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Rhye - Woman

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Woman

Rhye

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In 2010, Mike Milosh flew to Denmark to work on a Quadron remix with that duo's Robin Hannibal. The collaboration grew into another duo, named Rhye, which released two singles on Innovative Leisure in 2012. Milosh and Hannibal weren't forthcoming about being behind the achingly romantic soul-pop elegance of "Open" and "The Fall." Once word got out, it seemed forehead-smacking obvious to anyone familiar with Milosh's solo albums and Hannibal's many involvements, Quadron included. Rhye's Woman, released on a major and front-loaded with the first two A-sides, is an ideal fusion of the two instrumentalists and producers, whose sound is enhanced -- never overstuffed -- with horns, woodwinds, and strings, including harp. Tempos rarely break a breezy pace. When they do, they arrive at just the right time, during the album's latter half. The lilting "3 Days" echoes the Blue Nile's "Tinseltown in the Rain," while "Hunger" is breathy boogie, like a sequel to Owusu & Hannibal's "Lonnie's Secret" with surprisingly well-placed horn skronks. In the main, the purpose is bedroom listening, though the tone is so bright that daytime play seems most suitable. The lyrics are packed with metaphors, yet they are expressed in a heartrending and inviting manner. They don't get more explicit than "I'm a fool for that shake in your thighs" -- the album's opening line. Milosh's voice, high and sigh-like, is frequently likened to that of the significantly deeper and richer Sade but is closer to that of Michael Franks. Beside Hannibal, he's made his most expressive and pleasurable material to date. Anyone new to Hannibal's work should start with Quadron's self-titled album and then check the group Boom Clap Bachelors, the album Living with Owusu & Hannibal, Szjerdene's "Lead the Way," and Leon Ware's "Orchids for the Sun." Milosh has three albums on Plug Research, home to Quadron, all of which are worth some time.
© Andy Kellman /TiVo

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Woman

Rhye

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1
Open
00:03:37

Tom Coyne, Mastering Engineer, StudioPersonnel - Elizabeth Lea, Trombone, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Rebekah Raff, Harp, AssociatedPerformer - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

2
The Fall
00:03:44

Tom Coyne, Mastering Engineer, StudioPersonnel - Todd Simon, Trumpet, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Andreas Halberg, Bass, AssociatedPerformer - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Bjørn Gjessing, Recording Engineer, StudioPersonnel - Michael Milosh, ComposerLyricist - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer - August Rosenbaum, Piano, AssociatedPerformer - Itai Shapiro, Guitar, AssociatedPerformer

℗ 2012 Polydor Ltd. (UK)

3
Last Dance
00:03:26

Tom Coyne, Mastering Engineer, StudioPersonnel - Todd Simon, Flugelhorn, Trumpet, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel - Thomas Drayton, Bass, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

4
Verse
00:02:51

Tom Coyne, Mastering Engineer, StudioPersonnel - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Bjørn Gjessing, Recording Engineer, StudioPersonnel - Michael Milosh, ComposerLyricist - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer - Thomas Drayton, Bass, AssociatedPerformer - August Rosenbaum, Piano, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

5
Shed Some Blood
00:03:20

Tom Coyne, Mastering Engineer, StudioPersonnel - Todd Simon, Trumpet, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Bjørn Gjessing, Recording Engineer, StudioPersonnel - Michael Milosh, ComposerLyricist - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, Viola, Violin, AssociatedPerformer - Thomas Drayton, Bass, AssociatedPerformer - August Rosenbaum, Piano, AssociatedPerformer - Itai Shapiro, Guitar, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

6
3 Days
00:04:14

Tom Coyne, Mastering Engineer, StudioPersonnel - Elizabeth Lea, Horn Arranger, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, Horn Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Rebekah Raff, Harp, AssociatedPerformer - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, Horn Arranger, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

7
One Of Those Summer Days
00:04:31

Tom Coyne, Mastering Engineer, StudioPersonnel - Todd Simon, Trumpet, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, Viola, Violin, AssociatedPerformer - Thomas Drayton, Bass, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

8
Major Minor Love
00:03:55

Tom Coyne, Mastering Engineer, StudioPersonnel - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel - Bjørn Gjessing, Recording Engineer, StudioPersonnel - Michael Milosh, ComposerLyricist - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer - Thomas Drayton, Bass, AssociatedPerformer - August Rosenbaum, Piano, AssociatedPerformer - Itai Shapiro, Guitar, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

9
Hunger
00:03:29

Tom Coyne, Mastering Engineer, StudioPersonnel - Elizabeth Lea, Trombone, Horn Arranger, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, Guitar, Recording Engineer, Horn Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Rebekah Raff, Harp, AssociatedPerformer - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel

℗ 2013 Polydor Ltd. (UK)

10
Woman
00:02:38

Tom Coyne, Mastering Engineer, StudioPersonnel - Todd Simon, Trumpet, AssociatedPerformer - Robin Hannibal, ComposerLyricist - Rhye, Producer, Mixer, String Arranger, Guitar, Recording Engineer, Horn Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Michael Milosh, ComposerLyricist - Tracy Wannomae, Clarinet, Flute, Saxophone, Horn Arranger, AssociatedPerformer - Mads Oustrup, Mixer, StudioPersonnel - Tom Lea, String Arranger, Viola, Violin, AssociatedPerformer

℗ 2013 Polydor Ltd. (UK)

Albumbeschreibung

In 2010, Mike Milosh flew to Denmark to work on a Quadron remix with that duo's Robin Hannibal. The collaboration grew into another duo, named Rhye, which released two singles on Innovative Leisure in 2012. Milosh and Hannibal weren't forthcoming about being behind the achingly romantic soul-pop elegance of "Open" and "The Fall." Once word got out, it seemed forehead-smacking obvious to anyone familiar with Milosh's solo albums and Hannibal's many involvements, Quadron included. Rhye's Woman, released on a major and front-loaded with the first two A-sides, is an ideal fusion of the two instrumentalists and producers, whose sound is enhanced -- never overstuffed -- with horns, woodwinds, and strings, including harp. Tempos rarely break a breezy pace. When they do, they arrive at just the right time, during the album's latter half. The lilting "3 Days" echoes the Blue Nile's "Tinseltown in the Rain," while "Hunger" is breathy boogie, like a sequel to Owusu & Hannibal's "Lonnie's Secret" with surprisingly well-placed horn skronks. In the main, the purpose is bedroom listening, though the tone is so bright that daytime play seems most suitable. The lyrics are packed with metaphors, yet they are expressed in a heartrending and inviting manner. They don't get more explicit than "I'm a fool for that shake in your thighs" -- the album's opening line. Milosh's voice, high and sigh-like, is frequently likened to that of the significantly deeper and richer Sade but is closer to that of Michael Franks. Beside Hannibal, he's made his most expressive and pleasurable material to date. Anyone new to Hannibal's work should start with Quadron's self-titled album and then check the group Boom Clap Bachelors, the album Living with Owusu & Hannibal, Szjerdene's "Lead the Way," and Leon Ware's "Orchids for the Sun." Milosh has three albums on Plug Research, home to Quadron, all of which are worth some time.
© Andy Kellman /TiVo

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