Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
This isn't exactly the Artemis Quartett's first recording of any Beethoven quartets -- there was a disc attached to a BBC Magazine in 2003 with
recordings of Beethoven's Opus 18 No. 2 and Opus 131. But for a quartet whose previous major-label experience has consisted of three discs -- one of György Ligeti, one of Dimitri Terzakis, and one coupling works by Berg and Webern -- Beethoven still seems like something of a stretch. But while the listener can tell from the edge of the quartet's attack and the intensity of its expressivity that the Artemis is a post-modernist quartet, the warmth and depth of its interpretations made it clear that it is also deeply in the tradition. Thus, while the intellectual rigor of the furious F minor Quartet Op. 95 compares the first Alban Berg Quartet recording, there is still something of the soul of the first Budapest Quartet's recording in the tone. And while the Fugue on a Russian Theme Finale of the enormous F major Quartet, Op. 59/1, is as vigorously argued as the Neues Leipzig Quartett's recording, there is something of the classic Amadeus Quartet's early '60s recording in the Adagio molto e mesto. One can only hope that this is the start of a complete Beethoven cycle. Heck, one can only hope there'd simply be more releases of anything the first-class Artemis Quartett wants to record. Virgin's sound is warm, deep, and true.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Ludwig van Beethoven, Composer - Artemis Quartet, String Quartet, MainArtist
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Parlophone Records Limited, a Warner Music Group Company
Chronique
This isn't exactly the Artemis Quartett's first recording of any Beethoven quartets -- there was a disc attached to a BBC Magazine in 2003 with
recordings of Beethoven's Opus 18 No. 2 and Opus 131. But for a quartet whose previous major-label experience has consisted of three discs -- one of György Ligeti, one of Dimitri Terzakis, and one coupling works by Berg and Webern -- Beethoven still seems like something of a stretch. But while the listener can tell from the edge of the quartet's attack and the intensity of its expressivity that the Artemis is a post-modernist quartet, the warmth and depth of its interpretations made it clear that it is also deeply in the tradition. Thus, while the intellectual rigor of the furious F minor Quartet Op. 95 compares the first Alban Berg Quartet recording, there is still something of the soul of the first Budapest Quartet's recording in the tone. And while the Fugue on a Russian Theme Finale of the enormous F major Quartet, Op. 59/1, is as vigorously argued as the Neues Leipzig Quartett's recording, there is something of the classic Amadeus Quartet's early '60s recording in the Adagio molto e mesto. One can only hope that this is the start of a complete Beethoven cycle. Heck, one can only hope there'd simply be more releases of anything the first-class Artemis Quartett wants to record. Virgin's sound is warm, deep, and true.
© TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 00:57:32
- Artistes principaux : Quatuor Artemis
- Compositeur : Ludwig van Beethoven
- Label : Warner Classics
- Genre : Classique
© 2005 Erato/Warner Classics, Warner Music UK Ltd. ℗ 2005 Erato/Warner Classics, Warner Music UK Ltd.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.