne cherche jamais le catchy, ni le tube à tout prix. Et ses compositions s’étirent, prennent leur temps et se prélassent dans cette langueur propre à cette décennie 70 qui la fascine tant, et nous aussi par la même occasion. © Marc Zisman/Qobuz

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