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Chineke! Orchestra|Coleridge-Taylor

Coleridge-Taylor

Chineke! Orchestra

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This album marks the debut of the minority-oriented Chineke! Orchestra on the Decca label, and it is quite a promising beginning indeed. Perhaps the African-British composer Samuel Coleridge-Taylor was a natural choice for the group, but even with his 21st century revival, it seems to be the same few pieces that are played and recorded over and over, focusing on the traces of African-American music and African music in his work. Hearing a lot of his music together in one place is something of a revelation, for his melodic gift seems inexhaustible. Sample the Romance for violin, Op. 39, and one will see why some of Coleridge-Taylor's contemporaries dubbed him "the Black Dvořák"; it is a much better moniker than the "African Mahler" nickname bestowed during his U.S. tour. Indeed, even in the African Suite, Op. 35 (an arrangement of a piano work), the African element, though it is there, is minimal. Another big attraction here, and the explanation for the nonspecific Coleridge-Taylor title, is the presence of the tone poem Sussex Landscape, Op. 27, by Coleridge-Taylor's daughter Avril, dating from the mid-'30s. Though not on the cutting edge of British music, it is a fine, evocative work with a plangent English horn part. The young orchestra plays with not only enthusiasm but also precision in live as well as studio tracks, and the group seems to be offering not only a mission but musical value.
© James Manheim /TiVo

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Coleridge-Taylor

Chineke! Orchestra

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Othello, Op. 79 (Samuel Coleridge-Taylor)

1
I. Dance
Chineke! Orchestra
00:02:29

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Adrian Peacock, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Fawzi Haimor, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

2
II. Children's Intermezzo
Chineke! Orchestra
00:03:52

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Adrian Peacock, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Fawzi Haimor, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

3
III. Funeral March
Chineke! Orchestra
00:03:52

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Adrian Peacock, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Fawzi Haimor, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

4
IV. The Willow Song
Chineke! Orchestra
00:02:41

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Adrian Peacock, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Fawzi Haimor, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

5
V. Military March
Chineke! Orchestra
00:02:12

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Adrian Peacock, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Fawzi Haimor, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

6
Sussex Landscape, Op. 27: I. Largo
Chineke! Orchestra
00:07:26

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Avril Coleridge-taylor, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

7
Sussex Landscape, Op. 27: II. Lento e molto tranquillo
Chineke! Orchestra
00:03:27

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Avril Coleridge-taylor, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

8
Sussex Landscape, Op. 27: III. Largo - Maestoso
Chineke! Orchestra
00:02:41

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Avril Coleridge-taylor, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

African Suite, Op. 35 (Samuel Coleridge-Taylor)

9
I. Introduction (Orch. Chris Cameron)
Chineke! Orchestra
00:05:06

Chris Cameron, Arranger, Orchestrator - Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

10
II. A Love Song (Orch. Chris Cameron)
Chineke! Orchestra
00:03:47

Chris Cameron, Arranger, Orchestrator - Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

11
III. Valse (Orch. Chris Cameron)
Chineke! Orchestra
00:04:36

Chris Cameron, Arranger, Orchestrator - Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

12
IV. African Dance (Orch. Chris Cameron)
Chineke! Orchestra
00:06:14

Chris Cameron, Arranger, Orchestrator - Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

13
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto
Chineke! Orchestra
00:05:48

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Kalena Bovell, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

14
Ballade in A Minor, Op. 33: II. A tempo - Tranquillo e molto espressivo
Chineke! Orchestra
00:05:49

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Kalena Bovell, Conductor, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

Petite Suite de Concert, Op. 77 (Samuel Coleridge-Taylor)

15
I. Le caprice de Nannette
Chineke! Orchestra
00:03:44

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Anthony Parnther, Conductor, MainArtist - Tom Lewington, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2022 Chineke! Records

16
II. Demande et réponse
Chineke! Orchestra
00:05:35

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Anthony Parnther, Conductor, MainArtist - Tom Lewington, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2022 Chineke! Records

17
III. Un sonnet d'amour
Chineke! Orchestra
00:03:40

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Anthony Parnther, Conductor, MainArtist - Tom Lewington, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2022 Chineke! Records

18
IV. La tarantelle frétillante
Chineke! Orchestra
00:02:46

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Chineke! Orchestra, Orchestra, MainArtist - Anthony Parnther, Conductor, MainArtist - Tom Lewington, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2022 Chineke! Records

Violin Concerto in G Minor, Op. 80 (Samuel Coleridge-Taylor)

19
I. Allegro maestoso
Elena Urioste
00:11:32

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Elena Urioste, Violin, MainArtist, AssociatedPerformer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

20
II. Andante semplice
Elena Urioste
00:08:48

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Elena Urioste, Violin, MainArtist, AssociatedPerformer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

21
III. Allegro molto
Elena Urioste
00:11:04

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Elena Urioste, Violin, MainArtist, AssociatedPerformer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

22
Romance for Violin, Op. 39: I. Larghetto
Elena Urioste
00:04:58

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Elena Urioste, Violin, MainArtist, AssociatedPerformer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

23
Romance for Violin, Op. 39: II. Animato - A tempo
Elena Urioste
00:04:49

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Elena Urioste, Violin, MainArtist, AssociatedPerformer - Kevin John Edusei, Conductor, MainArtist - Chineke! Orchestra, Orchestra, MainArtist - Tom Lewington, Mastering Engineer, StudioPersonnel

℗ 2022 Chineke! Records

Nonet, Op. 2 (Samuel Coleridge-Taylor)

24
I. Allegro energico
Chineke! Chamber Ensemble
00:08:22

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Tom Lewington, Mastering Engineer, StudioPersonnel - Chineke! Chamber Ensemble, Orchestra, Ensemble, MainArtist

℗ 2022 Chineke! Records

25
II. Andante con moto
Chineke! Chamber Ensemble
00:05:27

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Tom Lewington, Mastering Engineer, StudioPersonnel - Chineke! Chamber Ensemble, Orchestra, Ensemble, MainArtist

℗ 2022 Chineke! Records

26
III. Scherzo (Allegro)
Chineke! Chamber Ensemble
00:04:50

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Tom Lewington, Mastering Engineer, StudioPersonnel - Chineke! Chamber Ensemble, Orchestra, Ensemble, MainArtist

℗ 2022 Chineke! Records

27
IV. Finale (Allegro vivace)
Chineke! Chamber Ensemble
00:07:43

Mike Hatch, Recording Engineer, Mix Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Samuel Coleridge-Taylor, Composer - Helen Lewis, Producer, Executive Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Tom Lewington, Mastering Engineer, StudioPersonnel - Chineke! Chamber Ensemble, Orchestra, Ensemble, MainArtist

℗ 2022 Chineke! Records

Chronique

This album marks the debut of the minority-oriented Chineke! Orchestra on the Decca label, and it is quite a promising beginning indeed. Perhaps the African-British composer Samuel Coleridge-Taylor was a natural choice for the group, but even with his 21st century revival, it seems to be the same few pieces that are played and recorded over and over, focusing on the traces of African-American music and African music in his work. Hearing a lot of his music together in one place is something of a revelation, for his melodic gift seems inexhaustible. Sample the Romance for violin, Op. 39, and one will see why some of Coleridge-Taylor's contemporaries dubbed him "the Black Dvořák"; it is a much better moniker than the "African Mahler" nickname bestowed during his U.S. tour. Indeed, even in the African Suite, Op. 35 (an arrangement of a piano work), the African element, though it is there, is minimal. Another big attraction here, and the explanation for the nonspecific Coleridge-Taylor title, is the presence of the tone poem Sussex Landscape, Op. 27, by Coleridge-Taylor's daughter Avril, dating from the mid-'30s. Though not on the cutting edge of British music, it is a fine, evocative work with a plangent English horn part. The young orchestra plays with not only enthusiasm but also precision in live as well as studio tracks, and the group seems to be offering not only a mission but musical value.
© James Manheim /TiVo

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