Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Michael Jackson|Ben

Ben

Michael Jackson

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Although having just entered his teens, pop prodigy Michael Jackson's star was still very much on the ascent, circa his second full-length release, Ben (1972). This LP should not be confused with the Original Motion Picture Soundtrack from the Phil Karlson-directed "thriller" of the same name, and while blessed with an undeniable visual presence, Jackson was otherwise not involved in the creature feature. Like much of the Motown empire at the time, the title track's multimedia exposure, coupled with strong crossover appeal, insured that "Ben" scored the artist his first Pop Singles' chart-topper. Yet one interesting shift was the lack of participation from the Motown hitmaking machine known collectively as "the Corporation". While the aggregate had dominated most of the Jackson Five's early recordings and contributed their fair share to Jackson's debut, Got to Be There (1971), besides the title track, the only other cut to bear their unmistakable smooth production style is the practically perfunctory midtempo "We've Got a Good Thing Going." The catchy "Greatest Show on Earth" has a cinematic quality that stands out thanks to an excellent arrangement from James Anthony Carmichael -- one of several he scored for the project. While not a cover in the traditional sense, "People Make the World Go 'Round" was actually released within a few weeks of the Stylistics' more familiar hit. Although the reading heard here is equally impassioned, the emotive impact could arguably be greater thanks to the optimism infused with innocence in Jackson's vocals. "Everybody's Somebody's Fool" owes greatly to the Heartbeats' doo wop version, as opposed to Jimmy Scott's earlier classic. Jackson is obviously quite familiar with the former's phrasing while adding an age-defying maturity of his own. Returning back to his Hitsville roots, "My Girl" is updated with a funkier rhythm. The vocalist responds in kind with his own soulful lead that soars over the freshly syncopated chorus. The score includes some call-and-response interaction similar to what he and his brothers had displayed on the Jackson Five's selections "Nobody" and "The Love You Save," among countless others. "What Goes Around Comes Around" is one of Ben's better deep cuts with the vibrant melody perfectly matched to the artist's youthful voice. Of lesser note is the hopelessly dated "message" in the filler track "In Our Small Way." Luckily, a pair of winners conclude the effort with the propulsive and funky "Shoo Be Doo Be Doo Da Day" -- which was co-written by Stevie Wonder -- and the Berry Gordy-penned midtempo "You Can Cry on My Shoulder." Ben -- along with rest of Michael Jackson's recordings for Motown, can be found as part of the excellent and thoroughly annotative three-disc Hello World: The Motown Solo Collection (2009).
© Lindsay Planer /TiVo

Plus d'informations

Ben

Michael Jackson

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 90 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 90 millions de titres avec votre abonnement illimité.

À partir de 12,50€/mois

1
Ben (Single Version)
00:02:45

The Corporation, Producer, Recording Arranger, AssociatedPerformer - Michael Jackson, MainArtist - Don Black, ComposerLyricist - Walter Scharf, ComposerLyricist

℗ 1972 UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music International, a division of Universal Music GmbH

2
Greatest Show On Earth (Album Version)
00:02:47

Michael Jackson, MainArtist - James Anthony Carmichael, Recording Arranger, AssociatedPerformer - JERRY MARCELLINO, Producer, ComposerLyricist - Mel Larson, Producer, ComposerLyricist - Melvin Larson, ComposerLyricist

℗ 1972 Motown Records, a Division of UMG Recordings, Inc.

3
People Make The World Go 'Round (Album Version)
00:03:14

The Corporation, Producer - Gene Page, Recording Arranger, AssociatedPerformer - THOM BELL, ComposerLyricist - LINDA CREED, ComposerLyricist - Michael Jackson, MainArtist - John Bähler, Recording Arranger, AssociatedPerformer

℗ 1972 UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music International, a division of Universal Music GmbH

4
We've Got A Good Thing Going (Single Version)
00:03:02

Berry Gordy Jr., Producer, ComposerLyricist - Deke Richards, Producer, ComposerLyricist - Alphonso Mizell, Producer, ComposerLyricist - Fonce Mizell, ComposerLyricist - Michael Jackson, MainArtist - Freddie Perren, Producer, ComposerLyricist

℗ 1972 UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music International, a division of Universal Music GmbH

5
Everybody's Somebody's Fool (Album Version)
00:02:58

Berry Gordy Jr., Producer, Executive Producer - Gladys Hampton, ComposerLyricist - Gene Page, Recording Arranger, AssociatedPerformer - Michael Jackson, MainArtist - John Bähler, Recording Arranger, AssociatedPerformer - JERRY MARCELLINO, Producer - Mel Larson, Producer - Regina Adams, ComposerLyricist - Ace Adams, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

6
My Girl
00:03:08

Ronald White, ComposerLyricist - SMOKEY ROBINSON, ComposerLyricist - Michael Jackson, MainArtist - JERRY MARCELLINO, Producer - Mel Larson, Producer

℗ 1972 Motown Records, a Division of UMG Recordings, Inc.

7
What Goes Around Comes Around (Album Version)
00:03:32

The Corporation, Producer - Michael Jackson, MainArtist - Hal Davis, Producer - JERRY MARCELLINO, Producer - Arthur Alan Stokes, ComposerLyricist - David W. Meyers, ComposerLyricist - Levinsky Allen, ComposerLyricist - Floyd Owen Weatherspoon, ComposerLyricist

℗ 1972 Motown Records, a Division of UMG Recordings, Inc.

8
In Our Small Way (Album Version)
00:03:37

Berry Gordy Jr., Producer, Recording Arranger, AssociatedPerformer - Deke Richards, Producer, Recording Arranger, AssociatedPerformer - Alphonso Mizell, Producer, Recording Arranger, AssociatedPerformer - Christine Yarian, ComposerLyricist - Michael Jackson, MainArtist - Freddie Perren, Producer, Recording Arranger, AssociatedPerformer - Beatrice Verdi, ComposerLyricist - Eddy Manson, Recording Arranger, AssociatedPerformer

℗ 1972 UMG Recordings, Inc.

9
Shoo-Be-Doo-Be-Doo-Da-Day (Album Version)
00:03:19

The Corporation, Producer - Henry Cosby, ComposerLyricist - Sylvia Moy, ComposerLyricist - Stevie Wonder, ComposerLyricist - Michael Jackson, MainArtist - James Anthony Carmichael, Recording Arranger, AssociatedPerformer

℗ 1972 UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music International, a division of Universal Music GmbH

10
You Can Cry On My Shoulder (Single Version)
00:02:39

Berry Gordy Jr., ComposerLyricist - Gene Page, Recording Arranger, AssociatedPerformer - Michael Jackson, MainArtist - Willie Hutch, Vocal Arranger, AssociatedPerformer - Hal Davis, Producer

℗ 1972 UMG Recordings, Inc.

Descriptif de l'album

Although having just entered his teens, pop prodigy Michael Jackson's star was still very much on the ascent, circa his second full-length release, Ben (1972). This LP should not be confused with the Original Motion Picture Soundtrack from the Phil Karlson-directed "thriller" of the same name, and while blessed with an undeniable visual presence, Jackson was otherwise not involved in the creature feature. Like much of the Motown empire at the time, the title track's multimedia exposure, coupled with strong crossover appeal, insured that "Ben" scored the artist his first Pop Singles' chart-topper. Yet one interesting shift was the lack of participation from the Motown hitmaking machine known collectively as "the Corporation". While the aggregate had dominated most of the Jackson Five's early recordings and contributed their fair share to Jackson's debut, Got to Be There (1971), besides the title track, the only other cut to bear their unmistakable smooth production style is the practically perfunctory midtempo "We've Got a Good Thing Going." The catchy "Greatest Show on Earth" has a cinematic quality that stands out thanks to an excellent arrangement from James Anthony Carmichael -- one of several he scored for the project. While not a cover in the traditional sense, "People Make the World Go 'Round" was actually released within a few weeks of the Stylistics' more familiar hit. Although the reading heard here is equally impassioned, the emotive impact could arguably be greater thanks to the optimism infused with innocence in Jackson's vocals. "Everybody's Somebody's Fool" owes greatly to the Heartbeats' doo wop version, as opposed to Jimmy Scott's earlier classic. Jackson is obviously quite familiar with the former's phrasing while adding an age-defying maturity of his own. Returning back to his Hitsville roots, "My Girl" is updated with a funkier rhythm. The vocalist responds in kind with his own soulful lead that soars over the freshly syncopated chorus. The score includes some call-and-response interaction similar to what he and his brothers had displayed on the Jackson Five's selections "Nobody" and "The Love You Save," among countless others. "What Goes Around Comes Around" is one of Ben's better deep cuts with the vibrant melody perfectly matched to the artist's youthful voice. Of lesser note is the hopelessly dated "message" in the filler track "In Our Small Way." Luckily, a pair of winners conclude the effort with the propulsive and funky "Shoo Be Doo Be Doo Da Day" -- which was co-written by Stevie Wonder -- and the Berry Gordy-penned midtempo "You Can Cry on My Shoulder." Ben -- along with rest of Michael Jackson's recordings for Motown, can be found as part of the excellent and thoroughly annotative three-disc Hello World: The Motown Solo Collection (2009).
© Lindsay Planer /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Barn

Neil Young

Barn Neil Young

Harvest

Neil Young

Harvest Neil Young

Toast

Neil Young

Toast Neil Young

On the Beach

Neil Young

On the Beach Neil Young
À découvrir également
Par Michael Jackson

Thriller 40

Michael Jackson

Thriller 40 Michael Jackson

Thriller 25 (Super Deluxe Edition)

Michael Jackson

Bad

Michael Jackson

Bad Michael Jackson

Thriller

Michael Jackson

Thriller Michael Jackson

Off The Wall

Michael Jackson

Off The Wall Michael Jackson

Playlists

Dans la même thématique...

What's Going On

Marvin Gaye

What's Going On Marvin Gaye

Horsepower For The Streets

Jonathan Jeremiah

Horsepower For The Streets Jonathan Jeremiah

Innervisions

Stevie Wonder

Innervisions Stevie Wonder

If Words Were Flowers

Curtis Harding

If Words Were Flowers Curtis Harding
Les Grands Angles...
Le trip hop en 10 albums

A l’aube des années 90, la vague trip hop submerge la Grande-Bretagne avec une électro influencée par la musique jamaïcaine et les beats rap. Rythmiques chloroformées et ambiances oppressantes, Massive Attack, Portishead, Tricky, Morcheeba et quelques autres inventent une sorte de soul music sombre, futuriste et parfois très cinématographique. Coup de zoom en 10 albums sur un genre aux frontières floues mais à l’influence nette.

Qu'est-ce qu'il se passe, Marvin ?

Il était une fois "What's Going On", l'un des plus grands disques de soul paru il y a tout juste 50 ans. Ou comment Marvin Gaye changea l'histoire du label Motown et de la musique populaire des seventies...

“Thriller”, anatomie d’un chef-d’œuvre

En 1982, Michael Jackson abattait les frontières entre styles, races et publics avec “Thriller”, le disque le plus vendu de tous les temps. Le premier et dernier album transgenre en quelque sorte… Mais surtout une œuvre qui a totalement chamboulé l’industrie de la musique populaire du XXe siècle, à revisiter quarante ans après sa sortie.

Dans l'actualité...