Text in englischer Sprache verfügbarCharting singer, guitarist, and songwriter Bebel Gilberto is the daughter of Brazilian musical royalty: Her father, João Gilberto, co-created bossa nova; her mother, famed Brazilian vocalist Miúcha, released and appeared on hundreds of recordings; her uncle is songwriter Chico Buarque. Developing her now-trademark smoky alto by spending years as a backing singer, Bebel released a self-titled solo debut EP for Warner in 1986 and garnered recognition at home for her futurist take on bossa. Gilberto emigrated to the U.S. in 1991, and began performing and recording with artists including David Byrne, Arto Lindsay, Towa Tei, and Caetano Veloso. She and longtime friend and collaborator Cazuza contributed to the Red Hot + Rio compilation in 1996. After getting a deal with Six Degrees, she issued the electro-bossa breakthrough Tanto Tempo in 2000. The album resonated on club floors from New York City to Tokyo. In 2009, she signed to Verve for All in One, which was cut in New York, Jamaica, and the Brazilian state of Bahia with an esteemed group of producers that included Mark Ronson, John King, Carlinhos Brown, and Mario Caldato, Jr. The recording was acclaimed globally. Two years later, she was the voice of the bird Eva in the Disney animated film Rio. On 2014's celebrated Tudo for Sony, she worked with string arranger Miguel Atwood-Ferguson, singer Seu Jorge, and Kassin in a diverse program of originals and covers of tunes composed by Tom Jobim, Luiz Bonfá, and Neil Young. Bebel Gilberto was born in New York City in 1966. Her father and mother were living there at the time and proceeded to raise her there and in their native Brazil. She learned how to sing with Miúcha, and as a child was already participating in professional musicals like Saltimbancos and Pirlimpimpim. At seven, she made her recording debut on a solo album by her mother. Two years later, she performed with her mother and Stan Getz at Carnegie Hall. In 1983, age 17, Gilberto shared an album with the singer Pedrinho Rodrigues (Um Certo Geraldo Pereira, on Funarte). Advised by her family, she wisely managed her career. She did not make her solo recording debut until three years later with 1986's Bebel Gilberto EP. Its songs were written in collaboration with several Brazilian pop/rock artists including Cazuza and Dé. In 1991, Gilberto returned to New York and started gigging in clubs, performing at Lincoln Center and working with David Byrne and Arto Lindsay, among others. That same year, she participated (with Gal Costa, Naná Vasconcelos, and Laurie Anderson) in a tribute to Carmen Miranda as re-imagined by Arto Lindsay. She began participating in productions that targeted the dance music market with a Brazilian bossa nova flair, even co-writing the worldwide hit "Technova" with Deee-Lite's DJ/producer Towa Tei. Gilberto also appeared in singles by the Thievery Corporation ("Só Com Você") and the duo Arling & Cameron ("Sem Contenção"), and had relocated to England by the end of the '90s. In 1998, Gilberto had a duet with João Gilberto in his Carnegie Hall concert. Tanto Tempo arrived in 2000 on Ziriguiboom Records and fared well on the World Music charts, eventually winning two Latin Grammy nominations for Best New Artist and Best Música Popular Brasileira Album in 2001. Its companion, Tanto Tempo Remixes, was also issued that same year, and Gilberto hooked up with producer Marius de Vries for her second album shortly thereafter. The introspective, self-titled effort appeared in mid-2004, followed three years later by Momento, which featured appearances from Brazilian Girls and Orquestra Imperial, and by All in One in 2009. Although Gilberto's husband, Didiê Cunha, was the executive producer and sound engineer for All in One, by the time of the sessions for the Mario Caldato, Jr.-produced 2014 album, Tudo, the pair had divorced, and much of that record's original material was inspired by their split. Released during the same frenzied year Brazil hosted the World Cup soccer tournament, interest in the nation's music, food, and lifestyles saturated popular culture. Tudo topped the World Music charts and six weeks there. In addition, Gilberto also took over managing her father's tangled financial affairs, eventually winning some $43 million in disputed royalities from an international court. After riding her chart popularity on tour, Gilberto felt a bit stuck creatively. She'd split with Sony, then took a break to search for new inspiration. While traveling in Italy, words began to appear, demanding she write them down. A week after returning to New York, she called producer Thomas Bartlett out of the blue just to catch up. The pair were good friends and had worked on tracks for All in One together. Bartlett asked her to visit his studio the following day. They tracked some ideas and had so much fun, without realizing it, they had begun cutting an album. They tracked 17 songs, with both contributing ideas to shape the album's sound and feel. (Though Gilberto had sung in English on Tudo, Bartlett convinced her to sing in Portuguese.) Without a label, recording presented no pressure or deadlines. In 2018, Gilberto suffered the death of both parents as well as her best friend. She and Bartlett continued working piecemeal whenever she could find time while settling her folk's estates in Brazil. In late 2019, she completed the full-length Agora. Previewed by the "Deixa" video single in March 2020, the set was eventually released in August on PIAS.
© Alvaro Neder /TiVo
16 Alben sortiert nach Am meisten ausgezeichnet
Meine Suche verfeinern
Aus aller Welt - Erschienen am 21. August 2020 | [PIAS]
Bebel Gilberto mit erhobenem Kopf auf dem Cover von Agora, das ist kein Zufall. Diese Platte half ihr, sich in einer bedrückenden Phase ihres Lebens über Wasser zu halten, als sie nacheinander ihren besten Freund und ihre Mutter im Jahr 2018 verlor - die Sängerin Miúcha, der ihr Vater, legendärer Sänger und Gitarrist Joao Gilberto nur sechs Monate später ins Jenseits folgte. Unterstützt wurde sie von ihrem Produzenten und nahestehenden Freund, dem Amerikaner Thomas Bartlett alias Doveman (Sufjan Stevens, Norah Jones, Anna Calvi…) und so behielt Bebel ihr Ziel klar vor Augen, um uns nun eine Platte zu präsentieren, die zwar weniger zugänglich ist als Tanto Tempo, mit der sie vor zwanzig Jahren zum ersten Mal von sich reden machte, dafür jedoch wohl nuancierter und reifer. Das Bossa-Nova-Erbe ihrer Eltern ist immer noch herauszuhören, die harmonischen, luftigen und jazzigen Elektroarrangements stehen im Vordergrund, aber ihr Gesang ist bewegter, unbeschwerter und lebensfroher.So gut (Tão Bom), deklamiert sie in ihrem recht heiteren, leidenschaftlichen Intro, auf den der in der Gegenwart verankerte Albumtitel folgt (Agora, was „jetzt“ bedeutet). Die Tracks reihen sich ganz natürlich aneinander und mit Improvisation und der sich daraus ergebenden energiegeladenen Freiheit verleiht ihnen Bebel einen besonderen Schwung. Wie die virtuose Trompete einer coolen Jazz-Combo ist ihre Stimme zu einem freien Instrument geworden, mit dem sie die Melodien ausschmückt. In Na Cara („Im Gesicht“) steht sie einem anderen zur Legende gewordenen Kind gegenüber, Mart'nália, der Tochter des großen Samba-Musikers Martinho da Vila. Darauf folgt Deixa, eine erste, sich wie Champagnerbläschen verflüchtigende Single. Aber das Beste kommt noch. O Que Não Foi Dito („Das, was nicht gesagt wurde“) bildet letzten Endes ein wunderschönes Gleichgewicht zwischen Ernst und Unbeschwertheit, mit fast martialisch regelmäßigem Trommelrhythmus, verträumtem Arrangement und herzzerreißendem Gesang. Zum Schluss geht es mit Teletransportador in Richtung Wolken, wo Bebel Gilbertos Gesang, abgedreht mechanisch untermalt und retrofuturistisch angehaucht, mit einer sehnsüchtigen Melodie an uns vorbeizieht, zärtlich und aufrichtig. © Benjamin MiNiMum/Qobuz