Catégories :
Panier 0

Votre panier est vide

Greg Osby - Channel Three

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Channel Three

Greg Osby

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Post-bop alto saxophonist Greg Osby has a restless soul. Throughout his many albums he has hopped into and merged genres like a man trying on hats, experimenting with rap and hip-hop, funk, fusion, avant-garde, string quartets, and even what passes for mainstream jazz these days. Channel Three finds him working in a piano-less trio with drummer Jeff "Tain" Watts and bassist Matt Brewer, a situation that gives Osby plenty of room to shine, and his sax lines move with a hard and sturdy lyricism, with a little less of his trademark dissonance this time around. The absence of a chordal instrument doesn't seem to hinder anybody here, since Watts and Brewer keep things tightly locked in a deep groove at all times, giving Channel Three the feel of a complete, enclosed sequence. Watts is particularly adept at turnaround shadings, and his cymbal work is subtle, exact, and essential to the trio's ability to expand each track's theme as it progresses. Highlights include the opening track, a powerful and flowing version of Ornette Coleman's "Mob Job," the tense, insistent "Please Stand By," the eerie, tilting title track, "Channel Three," and the brisk, tight version of Eric Dolphy's "Miss Ann" that closes the set. The piano-less trio setting doesn't give anyone a place to hide, and while Osby only has a couple sax tricks up his sleeve, he plays them perfectly, and with the propulsive, percolating rhythm section of Watts and Brewer behind him, he delivers one of his most open and uncluttered albums yet.
© Steve Leggett /TiVo

Plus d'informations

Channel Three

Greg Osby

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 60 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 60 millions de titres avec votre abonnement illimité.

1
Mob Job
00:05:02

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Ornette Coleman, Composer - Greg Osby, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

2
Vertical Hold
00:04:49

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

3
Viewer Discretion
00:05:47

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

4
Diode Emissions
00:05:41

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

5
Fine Tuning
00:04:13

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

6
Please Stand By
00:05:08

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

7
Channel Three
00:07:21

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

8
Test Pattern
00:04:52

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

9
Miss Ann
00:03:57

Jeff "Tain" Watts, Cymbals, Drums, Percussion, Vocals, AssociatedPerformer - Eric Dolphy, Composer - Greg Osby, Producer, Alto Saxophone, Soprano Saxophone, Vocals, MainArtist, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Kay Vaughn, Producer, Associate Producer - Michael Marciano, Mastering Engineer, StudioPersonnel - Matt Brewer, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2005 Blue Note Records ℗ 2005 Blue Note Records

Descriptif de l'album

Post-bop alto saxophonist Greg Osby has a restless soul. Throughout his many albums he has hopped into and merged genres like a man trying on hats, experimenting with rap and hip-hop, funk, fusion, avant-garde, string quartets, and even what passes for mainstream jazz these days. Channel Three finds him working in a piano-less trio with drummer Jeff "Tain" Watts and bassist Matt Brewer, a situation that gives Osby plenty of room to shine, and his sax lines move with a hard and sturdy lyricism, with a little less of his trademark dissonance this time around. The absence of a chordal instrument doesn't seem to hinder anybody here, since Watts and Brewer keep things tightly locked in a deep groove at all times, giving Channel Three the feel of a complete, enclosed sequence. Watts is particularly adept at turnaround shadings, and his cymbal work is subtle, exact, and essential to the trio's ability to expand each track's theme as it progresses. Highlights include the opening track, a powerful and flowing version of Ornette Coleman's "Mob Job," the tense, insistent "Please Stand By," the eerie, tilting title track, "Channel Three," and the brisk, tight version of Eric Dolphy's "Miss Ann" that closes the set. The piano-less trio setting doesn't give anyone a place to hide, and while Osby only has a couple sax tricks up his sleeve, he plays them perfectly, and with the propulsive, percolating rhythm section of Watts and Brewer behind him, he delivers one of his most open and uncluttered albums yet.
© Steve Leggett /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Greg Osby
The Song Is You Greg Osby
The Invisible Hand Greg Osby
Banned In New York Greg Osby
Inner Circle Greg Osby
Black Book Greg Osby

Playlists

Dans la même thématique...
Les Grands Angles...
Miles Davis, les doigts dans la prise

En 1968, Miles Davis tombe sous le charme de la fée électricité. Envoûté par les révolutions psychédéliques et funky de Jimi Hendrix et autre Sly Stone, le trompettiste fait sa mue et, au passage, celle du jazz.

Jazz : où sont les femmes ?

A l’exception des chanteuses, les femmes du jazz ont dû batailler ferme pour se frayer un chemin vers le devant de la scène. De Mary Lou Williams à Jaimie Branch en passant par Geri Allen ou Alice Coltrane, elles sont finalement assez peu nombreuses à s’être imposées dans un genre resté presque exclusivement masculin. Et toujours aussi macho ?

Billie Holiday, les maux bleus

L’âme blues, le cœur fissuré, le corps brisé, Billie Holiday reste encore aujourd’hui la complainte ultime drapée dans la soie ou dans la douleur. Un siècle après sa naissance, Lady Day reste la plus grande chanteuse de l'histoire du jazz.

Dans l'actualité...